The best film score of the year🙏🎻🎬

oh, so lovely...so calming...beautifully played...and when those pads come in...just gorgeous

You, sir, have a lot of great music in your head.  This is beautiful!

All good things come in threes. Again, the third part is the best and resembles a real movie soundtrack! Since Space Cats love dynamics, I especially like the section from 1:54! If you ever go to Hollywood, Hans Zimmer will start to worry... 😊

what a wonderful musical triology you created here. such a joy and full of emotions.

@rinalymusic @KenanSavrun Sinan Arsan @donnycarrmusic *thommo* Ren Faye 𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁 @roger_shah @SusieLedge 7ROSES & INVIRON @Ingerhansen @DJ_T_H Cyre @LinneaSchossow Alex Nomak @n_ksking Yamil I AM JAS Derun Raw Main Jaoquin Benabentos

In The Predawn Darkness Penumbra #3649

I composed this music with the image of dramatic dance music. This is the first time I've written a music like this.

ABSTRACT SPHERE

'Out of the shadows, Kenan Savrun and Sinan Arsan come into the light from a distant "Penumbra". A dominant bassline holds sway against rhythmic hypnotism before a rippling arpeggio illuminates in dazzling light across Ankara skies. A powerful force of nature cascades across the celestial heavens as returning Latvian heavyweights create a pounding elemental energy. Magnetic fields create an unseen stage from which Blood Groove and Kikis emerge from a new "Penumbra" of iridescent light and familiar rhythmic flow.

Mexican innovation lights up the night sky with a running ring of bassline fire and dazzling emotion; Hot TuneiK sheds new light on recognisable motifs that shimmer and shake in a bright vision of sonic splendour. Out of Salt Lake City, Donny Carr provides a dazzling interpretation where shards of aural intensity emerge from the "Penumbra". Clarity of purpose delivers exquisite new stanzas that resonate in familiar and mesmerising patterns resulting in smooth, ethereal symmetry.'

Follow: @donnycarr // @kenan-savrun // @sinanarsan // @themangoalley

Kenan Savrun & Sinan Arsan - Penumbra (w/ Blood Groove & Kikis, Donny Carr, Hot TuneiK remixes)

Premiere: Kenan Savrun & Sinan Arsan - Penumbra (Donny Carr Remix) [Mango Alley]

The ruins are often the first to open the view to the sky.

Wie oft sind es erst die Ruinen, die den Blick freigegeben auf den Himmel.

The Sword Of The Downfall (The End)

Well, its been six months since I last released a track and who better to create a new song with but the incredible Ren Faye! We wanted to create something upbeat, something chilled yet positive - and here it is. 

Hope you like it!

You can hear more of Ren's work at 
https://soundcloud.com/renfaye-1

Sunset Sky (feat. Ren Faye)

Sail Away

In The Predawn Darkness

Let´s send heresy on the dance floor - and add a dark shading ...

Written for the 2021 Darksiders Halloween compilation 2021

(Artwork: Francisco de Goya, Capricho No. 53: ¡Que pico de oro!, 1799)

Lass den heiligen Geist

checking out the very cool free synth Surge 1.9, which is used in 6 instances ! only two drum plugins additionally ..... just some fun with a synth, and a nice melody ;-) ... photo: Benaja Germann, unsplash
https://surge-synthesizer.github.io/

cloud castle

... just some funky fun ;-) ... with guitar exercise & alto saxophone ...
photo: Rodrigo MorCal, unsplash ...... why the Golden Gate Bridge ? ... I associate it with 70s funk :-)))

funk it up

A Place they call Shangri-La

time goes by but we have not learned anything, I want music and not war

Make Music Not War

Fall In Love(Again)

Nonsense, just nonsense! Hopefully, the listener will feel like someone kicked down their door, rants for 3 minutes, and then leaves. 

Lyrics:
Riding my bicycle
I was 8 years old
Riding to the Biblioteca
What the heck does that get ya?

Hey! Speak up asher bard
They say your miseries are symphonies
Hey, what are you writing in that notebook?
You know I say: I'm a poet
But, I make my own hours
That's how you know that you really own it
That's how you know that you've really made it
I've been playing a fool for so long
But I will probably do it again
If you insist
Hey, c'mon, everyone
Give it up for the band!
I've been  trespassing on salvation
I've been speaking in binary code
I'm an observer in slo-mo

Let's disseminate the movie of my life
Cue the split screen
It's like some kind of cosmic universe blooper reel
I'm trying to document the way that we feel
It's 3 AM in the rain
And I'm staring at myself
It's 3 AM in the rain
Can you not see yourself?
Oh, let's give it up
Give it up for the band!

Let those good vibes shine!

I've been thinking about the matter
And the anti-matter
I've got some kind of Dostoevsky skin disease (cough)
You know what I mean?
I've got the aftershave and undertones
The poet's got the loneliest nose
For the way things go

The biblioteca, what the heck will that get ya?

Good Vibes

INTERSTELLAR (HOUSE) (Remix) PART 1

#classical #electro #electronica #epic #experimental #piano #cello #violins #abrasif

Music for movie 6

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Wow, hadn't realised what a journey SoundCloud would take me on.  After many years of passive listening to music I've dieted on a variety of tastes. My appetite for new sounds is undiminished and SC provides plenty of food. I am not a musician and have only recently started to listen positively to the sounds. My early years began listening to music from ABC, The Beatles, The Carpenters Dire Straits Eagles Fleetwood Mac Genesis Elton John Led Zeppelin Gilbert O'Sullivan Rod Stewart Supertramp Tangerine Dream Vangelis The Who and many more.
If you can't spot a trend in my current likes it may be because it is diverse. I love listening to all my playlists which contain tracks that I like and if you like any of the music you must thank the artists not me.

The Sword Of The Downfall (The End)

Frank Mehl

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Fullyard

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