incredibly lush sound and the woodwinds are so artfully arranged!

what an interesting sound story - love the Egyptian vibes and those gorgeous flute lines!!

Superb - sehr spannend mit einer gewissen Dramatik

beautiful ethnic ambience and lush soundscape

Love the cinematic percussion, powerful harmonic progressions and the production quality is top notch

Solo Piano - Chris Bright

at once (storm rolls in) 0513 - 5:14:22, 5.05 PM

Space Games

Divin' Into The Galactic Swamp

Lyrics, vocals: https://soundcloud.com/modesaboutme & https://soundcloud.com/themysteriousdecibel

Music, production: RUIZZOIDMAN

PARENTAL ADVISORY (with Modes About Me & The Mysterious Decibel)

And Would You Mind If I Hide Inside Your Beautiful Novalunosis ?
Lyrics
I Lost Myself Inside Myself
Could I be Somebody Else ?
I Lost Myself Inside Myself 
Dont Want To Be Left On Your Shelf
Anxiety Is A Seed Inside Of You And Me
I Dont Want To Germinate
Struggle And Strife Enough In My Life
Ive Got Enough On My Plate
Chorus
And Would You Mind If I Hide Inside
Your Beautiful Novalunosis ?
Wounds Opened Wide
And All The Pain Inside
Let Me Hide From The Human Psychosis

I Lost Myself Inside Myself 
Dont Want To Be Somebody Else
Uncertainty Is A Seed Inside Of You And Me
I Dont Want To Germinate
An End To My Night
Bath In Your Sweet Delight
Let Me Stargaze Upon Your Face
Chorus
Solo
I Found Myself Inside Your Beautiful Novalunosis
A Salve To My Wounds
You Do Me So Good
Im Stargazing Upon Your Face
Now Kiss Me
Before Its Too Late

NOVALUNOSIS

Fumagated Integrity

performed & produced by naldo & guillaume
drums by greek god yannis alfiers

......

DiminishCapacity 20230113 DlEQ3

Diminished Capacity

Kerma was built in 2500 BC and resisted the Egyptians for a millennium. Today, an uninformed eye has trouble finding the traces of that time. We see only a ruin of sand-colored, unfired bricks: the deffufa, the former place of worship. The ground around it still suggests the foundations of houses.

A thousand years after its beginnings, the kingdom of Kush had grown so large that it stretched between the second and fourth cataracts of the Nile, more than 700 kilometers. Trade flourished because gold, ivory and ebony had to take this route on their way from the interior of Africa to Egypt. For the pharaohs of the 18th Dynasty, the rulers on the southern border of their empire became too powerful. Around 1550 B.C. Thutmosis I and Thutmosis II advanced successively into the Upper Nubian Nile Valley. The fighting for Kerma lasted a long time, but by the end of the century the city had been conquered and destroyed. After the destruction of Kerma, the Egyptians occupied Upper Nubia until the fourth cataract of the Nile. Nobody knows what happened to the Nubian kings after that. Archaeologists lack any trace of them. But in Napata, below the fourth cataract, they reappear. The new capital of the Kush Empire lay not far from the Nile and was a crossroads of trade routes. In front of its gates loomed the Chebel Barkal.

The Nubians regarded the plateau as the seat of the god Amun, the god of kings, whom the Egyptians also worshipped. The Chebel Barkal has some requirements. You have to climb it early in the morning or an hour before sunset, otherwise you will perish from heat during the ascent. To the east, a 75-meter-high rocky needle stands out. Its peak has contributed a lot to the legends surrounding the mountain. For the ancient rulers saw in it a uraeus, a cobra. And the snake was the totem animal of the pharaohs.

The Dawn Of The Nubian Pharao

I am curious how my, or anybody's, musical output is altered by actual life. Usually, well, at least over the last bunch of years that I've been posting here. I can't really say because both the music and life are in a constant flow. This last year though the music and my normal day to day life were somewhat interrupted. I seem to be settling into a familiar but slightly different approach. Although most of my curiosities remain. This piece is really a reframing. That's what I like to call it when I cover a song by someone but keep the original vocal. In this case Ian Stephen. As a change of pace I am actually playing, as a bassist with Mr. Stephen. I must say it delights me that for once I can share one of my musical portraits with the subject. It's also fun to ponder why I've changed, in my own music, what I have.

Let Elvis Free

Hollywood Affair - Sun in your eyes Remix - 100 Bpm

A long dormant collaboration with Paul Stokes using my original track 'Ruins' as a starting point, taking it in a more orchestral / soundtrack direction

'Ruins' composed and arranged by Ryan Pettifer
Production and mix by Ryan Pettifer
Additional instrumentation, production and mix by Paul Stokes

Degrees of Decay {REDUX)

Before the Fall (with Paul Stokes)

Remix from, What I need is somebody, together forever & ever :)

What I need is somebody...

What I Need Is Somebody...remix

Unfortunately SC once again doesn't allow regular comments. I'm trapped in a continuous loop to solve a puzzle, send the comment and it opens again this puzzle page that wants to check if SC is dealing with a robot...
🤖

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

The Dawn Of The Nubian Pharao

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

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Andrew Raine 1

Midisound

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