Great composition. Very cinematic and captivating themes.

Love that vocal as a prelude to the beat kicking in. Brilliant sound design as well 🙏🔥🙏

Oh diesen Wechsel in EDM habe ich nicht erwartet. passt erstaunlich gut.

An amazing mix of genres ! Great piece. Usually each of your works is a world. This world contains several other worlds !

Original music by : FPMORINSTUDIO/Francois Pierre Morin composer

2 Line 3 Time 2023 Theme Soundtrack

Dance (John Stone)

I heard the weather report
And it’s worse than we thought
Because of all that we’ve done
Now there’s nowhere to run
The sun's getting hotter
The sea's on the rise
Before long the water is up to our eyes
There’s floods on  the earth 
And fire in the skies


We all thought we’d be fine
Yeah we’ve had a good time
But we were wrong when we guessed
That we’d always be blessed
Now we can’t drink the water
We can’t breathe the air
There’s not enough left for the people to share
It’s too late to panic
It’s too late to care


If we are reaching the end of the line
Walking as if in a trance
It’s already too late
To alter our fate
But while we still can we can dance

As we’re approaching the ending of time 
Caution is thrown to the wind
Kick off your shoes 
And surrender the blues
Forgive us, oh Lord, we have sinned!

So we dance

Dance dance dance dance

Dance like there’s no tomorrow
Dance to the beat of a funeral drum
Dance like there’s no tomorrow
We can Dance till the dawn that’s not going to come

Dance

A-Amanita Muscaria

Dreamy Strat live rec

WoodBassCreakStrings

69er

Liquid Quartz Fieldz

Just a game

When we were children, we played in the forest,
built houses and played family games.
We played on the climbing frame,
WERE PIRATES ON THE WILD SEA.

We dreamed of being adults.
At some point, we grew up and stopped playing.
Because the games we used to play became bitterly serious.
We dreamed of being children again.

🏴‍☠️

THE TAVERN OF THE VILLAINS

Victory

Black Wings feat. joerxworx & Martin Jansen

🐠 Muddcorp & Mesomorph - Selected Live Cuts 🐉

We are very pleased to share with you some selected cuts coming straight from our improvised live hardware sessions, most of these cuts are just two-track raw stereo recordings with a bit of mastering, enjoy!

Tom & Jean

Mastered at Studio Morph Brussels

📸 Live at 10 Years of Ginko Synthese (De Besturing, NL, 2022)

@mudd-corp

Muddcorp & Mesomorph - Trance Medium (13.05.24)

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

THE TAVERN OF THE VILLAINS

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

Recent comments

OrangeLight

Midisound

Ralph Bilouppie

weirdness without conviction

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