The flickering glow  of spring flowers  as sunlight fades.

Started off resynthesizing a short field recording of crickets, birds and distant highway traffic motorbikes 
All parts generated in Metasynth- image synth and effects rooms- basic mixing in Logic.
Custom sampler in meta synth from gas bottle drum and other metals, xylophone and cello sampler instruments in Metasynth

Flowers in the Dusk Light

A simple idea: what if an astronaut on a mission was hurled into space, like in the movie "Gravity"? His spacesuit still offers him an estimated 45 minutes of oxygen to breathe. He floats close to the orbit of a planet, but its gravity is too weak. But even if it were strong enough to bind him to it, what then? He dives into the atmosphere and...burns up! So he floats through the darkness of space for an infinite 44 minutes until he passes out. True, with a fantastic view in 360 degrees...but what's the use?

We are SO small that after 45 minutes (44 minutes because the unconsciousness will occur before) we have hardly put back more than a few kilometers. Kilometers in which our entire life runs like a movie in front of the mind's eye. 

We are small in view of the sheer infinite size of space!

Floats with me through this space...not even for 5 minutes!

The retrospective view of an astronaut floating through space

Featured on the album 'Welcome to Dystopia Land' https://on.soundcloud.com/vX696

Girl Friend

Began as an exercise but I think it's worked out reasonably OK (represents progress for me anyway). It's quite long (sorry) - I tried to shorten it but couldn't really. Also tagging as classical may be pushing it a bit but is probably closest - or maybe should be soundtrack? Don't know.

Many thanks to Jonathan Beckenstein for his encouragement with this track.
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Produced arranged composed & mixed (inexpertly) by Wheelwright in bedroom.
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Original image (detail) Kristine Cinate https://unsplash.com/@kristine_cinate

In Sight Of Spring - Instrumental

Chapter 128 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA Vol. 8 is now available exclusively on Bandcamp: https://belialpelegrim.bandcamp.com/album/taffeta-vol-8

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | 128

Use. Abuse. Obtuse.

Titanium

overdrive

ALONE IN SPACE

What remains of us

Ambient soundscapes for your pleasure, relax, chillout and enjoy.

ETHEREAL - A HYMN FOR THE HAUNTED

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

The retrospective view of an astronaut floating through space

Frank Mehl