ATTAN’DATTE - 在ったんだって (2020)

Partons du silence, de l’oreille, de la naissance du son, de sa trajectoire, de 
son existence physique, et de ses états limites…   
Je ne raconte pas d’histoire, après tout nul n’est tenu à une forme, je compose une musique qui demeure sans « pourquoi ».
 Je dirais que je négocie avec le réel, l’ordre grégaire des événements, la surprise, la désynchronisation de notre environnement...

Daniele Vulpiani was born in Rome in 1989.
His musical ideas are connected with architecture, philosophy and studies on perception.
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Daniele studied composition with Marialuisa Balza at PIMS in Rome and with Daniele Bravi at “U. Giordano” Conservatoire in Foggia. He also graduated in philosophy at “Roma Tre” University in Rome. He then studied at “Accademia Nazionale di Santa Cecilia” (Rome) with Ivan Fedele (composition) and Michelangelo Lupone (electronic music). Daniele enhanced his studying experiences by attending several masterclasses with Stefano Gervasoni, Eero Hämeenniemi, Mauro Lanza, Marco Stroppa and Francesca Verunelli.
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Among some of the remarkable ensembles and soloists that have performed his music are Quatuor Diotima, Concrète [Lab] Ensemble, Blow Up Percussion, Kuopio Symphony Orchestra's Brass, Echéa Quartet, Quartetto Sincronie, Arrigoni String Orchestra and Ensemble Novecento conducted by Pasquale Corrado, h[t] DUO, Duo Dubois, pianists Anna D'Errico and Maurizio Paciariello, harpsichordist Davide Cicconi, euphonist Marina Boselli, cellist Helena Švigelj, saxophonist Alberto Napolitano and flutists Keiko Murakami, Renata Guzik and Iwona Glinka.
His music is published by Stradivarius Edizioni (Milan) and Da Vinci Publishing (Osaka).
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Daniele's work has been performed at major festivals and venues like Impuls Festival (Graz), Miso Music Portugal (Lisbon), Auditorium E. Morricone - Parco della Musica (Rome), Festival ArteScienza (Rome), Signal to Noise (Trento), Teatro Politeama Garibaldi (Palermo), Castello Sforzesco (Milan), Kaivos-festivaali (Outokumpu), Španski Borci Cultural Center (Ljubliana), An Art Artistry (Athens), Narnia Festival (Narni), Teatro Concordia (San Marino), Festival Spazio Freon (Rome), San Vito Musica Contemporanea (Pordenone), Festival Rumore Bianco (Foggia), Pontifical Institute of Sacred Music (Rome).
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He won First Prize at the VI International Competition “SIMM 2021 – nuove musiche per clavicembalo” (Milan), Second Prize (First Prize not assigned) at the “2021 Busan Maru International Music Festival Composition Competition” (Busan, KR), and Third Prize at the “ICU International Composers Contest” (Odessa).
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He is currently teaching composition at "N. Sala" Conservatoire in Benevento (Italy).

Dr. Shuhan Hu, Chinese composer and music theory researcher.

She began learning music at the age of 4 from her father, composer and professor in composition. She has been working at the College of Music, Nanjing University of the Arts since 2008, teaching composition and orchestration. She received her PhD in composition in 2019 from the Shanghai Conservatory of Music. Now she is chercheuse en acceuil at CNSMDP, under the direction of Prof. Frédéric Durieux, and also a private student of Tristan Murail.

During her master's studies at Shanghai Conservatory, she became interested in spectral music and began to study it systematically. Her master's dissertation is entitled "Research on spectral composition based on OpenMusic". In 2015, Tristan Murail started to give regular composition masterclasses to the students of Shanghai Conservatory, and so she attended his composition classes every year thereafter, profoundly influenced by him. Today, she remains a private student of Professor Murail, having regular private classes with him at his home in Provence. During her doctoral studies, she focused on music centered on timbre and sound with her doctoral dissertation entitled "Morphology of Gestures and Textures in Contemporary Music Centered on Timbre and Sound and their Structural Functions". Besides, she has also published two articles on spectral music in the Journal of Shanghai Conservatory of Music, "Art of Music," a very prestigious academic journal in China: Deciphering the Code of Spectral Music: The Concept of Sound in Spectral Composition (Art of Music, Sept. 2010, pp.125-130); On Techniques and Means of Orchestration in Spectral Composition (Art of Music, Sept. 2015, pp.123-131). 

Recently, she also participated in masterclasses with Liza Lim, Yann Robin, Francesco Filidei, Mauro Lanza, Johannes Schöllhorn and many other well-known composers, and has also received their recognition.

Her major works include Xiao, for alto flute (which won the Ex aeqvo prize in the A category of the 2008 Youth International Music Competition); Streaming, for three Chinese plucked instruments (which won third prize in the 2008 "Music of China" International Composition Competition); Le Trou de neige, for ensemble (premiered by the Israel Contemporary Players, conducted by Zsolt Nagy in 2016); The Sea as My Blood, for trumpet, doubled-bell trombone and percussion (will be premiered by Elision Ensemble at the end of 2024); Lamps, and Slices of the Night, for large orchestra (premiered by the Shanghai Philharmonic Orchestra, conducted by Zhang Liang in 2016); Portrait: Flowing Water, for large orchestra (premiered by the Shanghai Philharmonic Orchestra, conducted by Zhang Liang in 2018); Happy, Lively, Vengeful Teeth, for piano trio (premiered by Ensemble Fractales, conducted by Jean-Bernard Matter, at Schloss Reichenau, Austria, in 2019) ; While the Fishes Playing the Sonata, the Deeper the Water Is, the Longer the Song Is, for quartet of doubled-bell brasses (premiered by Ensemble Musikfabrik in Dec. 2020); Les Fleurs de pêcher s'épanouissent à travers les fissures des os, for solo cello (commissioned by Radio France, premiered by Marie Ythier at Festival Présences 2022), etc.

Freelance composer and Senior Lecturer in music theory at the University of Music and performing Arts Vienna

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

ATTAN’DATTE - 在ったんだって (2020)

FredericDurieux