We are very excited to share Theef’s perception of Far Blue with you today. After years of work on these productions, he has now compiled an almost 3 hour long mix of his original and unreleased works.

‘Temporal Futures’ drifts through the shadows of time, weaving together fleeting moments of light and darkness. Each track is a glimpse into distant dreamscapes—some soft and ethereal, others pulsing with mystery and edge. From the depths of ambient oceans to the glow of cosmic dancefloors, Temporal Futures unfolds like a journey across forgotten timelines and fictional realities.

“This mixtape came to life while I was back on my island, Crete—a place where time feels slower, yet the landscape constantly shifts around you. The sound of the sea, the wind across the mountains, and the endless open skies seeped into the process. Crete's nature has a way of blending brightness with a sense of the unknown, so I tried to reflect that duality in the music. Some tracks echo the stillness of quiet nights by the water, while others capture the pulse of walking through old city streets or the wildness of the island’s more quiet and forgotten corners.”

ᐁ ᐁ ᐁ ᐁ ᐁ ᐁ 
@dj_theef

Instagram.com/farblue_
https://farblue.bandcamp.com/

A Far Blue concept by Theef - 'Temporal Futures'

Sacha Mambo at Outline 2024 / Neon Stage

@mzkbx

outline.61 Sacha Mambo

Injection Box returns with a rare transmission from Greg Beato (@oteab_gerg), the elusive Miami-based producer and DJ behind a decade’s worth of raw, left-of-center club tools. Known for releases on revered imprints like @l-i-e-s and @apronrecords, Beato resurfaces with his first official set since his mix for @dkmntl in 2016.

He last played for us in 2019, joining a bill that included live sets from Ectomorph and Ultradyne. Now, he delivers a characteristically unfiltered ride. Fractured rhythms, analog grit, and machine workouts collide from a voice rooted deep in the raw, no-frills heart of the scene.

This one’s tense, hypnotic, and unmistakably banging.

Injection Box 003 // Greg Beato

Ever so often, when the universal coordinated time is right, two tastes in sound match so well that a crossover show is inevitable

www.operator-radio.com

UTC So Often w/ 2-29 & Samira - 8th August 2025

TRIPS Album

Benedikt Frey - My Cat & Me (Lullaby for L)

FEATURE > https://inverted-audio.com/feature/the-burrell-connection-looks-back-on-10-years-of-craigie-knowes 

For Zander Hay - better known as @theburrellconnection - music has always been as much about people as it is about sound. His new EP for @craigie-knowes, 'I Waste My Time So You Don’t Have To', arrives as the label marks its 10th anniversary, a milestone that means more to him than most. Not only has Zander released music with the Glasgow-born imprint, he’s also been quietly running their PR from behind the scenes since the early days, helping to tell their story to the world.

That dual role makes this release feel like a full-circle moment. The EP gathers together material shaped in the club, in the bedroom, and most importantly, in the company of friends. Lead cut “E Before I” has already been heard echoing through Berlin basements, including in a live version taken from Zander’s performance at Tresor, invited by LNS and DJ Sotofett. The B-side heads deeper, pairing the dubbed-out force of “Celestial” with the warm, widescreen pads of “Ensemble” - tracks that carry what he half-jokingly calls his “signature sound,” something he’s been chiselling away at for over a decade.

Zander speaks candidly about the title of the record, pointing to the endless hours spent in pursuit of something original. He’s unflinching in his criticism of DJs hiding IDs or passing off other people’s tracks as their own - a reminder that, for him, credit and community go hand in hand. “Music is not a luxury, it’s an essential,” he insists, and it’s clear that ethos drives not just his own practice, but also the way he moves through the scene.

That scene has taken him from Glasgow, where he cut his teeth at La Cheetah Club and soaked up records at Rubadub, to Berlin, where he now co-runs Slurp of the Antics with Valcat - a party deliberately centred on live performance in a city often saturated with DJ culture. Between the drizzle-soaked after-hours of Scotland and the intensity of Berlin’s underground, he has carved out a practice that feels both grounded and exploratory, rooted in place yet open to evolution.

At the heart of it all is Craigie Knowes. For Zander, the label’s story is bound up with his own - from being pushed creatively by deadlines and honest feedback, to finding genuine friendship with Max, Mitch and the wider CK family. “Friendship!” he says without hesitation when asked about the most rewarding part of his journey so far. That word runs like a thread through his reflections: from teenage trips to Sub Club on borrowed IDs, to afterhour residencies, to the countless connections made through music over the years.

As he sets up a new studio, offers tuition, and continues to develop his live shows, Zander isn’t slowing down. 'I Waste My Time So You Don’t Have To' is more than a title; it’s a snapshot of where he’s at right now - committed, outspoken, and still finding joy in the graft. For him, the story of Craigie Knowes at 10 isn’t just about a label’s legacy, but about the friendships that make the music possible.

