This is a 2002 interpretation of Samuel Barber's Adagio for Strings, taken from Barber's original 1936 score. The piece was arranged in Cakewalk 9. Synth sounds are from a Kurzweil K2500 keyboard.

Adagio for Synths (2002, From the Archives) An Interpretation of Barber

蝕 Erosion

On the album Things That Go Bump: https://wormholeworld.bandcamp.com/album/things-that-go-bump.

Sahara

After this I saw: the temple, the tabernacle in heaven, was opened, and out of the temple came the seven angels who had the seven plagues, clothed in pure, bright linen and girded around the chest with golden belts. And one of the four living creatures gave to the seven angels seven golden bowls full of the wrath of God, who lives forever and ever. And the temple was filled with smoke from the glory of God and from his power; and no one could enter the temple until the seven plagues of the seven angels were finished.

Danach sah ich: Es wurde aufgetan der Tempel, die Stiftshütte im Himmel, und aus dem Tempel kamen die sieben Engel, die die sieben Plagen hatten, angetan mit reinem, hellem Leinen und gegürtet um die Brust mit goldenen Gürteln. Und eine der vier Gestalten gab den sieben Engeln sieben goldene Schalen voll vom Zorn Gottes, der da lebt von Ewigkeit zu Ewigkeit. Und der Tempel wurde voll Rauch von der Herrlichkeit Gottes und von seiner Kraft; und niemand konnte in den Tempel gehen, bis die sieben Plagen der sieben Engel vollendet waren.

Seven Shells Of Anger

A Moment of Ambience

Wired

https://distrokid.com/hyperfollow/carameladora/follow-me 
"Good company in a journey makes the way seem shorter." 
Izaak Walton

Carameladora - DREAMS

Bandcamp

Beloved

154 - Easing

LONELY TRACES

We make soundtracks for scenes in movies we imagine.
Video: https://www.youtube.com/watch?v=dWIZ4SP-uNA

Evasion

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Seven Shells Of Anger

Frank Mehl