Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

Bass Foundation Roots is Delhi Sultanate's sound system. BFR is based in New Delhi India and is all vinyl .. one of the few reggae sounds that still cuts all dubz on wax. Delhi Sultanate makes an effort to cut specials rather than dubplates so a lot of the tunes you hear on this sound you will not hear anywhere else...

BFR runs a monthly night in New Delhi and a weekly radioshow called Truths&Rights on http://dubforceradio.com

Tune in every Wednesday 12 pm (JA) 6 pm (UK) 10:30 pm (India)

BFR has been building up a serious dub box and is looking to be a serious clash sound system coming out of India.

Zindabad

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

www.shanemendonsa.com

Shane Mendonsa is a composer and producer. He composed for the National Award-winning indie films, Placebo and Just That Sort of a Day. Having produced and arranged for SEL for the past decade, he’s called upon to freshen up tracks and come up with catchy hooks and melodies. In his earlier days as one of India’s first EDM producers, he hit #1 on the US iTunes dance chart and #5 on Beatport. And in his own music, he constantly pushes his art into new frontiers with technology, technique and practical applications. Shane has played with some of India’s top jazz musicians as a groove technologist, and has performed at top music festivals around the country.

The Rural Alberta Advantage's percussive folk songs about hometowns and heartbreak, and relentless tradition of touring have taken the trio from humble recognition amongst indie rock die-hards as "Canada's best unsigned band" to sold-out tours and devoted fans around the world with featured coverage from Spin Magazine, Pitchfork, The New York Times and Rolling Stone all taking note. The band has been nominated for two 2012 Juno Awards (Best New Group and Video of the Year for their song “Stamp”), long listed for the 2011 Polaris Award, and awarded the CBC Music Prize for Best Independent Artist in 2014.

The RAA has released three albums on Saddle Creek/Paper Bag Records: Hometowns (2009), Departing (2011) and Mended With Gold (2014). The trio of Nils Edenloff, Paul Banwatt and Robin Hatch will be hitting the road for set of road testing shows to preview the new material they’ve been working on and carve out these new songs in front of their fans in a live setting before returning home to record in between each run. The tour will swing through some of the band’s favourite venues across North America and Europe throughout 2016/2017.

Some words on The Rural Alberta Advantage:

““Regardless of your tastes, if you care about drums at all, Mended With Gold is a must-listen.” –Pitchfork

“The Rural Alberta Advantage are best seen live, where their acoustic crescendos and Nils Edenloff's Jeff Mangum-esque vocal acrobatics impress most.”  -Under The Radar

“There's something that just makes you want to root for them -- as Edenloff introduced "Tornado '87", a song about a twister that ran through Edmonton, one of the many Canadian bros in attendance shouted: "I LOVE TORNADOS!" That's making a connection.” – Coachella Festival coverage, Pitchfork

“The intensity of like “Stamp” and “Don’t Haunt This Place” lean on Banwatt’s marathon-runner stamina and fills, and it’s safe to say the band’s great melodies wouldn’t sound the same without him.” – “The 10 Best New Rhythm Sections”, Paste Magazine

“The crowd sang along to all the ‘oohs’ and danced to songs like The Deadroads and Frank, AB, even demanding an encore that would never materialize in a festival like this. Will this show rate among the weekend’s best? Too early to say, but it’s a strong contender.” – Montreal Gazette at Osheaga Festival

Film production. 
Soundtrack recording studio. 
From Moscow with love.

Contacts
 
For Management Enquiries:
Aude Malhere
aude@nowadaysrecords.com

For Booking Enquiries : 
Vincent Cron
vincent@bleucitron.net

Bio 
Fakear's electronic collages are inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. 
Having established a fervent fanbase in his native France, Fakear has gifted his globally-tuned dance music to an even larger audience after dates supporting Bonobo and ODESZA across the US and Canada. He’s made waves in the UK as well, garnering deserved notice from a consistently attention-catching figure herself—M.I.A.— who tapped the young phenom to produce tracks on her latest record and asked him to perform at her Meltdown Festival in London. His last record "Talisman" sees him tap in his old influences, but with the experience and techniques of his 10ish years experience in music producing.

Fraz Alam is following