dancey

Funk 1

Freeform Five Remixes 2000 - 2012

Check out my website for free tracks http://www.freeformfive.com

http://facebook.com/freeformfive - like my Fan Page for more free tracks
http://instagram.com/freeformfive
http://www.twitter.com/freeformfive
http://www.myspace.com/freeformfive

Freeform Reforms

D-Reflection ft. Irma van Pamelen - Hard To Get

electro

Nice tracks souly funky

random

Romanthony - Trust (Freeform Five & Kevin McKay Reform) [Radio Rip - Monki / BBC Radio 1 / 1xtra]

Sugar Fix

Gentle Mystics - 'Awaken'

Sven dropping the mix at Cocoon closing in 2008 http://www.youtube.com/watch?v=aSWn052b7kM

Check out my website for free tracks http://www.freeformfive.com

http://facebook.com/freeformfive - like my Fan Page for more free tracks
http://instagram.com/freeformfive
http://www.twitter.com/freeformfive
http://www.myspace.com/freeformfive

Gabriel Ananda "Ihre Personliche Glucksmelodie" (Freeform Reform)

Remix from 2006's "Multiply Additions" CD & 12"

Check out my website for free tracks http://www.freeformfive.com

http://facebook.com/freeformfive - like my Fan Page for more free tracks
http://instagram.com/freeformfive
http://www.twitter.com/freeformfive
http://www.myspace.com/freeformfive

Jamie Lidell "When I Come Back Around" (Freeform Reform)

Remix from 2006.

Check out my website for free tracks http://www.freeformfive.com

http://facebook.com/freeformfive - like my Fan Page for more free tracks
http://instagram.com/freeformfive
http://www.twitter.com/freeformfive
http://www.myspace.com/freeformfive

Lindstrom "I Feel Space" (Freeform Reform)

Approved by Mr. Wilson himself & released in 2005 on ltd. clear vinyl 10".

Check out my website for free tracks http://www.freeformfive.com

http://facebook.com/freeformfive - like my Fan Page for more free tracks
http://instagram.com/freeformfive
http://www.twitter.com/freeformfive
http://www.myspace.com/freeformfive

Brian Wilson "Our Prayer" (Freeform Reform Vocal)

Debut Album HYLAS - Out on March 10th, 2014.
Pre-order now: http://po.st/HylasiTunes

Hylas 001

Red Eyes

Taken from the album 'Covers' originally released 22nd September 2003 as a Bonus Disc with the release of the 'Sleeping With Ghosts' album. 

The album is available individually on iTunes now:  http://www.itunes.com/placebo

Placebo - Running Up That Hill

Buy album 'TETRA' or EP : http://smarturl.it/iTunesTetra
Discover the Music Video of Down The Road here : http://bit.ly/Ts4Xyy
http://www.facebook.com/C2Cofficial
Twitter : @C2Cdjs
http://www.c2cmusic.fr/
Artwork by LVL Studio
Picture by Samuel Cornillet

Tetra

Down The Road

Perception Productions, a New York based label that ran from the late 60s through until 1974, was a strangely eclectic affair. Its roster stretched from a radical Afro-American poet through to the pop band King Harvest whose hit ‘Dancing In The Moonlight’ became a massive hit for the UK band Toploader a couple of decades later. The inbetween points covered jazz, funk, vocal harmony soul and proto-disco. In fact distilled down into this compilation the label provides us a view of Manhattan’s black music scene of the period, from the established greats to the fresh young things who would make their mark in the coming years. The two men who ran the label, President Terry Phillips and Boo Frazier burned brightly for that half a decade before almost entirely disappearing from the music scene.

Matrix - Dizzie Gillespie

"Obedear" by Purity Ring

from the album 'Shrines', out in Canada July 24th, 2012 on Last Gang Records

www.purityringsongs.com
www.lastgangentertainment.com

Purity Ring - Obedear

Zane Lowe BBC Radio 1 rip - Nominated at the 2013 IDMA for best lounge / chill out track.

Check out my website for free tracks http://www.freeformfive.com

http://facebook.com/freeformfive - like my Fan Page for more free tracks
http://instagram.com/freeformfive
http://www.twitter.com/freeformfive
http://www.myspace.com/freeformfive

Deadmau5 - The Veldt Freeform Five Remix

I wanna be your telephone

Claudja Barry - I Wanna Dance (Todd Terje Tangoterje Edit)

Ben l'Oncle Soul - Barbie Girl Live NRJ

recorded circa 2004 at daddy kev's pad in Echo Park, Los Angeles. this track was never released, but I figured it would be nice to give it away to fans of Eyedea to celebrate his life.

Lines

From the debut album. Download the Deluxe Version on iTunes here:
http://smarturl.it/flume_deluxe

Out in Aus & NZ on November 9
International release dates TBA.

www.facebook.com/flumemusic
www.flumemusic.com
www.facebook.com/futureclassic
www.futureclassic.com.au

© Future Classic 2012

Electronica

Holdin On

NEW FREE DL LINK: https://littlebeatmore.bandcamp.com/track/smile-davis-lost-one-remix

CLICK ON "FREE DOWNLOAD" TO DROP IT FOR FREE OR SIMPLY CLICK HERE AND LIKE MY PAGE:
https://www.facebook.com/woxowmusic
 
THANK YOU ALL

For Dj Booking: arkhease@gmail.com

Steady Hop version of "Lost One".
Background vocals by Queen Erykah.

