Rollator Dub - PENTALOOPS

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

Earnest Woodall Composer www.ewoodall.com

Not Underground. Not Mainstream. Just Left Ground.

Left Ground Music stands outside the boundaries of genres and scenes.
We are neither part of the mainstream nor the underground—we exist in the “left ground”, a space where sound refuses to conform.

From electronica, dub, and ambient to post-rock textures, our releases carve out soundscapes that demand attention, not background listening.
Born in Aichi, Japan, our music captures the collision of urban noise and natural silence, offering listeners a sonic experience that feels both familiar and alien.

This is music for those who walk the edges of reality.
This is Left Ground.

Words and notes, born from silence. 

I am grateful for the support my songs if they speak to you! 💖

Paypal 

http://paypal.me/BLACKBIRDCLEO


Instagram 

https://www.instagram.com/collinacleo_nft?igsh=MXQ1aDFrcDRlOWY2cw%3D%3D&utm_

A place for sound freaks lashing out from the dark. 

So there's all kinds of stuff on this page, but after months of schizophrenic debates about who was playing with who and who took the lead while doing it, finally, the decision was made: all my alter egos got together and decided to form a band. From 2020 on new tracks are created under the moniker Gruppo Infernal. Only pure MMTJ tracks will still be named as such. 

Gruppo Infernal still relies on my work as Me, my Thumb and Jack, an ongoing quest for a liberating approach to sound creation where the human body acts as an oscillator amplifying the natural 50hz hum. Direct live recording, improvisations and delay loops only using analog filters and effects. No editing, no overdubs. Gruppo Infernal adds digital treatment to this original sound material. 

UnterPitch was an alter ego using samples & synths.
Bleached Coffins was a one-off project using guitars.

earliest work when I was still a pup:
https://blindsightrecords.bandcamp.com/album/throbbing-flip-out

All Piano, Keyboards, Percussion, Drums, Bass and Guitar performed by myself.

I also love recording my own soundscapes and all photos used are taken by myself unless otherwise credited.

No AI used in the making of the music or art. I like to create something from nothing myself, its a joy.

Sjonkel Rolfsen is a vinyl enthusiast and music collector from Trondheim in Norway. He has been welding records at local venues and events for two decades. Nowadays, he mostly enjoys to fiddle around with experimental and ambient in the comfort of his humble abode, but still get the odd epiphany to wonder out into the enchanting world of house and techno. When he is not fumbling about on the decks, he likes to travel. He tries to play with the possibility of combining electronica and leftfield soundscapes, in a mixcast friendly way, catering to your everyday soundtrack needs.

"Our infinite sadness can only be cured by an infinite love."
Jorge M. Bergoglio
"Let us hurry to love people they depart so quickly"
Jan Twardowski


Your every listen is a great support. Thank you for stopping by and listening. Let me know in the comments if you enjoyed my music.

If you want to support my hobby further you can buy me a coffee or purchase my track. I am on a new
mission to afford to buy an Akai MPC https://gofund.me/7d0fbdc1a 💖


☕ Buy Me a Coffee: coff.ee/marcin_man
🎵 Bandcamp: https://marcinkulik.bandcamp.com

https://open.spotify.com/artist/0OntEbq0VXc7kLsOz5pdn7?si=oMOhu2MlTXyK8SjzAqDlqw

https://www.youtube.com/@marcin_kulik

https://www.instagram.com/__marcin_kulik__/

https://www.tiktok.com/@marcin_kulik_

1/3 of Hell Feeder  https://soundcloud.com/hell-feeder
AKA Babalon Anon https://soundcloud.com/babalon-anon
https://soundcloud.com/babalon-anon-spoken-word
Additional Audio Tweaking https://soundcloud.com/rexoid-1

Experimenting with rhythm and sampled sounds. 
Moody Industrial grooves and dark soundscapes.
Direct message regarding remixes. 

Reposting:
Dark Ambient, Industrial, Hip Hop, Spoken Word, Trap, Dubstep, Classical, Soundtracks, Ambient, Dark Folk, Future Garage, Hardcore Techno, Drum & Bass, Breakcore, Drumstep, Speedcore, World, Contemporary Classical, Miniatory, Martial, Electro, Electronic, Ska, Dancehall, Electro-Swing, Experimental, Lo-Fi, Soundscapes, Old School Jazz & Blues, Noise, Trip Hop, Rap, Alt Rock, Baroque, Bassweight, Drone, Downtempo, Gypsy Swing, Ritual, Orchestral, Choral, EDM, Dub, 8-Bit, Operatic, Doom Metal, Grime, Afro-House, Chamber, Filth, Krump, Duduk, Bhangra, Breakbeat, Tribal, Mixes, Turntablism, Found Sound, Field Recordings, Post-Rock, Cloud Rap, Gabba, Schranz, Musique Concrète, Hauntology, Mash-Ups, Screwed N' Chopped, Bro-Step, Witch House, Glitch, Ragga, Atmospheric, Cinematic, Chip-Tune, EVP (Electronic Voice Phenomena), Piano, Prepared Piano, Lindy Hop, Latin, Plague Wave, Jungle, P-Funk, G-Funk, Jeep Beat, Performance Poetry, Slam Poetry, Storytelling, Podcasts, Moombahton, Reggaeton, Rare Groove, Dungeon, Drill, Big Beat, Modulation, Dream Pop, Drift Phonk, Neo-Classical, Halftime.

"The spectator views that which you have created.
The artist perceives that which you sought to achieve."
Babalon Anon

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Benoît, qu'est-ce qui s'est passé?
J'espère que ce n'est pas grave.
Merci pour "Barricades".
Fais un signe quelconque!

°°°°°°°°°°°°°°°°°°°°°°°
Hälfte von @Pentaloops und Mitglied vom Kollektiv Filmstadt Underground.
Vgl. @roebot-muzik und @atze187.
Moitié de @Pentaloops et membre du collectif Filmstadt Underground.
Cf. @roebot-muzik et @atze187.
Half @Pentaloops and member of the collective Filmstadt Underground.
Cf. @roebot-muzik and @atze187.

Rollator Dub - PENTALOOPS

Frid Mars