te amo!❣

After this I saw: the temple, the tabernacle in heaven, was opened, and out of the temple came the seven angels who had the seven plagues, clothed in pure, bright linen and girded around the chest with golden belts. And one of the four living creatures gave to the seven angels seven golden bowls full of the wrath of God, who lives forever and ever. And the temple was filled with smoke from the glory of God and from his power; and no one could enter the temple until the seven plagues of the seven angels were finished.

Danach sah ich: Es wurde aufgetan der Tempel, die Stiftshütte im Himmel, und aus dem Tempel kamen die sieben Engel, die die sieben Plagen hatten, angetan mit reinem, hellem Leinen und gegürtet um die Brust mit goldenen Gürteln. Und eine der vier Gestalten gab den sieben Engeln sieben goldene Schalen voll vom Zorn Gottes, der da lebt von Ewigkeit zu Ewigkeit. Und der Tempel wurde voll Rauch von der Herrlichkeit Gottes und von seiner Kraft; und niemand konnte in den Tempel gehen, bis die sieben Plagen der sieben Engel vollendet waren.

Seven Shells Of Anger

This song is entitled "First In My Heart" because it was the first new song I created in 2012. It has never been heard or developed until now in 2021. It has been in a vault of songs that no one has ever heard. This song helped me to get back to writing music.

First In My Heart

Minacious + City of Broken Glass + processing + more processing + even more processing = Commensalism

Commensalism

Aurora II

Space Games

Hypnotic Jump

Atlas was inspired by the book Atlas Shrugged by Ayn Rand. The female narrative within the track is Rand herself taken from an interview with Mike Wallace in 1959.

Atlas

Please support me on a streaming platform near you:

Apple Music:
https://music.apple.com/dk/album/sigfus/1598365947?l=da

Spotify:
https://open.spotify.com/album/44yQrvCwAdhdd9oxf1h0ha?si=cdFaKXTXT3m-nE0oBdSMlg

YouTube music:
https://music.youtube.com/playlist?list=OLAK5uy_ml03CY2F02mKhuWzXSWVL_oz656uPnKYs&feature=share

Thank you!

Descendant

The Expansion of Infinity

In 2019, after releasing my single Distant Visions, a fan reached out and said:
“Almost sounds like something from a second interstellar suite.”

That one sentence stirred something in me. It took me back to The Maestoso Interstellar Suite—a work I originally released in 2006 and expanded into a double-disc experience for its 10-year anniversary in 2016. I began to ask myself: Is there more to explore in that soundscape? Could there be a continuation—not a sequel, but a new frontier?

At the time, I had also released a companion version of the suite: a more accessible, “radio edit” style reimagining called Singularities. It wasn’t just a shortened take—it was a different perspective. Like looking at a galaxy from another angle.

And now, Singularities has found its true home—as the next entry in a new, ever-evolving musical journey.

Welcome to Infinity

Infinity is more than a project. It’s a living archive. A space where reinterpretations and original compositions coexist. Ambient. Orchestral. Space-driven. Timeless. It has no definitive ending—only a series of unfolding volumes, each offering a glimpse into the same emotional cosmos from a different light.

Infinity Volume II – Singularities

This volume reintroduces the material from The Maestoso Interstellar Suite through a reframed lens: shortened, accessible, and arranged to stand on its own as individual pieces. If the Suite was a continuous voyage, Singularities is the constellation map—each track a star with its own identity, orbiting the same emotional core.

Originally created as an alternate listening experience, this version of Singularities now shines as a fully realized volume within Infinity. It respects its source material while offering something more focused—more immediate—without losing depth.

Where It’s Going

The Infinity series continues to grow. Each volume refines, reimagines, or reaches beyond what came before. And there’s more to come:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

With each step, I revisit and reshape ideas I once thought complete. And with every new piece, I get closer to the sound I’ve always heard in my head—now finally possible with the tools I have today.

Maybe it’s unconventional. Maybe it’s a little obsessive.
But that’s Infinity—and it’s not supposed to end.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity2BC  

Movement X (General Relativity)

Exposure to the Elements

If you enjoyed this track, please like, comment, and follow to hear more music like this. If you know someone who would appreciate my music, feel free to share this track with them.

Follow me on my social media links to stay up-to-date with my latest projects and releases. Thank you for supporting my work!

https://linktr.ee/xinferis

The Last Confession of the Machine Priest

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Seven Shells Of Anger

Frank Mehl