The Burrell Connection - Celestial [Craigie Knowes]

Don’t have many rules in life but one of them is that whenever a new mix by Pjenne comes out, to stop what I’m doing immediately and put it on. And probably am not alone here. 

Like many people, Pjenne’s mixes have been go-to’s, essential and always-classy additions to a landscape of noise and clutter. 

Like your favourite mix CD that never left the space•ship stereo. And no matter how many times you listen, it seems to get better and better with each play. They’re timeless, they’re crucial and the amount of care and love poured into each one is apparent as soon as you hear the first blend. 

Often compiled and cooked up over the course of a couple of years, they have the kind of craft and expertise that can only come from doing a weekly radio show for over 6 years, being a staple of her local Naarm scene and being an all-round legend. We’re pleased to report this mix is no different and has been on repeat since it arrived. 

Appreciate this is a bit of a gushy write up, but sometimes you’ve got to say it how it is, and anyone who’s a Pjenne Ultra will understand what a big day this is at space•lab HQ. 

Enjoy!

space•cast 028 - Pjenne

Bandcamp

Aniara35: Bergqvist - Earth Creatures (upcoming)

Bones x LaJIT - Sketch

blulight

I will be glad if you like it.
For communication : www.instagram.com/_defvult_?igsh=M…aXo3d3R6eWZxNg== Thank you all
Spotify : open.spotify.com/artist/29W6vMgpC…weS86dhy4394kkEA

DEFVULT - Caritas Mea

+ @riolabel @initinit

Benedikt Frey is many. Or just one? He is a composer. An arranger. A DJ. A Liveact. A ghost producer. A fan. He also plays in bands like INIT, or Dolphins or KEYS +++ produced the last two albums for Chris Imler. Downbeat in experimental dub zones. The goat for Edits and remixes. When house was his nation, he used to listen to pen names like Suedmilch or Venedikt Reyf. He still likes the music formed under their umbrella, but today his tomorrow is not echoed in yesterday. His sound signature moved on. Into the open. He founded labels like R.i.O. or Serious Trouble. 

He lives in Berlin. Physically. In mind Benedikt Frey is at many places. Traveling far thru his home studio that is a flat a studio a flat an instrument a record collection a flat a studio. Everywhere gear, vinyl, tapes, instruments, rooms for spontaneous sonic notions, these moments, when a sudden strike of stimulation falls. He is inspired a lot. For music to dance. Music for films. Music for live shows. Music for dancing glows. Techno, house, downbeat, ambient, jungle, electronics outside the norms. Those transportive ones. Jamming with others. Jamming with his mind. In Berlin Wedding, North of the town, where the lights dimmed low, neighbors share the flow, and a small river runs slow.  As a DJ he plays here, there, everywhere. Big clubs, small shacks, festivals, gatherings. From fast to 90 BPM - as he feels. 

For himself. For the crowd. In the spur. He still remembers his club kid days. Going to dance with friends. Down there in Offenbach. Doing the Robert Johnson. Collective emotions for a better tomorrow. These he still seeks. In his music. His shows. His collaborations. You can book him for a party. For enlightenment. For ecstasy or introspective perspectives. Dancing slow, whilst pirouetting a high-pitched show. 

Since more than a decade. His own music is out there, too. Bringing his spirits in sound. On his own labels. On international imprints like ESP Institute, Hivern Discs, Craigie Knowes, or Emotional Response. Solo works. Driving ones. Slow drills. Teased during his DJ dates around the planet. 

The music plays day and night. Inspiration comes. From a simple kick drum. A movie sequence. A bird on the sill. A picture, totally still. Can’t kick that feeling when it hits. Benedikt Frey. In dreams. In streams. In music. Emotions. Situations. At night. In those flashy lights, when it bites.

24.5. b2b with NVST, Kauz Zürich
10.05. Säälchen, Berlin
26.04. Zentralwäscherei, Zürich
25.04. b2b Philipp Otterbach, Arkaoda, Berlin
04.04. Sameheads, Berlin
13.03. Säule, Berlin
22.02. Kegelbahn, Luzern
21.02. Fribourg, CH

---- BYE24

17.12. Kiosk Radio,  Bxl
15.12. Curly Teeth b2b w. NVST, Bxl
30.11. Panorama Bar, Berlin
16.11. La Culottee, Paris
19.10. LAF, Pforzhyme
05.10. Sameheads, Berlin
28.09. Buka, Milan
21.09. Chemiefabrik, Zürich
14.09. Ausland, Berlin
16.08. Salon Des Amateurs, Düsseldorf
21.07. Am Bach Festival, Lucerne
05.07. Kappa Futur Festival, Turin
14.06. Masters, Zagreb
18.05. Outracena, Lisbon
27.04. Arkaoda, Berlin
24.02. Macadam, Nantes
26.01. Sameheads, Berlin

Benedikt Frey - My Cat & Me (Lullaby for L)

benedikt frey