102.7FM (Algarve) ou em https://rua.pt

Rádio Universitária de cariz alternativo-cultural e condimentada com voluntariedade desinteressada.

Missão - Dar a Conhecer o Mundo ao Mundo

Jazzanova is many things to many different people. For more than fifteen years the eclectic collective from Berlin has been busy producing, composing, arranging, remixing, DJing and generally shaping our musical world – in the clubs, on the air, in the studio, live on stage, and with their label Sonar Kollektiv.
bookings for dj sets and live-shows: booking@best-works.com

DJ-Producer, officially comissioned to remix Madonna, U2, Cher, Donna Summer,  Pet Shop Boys, Snoop Dogg, Ultra Naté, Celeda. Featured on legendary labels such as Motown Records, Interscope, Warner Music Group or Virgin EMI.

LABELS:

Intec Digital
Yoshitoshi Recordings
King Street Sounds
Stereo Productions
Beatfreak Recordings
ALOLA Records
Citrusonic Promotion
Sexonwax Recordings
TWISTED America  
Star 69 Records
Kaos Records
RPO Records
Neptunn City
Kult Records
Magna Recordings
Flow Records
Minar Records
HotL Records
Deeplomatic Recordings

General Manager: 
orlando@citrusonic.net
maria@citrusonic.net

Bookings: 
bookings@alola.co.uk

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


Downtempo Grooves,Organic Sounds and some sorts of House (:
Do Not Sit ::: Folder::: Klassified ::: Wayu :::: Ohxalá Records :::: Dr.Rich Recordings ::: Tellel::: Serafin Audio:::SURURU Records  :::: Studio K7 :::: G-Stone :::: Om Records :::Particles::: Mole listening Pearls ::: Major Underground ::: George V (Budah Bar)

Radio Show @ Rádio Oxigénio (Interferências) -Every Saturday 22h (Lisbon CET Time)


Born and raised in the city of Lisbon he is part of the Pioneers of the electronic Lisbon movement in the 90 ́s.
Releases his first tracks for Tribal America and Kaos.
In 1999 launches his first labels, Nylon Discographic’s and Lupeca,
Having released a number of albums and projects :
Loopless, Spaceboys, Type, Shelter Ave.,Cyz, Shrimp and Vadú and collaborations with artists such as Swag-Afro-mystics-Quantic and HowieB.
Under Shelter Ave. and Erotic Sardines together with Miguel Guia released a few tracks and remixes.
produced tracks/remixes for :
Cool Hipnoise, Cyz, Spaceboys, Lucky Stereo, Balla ,Coldfinger and No data ,Tosca, Madredeus, Antonio Variações, Red Hot & Lisbon, Bala ,Mirror People, Antos & Magupi .

Collaborations:::


Richard Dorfmeister and stefan obermaier on the Exchange album,
Parallelles For Core .
 Mahfoud For Klassified.
Dj Vibe For Do Not Sit and Major Underground
Magupi for Wayu and  Ohxala Records

in the beginning there was Jacq....and Jacq had a groove,  and jacq has a groove

What’s 2 m tall, lives Behind the Iron Curtain, has 1605 reasons to run an awesome label and *fucking flies*?
Meet UMEK, a techno legend from Slovenia.
UMEK is personally responsible for kickstarting the electronic music scene in his home country by first organizing illegal raves and then becoming one of Slovenia’s most wanted export products and number one music ambassador to the whole world.
And he does fly! Around 100 times per year, visiting almost every continent each year. His gig diary ranges from dark underground clubs in Berlin to massive techno stages on world’s most renowned festivals. Apart from making his name in the DJ booth, he’s also a tireless producer. He mostly releases on his own imprint 1605, and most of his tracks end up on the very top of Beatport’s charts. After more than 25 years as a professional musician, he decided to use his experience and skills in the entrepreneurial world. Together with his managers, he founded a music- tech startup Viberate (www.viberate.com), where they are building the world’s greatest music platform.

Talent and cunning are just some of the characteristics
        that made Miguel Rendeiro one of the greatest names of the
         Portuguese electronic music scene.

             Mentor and creator of the biggest beach party in Europe,
         Energie Azurara, this producer/dj is one of Connect Music
         Agency founders and partner of the innovative Anti-Pop Music
         Festival, now enshrined as Neopop.

             His eclectic taste combined with technical skill and a
         shrewd intelligence already rewarded him with prizes, awards
         and many invitations for the best and biggest national and
         international events.

             Owner of a silver disc. Today, he is invited to perform
         in clubs like Watergate (Berlin), City Hall (Barcelona) or
         the London 1001 and The Egg, and at festivals like
         Creamfields. His productions for labels such as Brick House
         Records (Germany), OKO Records (London), and the consecrated
         Get Physical Music (Germany), placed him in the world circuit
         and earned him remixes from Phonique, Lopazz or Muzzaik,
         among others.

             His latest ep, "Mafaldinha, co-produced by Lopazz,
         received praise from artists such as Laurent Garnier, John
         Digweed, Luciano, Josh Wink, or 2000 and One, enshrining him
         as one of the best Portuguese artists with international
         prestige.


WWW.DJMIGUELRENDEIRO.NET 
www.myspace.com/miguelrendeiro

Booking : 
mr@connect-music.net
00351 935456803

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http://www.mixcloud.com/FrequencyPT/

This is the Dimitri From Paris official Soundcloud page. The purpose of this page is to act as a showreel for my skill as an artist, producer, remixer or editor. 
Please note that due to the host's strict copyright policies NO DOWNLOADS will be possible unless I have a written authorisation from copyright holders.

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