Remixed by T.Melody @ LaVillettaSweetLife
www.thesweetliferecords.com - www.soundcloud.com/thesweetlifesociety
Big thanks to Coney Ty for the inspiration: www.facebook.com/coney.ty

Youtube: http://www.youtube.com/watch?v=Tps8xfpbWVg

Thanks to James Evans (Honk Kong Ping Pong) for sharing this as an Exclusively Free Download link via Spinforth's Weekly SoundCloud Scour #71.

Love
T.

FREE DOWNLOAD

Lost 'n Steady (Smile Davis Remix)

Chum

Earl Sweatshirt: Chum

Thanks to Jean de la Fontaine, everybody now knows the difference between the oak and the reed. One boasts a certain virile majesty, a welcoming shade, an apparent strength and solidity. The other is seemingly so fragile, yet of a suppleness that allows it to bend without ever breaking. 

A symbol of the ability to endure everything and anything, of being able to stand fast during even the toughest of times, Roseaux (Reeds) is a musical project that is understated, yet impassioned and utterly compelling, born amidst the stormiest times yet seen in the annals of the recorded music industry. Roseaux is a collective that brings together a radio music scheduler (who’s also a DJ) and various musicians, artfully blending the skills of a guardian of musical knowledge and all the artistic feeling that characterizes a group of musicians who have each taken many different paths in the pursuit of their passion.

Roseaux began with Emile Omar, a music-lover with tastes as diverse as they are insatiable who sniffs out sounds without regard for the dictates of musical convention and genre. Some ten years ago his musical inquisitiveness led him to take on the management of Radio Nova’s record collection and then to play his part in finding the musical ingredients for the station’s celebrated ‘Grand Mix’ of innovative sounds. This gave him the opportunity to create Nova Tunes compilations and box sets – an eclectic essence of rare refinement drawn from a selection of new sounds and past musical wonders. Ever since his teenage years, Emile has also been adept at getting people on the dance floor – so adept, in fact, that he now DJs at themed evenings, delving into a repertoire of  classic soul, house, reggae, disco and tropical music. In this way Roseaux’s roots are firmly anchored in a cultural subsoil that comes straight from the racks of record dealers who specialize in a very unusual type of music – that which is able to delight the body and fire the soul at the same time. 

About 5 years ago Emile developed the desire to venture where it seemed that his status as a non-musician must surely bar him: the field of making music. 
Ever since Brian Eno knocked the ivory-tower idea of the existence of such a thing as musical legitimacy on the head, ever since Lee Perry, King Tubby and Tom Moulton turned the mixing table into an integral part of the creative process, ever since hip hop and electro DJs were able to demonstrate that creativity could be channelled through turntables and samplers in a kind of musical collage, the definition of what it is to be a musician has radically changed. 
He contacted 2 musician friends (musicians in the traditional sense of the word), cellist Clément Petit and multi-instrumentalist Alex Finkin, to ask them if they wanted to join with him in creating an album that would be based on the arrangement of ten or so of his favourite songs taken from a whole range of different genres.
The three got down to work, with Emile discovering Aloe Blacc, long before the American singer made the headlines with the hit I Need A Dollar. 
Although Aloe Blacc had little singing experience at the time, he launched himself into Emile’s project with enthusiasm and open-mindedness in equal measure.
Roseaux is therefore the product of a meeting of minds and hearts between an enlightened amateur and a group of musicians whose talent and adaptability made this project possible and gave it its artistic unity. 

The same lack of musical dogmatism as evinced by Emile’s choice of music for the Radio Nova playlist and his evenings on the turntables is on display here in the shape of such little-known gems as Strange Things by the Jamaican John Holt, Indifference by grunge band Pearl Jam, Patti Labelle’s More Than Material, Try Me by Esther Phillips and Clarao da Lua by Brazil’s Nazaré Peirera. The most famous track is undoubtedly Walking On The Moon by The Police. A world away from ‘carbon copy’ style cover versions,  each of the ‘guest tracks’ gets its own special treatment whereby it metamorphoses into something completely different (in the eyes of anyone who is familiar with the original version) and utterly enchanting. These are not covers in the narrow, generally accepted meaning of the word – they can best be classified as reinterpretations or even complete rewritings of songs. So, the Jamaican feel of Rad Bryan’s Girl you rock my soul gives way to polished folk guitar arrangements and string instruments, the swaying rhythm of Walking On The Moon falls into line with the jazzy footsteps of Nina Simone, John Holt’s rocksteady Strange Things takes the road to Rio, Missing You, the 90s underground house hit from Kim English is transformed into a soul ballad, before dropping into a long, cross-fade on the Fender Rhodes electric piano, Bill Evans style.

