Song that can be listening with pleasure. Perfect realization. Very nice work. Bravo.

hoho… der Bass is nich von dieser Welt…

Die Transition mit den Strings is göttlich

Der Sound passt perfekt zur Coverbildkulisse…

Du Meister der KKK …klassischen Kinokulisse… verzückst immer wieder… Grandioses Musikstück!!!

gorgeous composition and masterful production

Daily Drops

Brain Storm

The Road To Promise

In My Mind

In My Mind -with AnandaTuk

This is my first time collaborating with DJTJ a.k.a. Tim @https://soundcloud.com/user-201274463, I produced this track built around the backbone of two rhythmic stems that he sent my way. Always fun to connect with a new artist. Check out Tim's page to hear more cool experimental electro sounds!

Flood waters - w/ DJTJ West End Chops

Cosmic Restoration

Original music and mix, arrangement and playing all instrument J.J. Terrell
All guitars, bass and final mix by Neno J.
Check out J.J. Terrel on SoundCloud: @j-j-terrell

Enlightenment (Collab with J.J. Terrell)

Leave it to time

If something seems outrageous to you,
You are outraged from the bottom of your heart,
Don't get up, don't try to argue,
Don't touch it, leave it to time.
On the first day you will cowardly scold yourself,
On the second, you will accept your silence,
On the third you will have overcome it,
Everything is important only for hours,
Anger is a consumptive and a poisoner of life,
Time is balm and peacemaker.
------------------------------------------------
Überlaß es der Zeit

Erscheint dir etwas unerhört,
Bist du tiefsten Herzens empört,
Bäume nicht auf, versuch's nicht mit Streit,
Berühr es nicht, überlaß es der Zeit.
Am ersten Tag wirst du feige dich schelten,
Am zweiten läßt du dein Schweigen schon gelten,
Am dritten hast du's überwunden,
Alles ist wichtig nur auf Stunden,
Ärger ist Zehrer und Lebensvergifter,
Zeit ist Balsam und Friedensstifter.

"Theodor Fontane (1819 - 1898), German writer, journalist, storyteller and theater critic."

serenity

Savage

A remixed oldie. Warning: The lyrics of this song contain depictions of interpersonal violence and suicide. That said: Hello… Glad you dropped by. Since I have been busy gardening lately, I haven’t been on SoundCloud all that much. But today… June 17th, it has been cold and rainy, with some snow (yes, snow!) predicted for tonight. So I have tarps and covers ready to go, to cover the frost sensitive plants. Years ago, when I first posted songs here, my exuberance often blinded me to just how bad those songs were. So I ended up posting and deleting songs all the time. Once a dude asked if I was using a mic, as the ‘white noise’ machine hiss of the HD was unbearable. He said it in the kindest of ways. I did end up getting a mic and also did a song thanking him. Other times, I used to introduce my songs with a deep, drawling voice. That was hilariously comedic. Another dude laughed so hard when I was first learning to sing. I posted a song with me warbling from baritone to high falsetto…. OMG. Later, I laughed too. People here were graciously patient and kind as I struggled to learn music way back when. Unlike a friend’s parents who chased him in an effort to take away his banjo and he never played music again. So thanks for bearing with me, as I test out vocal harmonies that really don’t work, or just wing a song, with no rhyme of reason. Or when I rant and howl about this or that. Because that kindness has allowed me to explore music in a way I never would have before.  Mark

Lammbone's Album

Equanimity And Loss

Life Cycles

Ghost Tape VI - Black Bile

Beet It Back-Mostly Acoustic Version

Our Dog

This track came about over a period of time, adding little riffs of piano and finally, Simon creating an electronic 'ground'. It's a bit of a collage. I wondered if it was going to work at all. Now, I like it.

Frontier

Flickering memories and faded feelings — “the same old story: tape 1” by instagram.com/ubilam is a liminal four-track EP filled with melancholic moments, like forgotten recordings from a dream you once lived.

ubilaM - ex post facto

Dive into a world teetering on the brink with "Outbreak Origins," a compelling collection of 10 meticulously crafted music tracks designed for survival video games. Each composition within this anthology encapsulates the haunting echoes of desolation, the unwavering pulse of hope, and the relentless grit necessary to endure against all odds.

"Outbreak Origins" carries players through the chilling breeze of abandoned ruins, the eerie silence of forsaken cities, and the heart-pounding dread of unseen dangers lurking in the shadows. Each track is a high-quality audio narrative, embodying the essence of survival amidst relentless adversity.

Crafted with a fine-tuned sense of atmosphere and emotive resonance, the music within "Outbreak Origins" is more than just a background score; it's the unseen companion of every survivor, the rhythmic heartbeat of persistence that propels players forward through each challenge thrown their way. With a blend of orchestral richness, ambient textures, and modern synth elements, this collection traverses a wide sonic spectrum, ensuring a deeply immersive experience for players.

Tailored for game developers and content creators, "Outbreak Origins" is a royalty-free treasure trove, ready to be seamlessly integrated into your projects. Its thematic resonance and auditory depth are engineered to enrich the narrative and atmospheric essence of your game, ensuring a harmonious marriage between visual and auditory storytelling.

Whether your game narrates a post-apocalyptic struggle, a harrowing journey through uncharted lands, or the desperate fight against an unseen menace, "Outbreak Origins" provides the sonic canvas to paint your narrative with shades of fear, hope, and the indomitable spirit of survival. Let the haunting melodies and resilient harmonies of "Plagued Bastion" escort your players through the harrowing yet exhilarating journey of survival that defines your game.

5 - Phat Phrog Studios - Outbreak Origins - Ghoul Grind

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

serenity

Frank Mehl

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