Could it be this way of gently bending these songs to their will that was the inspiration behind the name ‘Roseaux’? Or perhaps it’s the air of elegance that emanates from the album as a whole, a melancholy tide of post-soul and nocturnal jazz lapping against the shores of this scattering of songs through which the gentle, caressing tones of Aloe Blacc wend their way? One thing is certain, with Roseaux, Emile Omar and his partners have succeeded in investing this project with more than just a certain unity, more even than an identity – they have given it a soul. 


Roseaux  feat. Aloe Blacc - "More than material"

Our 'Hey Now' EP is out now: http://po.st/HeyNow

Our debut album 'If You Wait' is out now!

Vinyl: http://po.st/IfYouWaitLP
iTunes: http://po.st/IfYouWait
CD: http://po.st/IfYouWaitCD

http://londongrammar.com
https://twitter.com/londongrammar
https://facebook.com/londongrammar

Metal & Dust

Hey Now

London Grammer - Hey Now (Bad Paris Remix)
For more remixes check my channel and youtube!

www.youtube.com/watch?v=sqh7y9A6Pts

London Grammar - Hey Now (Bad Paris Remix)

Official video for "Love Letter" http://youtu.be/irNtyaNHq5A

Clairy Browne & The Bangin' Rackettes - Love Letter

16 - Le tigre - Deceptacon (dfa remix)

Get it for free here : www.oizo3000.com

produced and mixed by Quentin Dupieux @ the knees studio

Mr OIZO feat. Marilyn Manson "SOLID"

https://sweatitout.lnk.to/NoMoreConversationsSo

In these fast-moving times, where many acts come and go in the space of a few blog posts, it's becoming harder and harder to find artists with true staying power. Anu Pillai aka Freeform Five is one of those rare artists. A veteran of the dance music scene, he started to release records on the seminal labels Classic, Glasgow Underground and NRK back in 1998. He soon worked his way into the premier league of remixers, producing some of the most stunning reworks of the last decade for artists as diverse as N*E*R*D, Brian Wilson, X-Press 2 & David Byrne, Jamie Lidell, Justin Timberlake, Felix da Housecat and The Killers – as well as work for cutting edge labels like Warp and Cocoon. 
He’s spent a small fortune carbon offsetting his airmiles with DJ & live appearances at Fabric / The End / Ministry of Sound (London), Space / Manumission / Ibiza Rocks (Ibiza), Cocoon (Frankfurt), Watergate / Cookies / Week End (Berlin), Razzmatazz (Barcelona), D-Edge (Sao Paolo), Womb / Ageha / Unit (Tokyo), Rex / Social Club / Paris Paris (Paris), LAX (LA), and Lux (Lisbon) – plus tours of Scandinavia, Australia, America, and all the major festivals, including Glastonbury, T In The Park, Benicassim, Parklife and Pukkelpop. Anu has also released Freeform Five’s debut album ‘Strangest Things’ on Atlantic records, two massive DJ mix albums, ‘Bisous Bisous II’ & ‘Misch Masch’ and contributed to several of Kitsuné’s genre defining compilations.
Following a relentless touring schedule, Anu decided to take a break from Freeform Five a few years back to concentrate on writing, producing & remixing for the likes of Ladyhawke, Santigold, William Orbit, Eve, Lana Del Rey, Deadmau5, Little Boots and Roisin Murphy amongst others. He also set up boundary-pushing label Perspex Recordings with releases from Chicago legend Derrick Carter, French rockers Poney Poney /Jamaica (produced by Xavier from Justice) and Swedish auteur ‘The Subliminal Kid’ (producer of Fever Ray & Matthew Dear) along with remixes by like minded friends such as Gabriel Ananda, Riton, Tomboy & Riva Starr. 
Anu has always thought outside the box. His remix of Isolee's 'Beau Mot Plage' redefined the art of remixing, juxtaposing the micro synthesis of the original with intricate Afro & Latin polyrhythms, creating a bona-fide house music classic. Remixes of Llorca's "Indigo Blues" and Isolee's "Brazil.com" fused west African kora, Indian orchestrations and classical harp within a house music template and on the Freeform Five track 'Eeeeaaooww' he merged disco licks with Bounty Killer's dancehall patois. 
Anu returned to the scene by collaborating with Gambian griot and master musician Juldeh Camara (a member of Robert Plant's Sensational Space Shifters band) for "Weltareh" on Eskimo recordings.  He also hooked up with Berlin's white hot Exploited crew for the jacking pure analog "Brandy Alexander." And now on "Leviathan" he teams up with the legendary Roisin Murphy for an exercise in irresistible vocal power and anthemic feel good house.
Tom Trago, Compuphonic and Cage & Aviary join the the stellar list of super talented artists who've been invited to remix Freeform Five tracks (following on from Tiefschwarz, Radioslave, Alter Ego, Lindstrom, Mylo, M.A.N.D.Y, Switch, Ewan Pearson, Jackson & His Computer Band, Prins Thomas and Maurice Fulton to name a few) along with a stunning re-work from Anu himself.

Soundcloud.com/Freeformfive
Facebook.com/Freeformfive
Twitter.com/Freeformfive