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Monya is originally from Poland and has been signed to respected techno labels with her production. She has seen a quick rise through the techno scene in such a short time and this has seen her play beside many respected techno artists. Through hard work and determination this has earned her bookings at the Internationally renowned Tresor and many other clubs. She just released her first album for BCR and is busy doing remixes and EPs for other labels like, Illegal Alien Records, IF?, Proper New York, and work with many well known artists like Steve Stoll, Bas Mooy, Iformat, Mike Parker, Pfirter, Joseph Mcgeechan. Monya's sound is industrial, bass-heavy, hypnotic techno. She was also in charge of the label nights for BCR and was an important part of the label. Recently, Monya has also began a new project with Joseph McGeechan working on collaborations together. She is managed in North America, Canada by Re-Konstrukt artist management which is one of the leading techno booking agencies.

http://www.residentadvisor.net/dj/monya
https://www.facebook.com/monya.music
https://soundcloud.com/monya

Tracklist:

JPLS - Reset
Ben Klock - Viscoplastic
Braincell - Feedback
Monya - Panik
Yuuki Sakei - Fablo
Colin Bain - Outband
Ventress - Untitled B1
Monya -  Spatium
Mark Morris and A Paul - Apparate
El Primero Beso
Rebekah - Self Destruct
Bulgarian Chicks
Mas Teeveh - Your Souls Power
The Shark
Charlton ??

5 Questions with Monya:

You released your debut album, "Somatics -The Book", on BCR in March 2013, including a vinyl release with remixers Steve Stoll, Bas Mooy and Joseph McGeechan. What was the inspiration for these tracks?

As trivial as it might sounds, life. Thru the past couple of years I’ve experienced the ‘unexpected’... do not want to bore you with all the details but I’ve made a lot of changes in the way I percept not only myself but the world surrounding. Finally I came to the point where all my emotions had to be unleashed. Day by day, tone to tone and ‘Somatics’ was born.

What was your role in BCR, [Berlin Consumer Records], and how did you become involved with the label?

My affair with the label began in 2011, shortly after ‘Bunkerstrasse’ EP has been released. Soon after I became close with the label owner. Honestly not even sure when exactly I became assistant and booking manager.

You play Tresor fairly regularly, what is it that makes the club special for your style of techno?

Tresor is a legend in itself, therefore I find this question a bit odd. ..I guess it is special for any type of techno... it rather makes the industrial style I play sound magical!

What types of music do you follow besides techno?

Where to start the question is! I am very open minded, I guess it all depends on a day and mood I’m currently in... it can be as well rock, Balkan or classic music.

What is coming up next for Monya?

Only good things I hope! I’m now focused on kicking off with my own label Corresponding Positions . All I can say at the moment is that you can expect the first vinyl release very soon, including remixes from well known and respected producers in the industry. I also look forward to my upcoming release with my friend ad.lib including Mike Parker and Bas Mooy remixes.

Monya - From 0-1 Studio Session Vol 063

Pre-orders started on http://store.ambassador21.com/

Fuck All Systems (Fuck Everything Remix By The DJ Producer) Snippet

♬ Download + Full Article ♬:
http://www.deephouseamsterdam.com/london/mix-003-groove-armada/

Andy Cato and Tom Findlay, aka Groove Armada, don't need very much of an introduction, but we're going to give them one anyway. It's an honour for Deep House London to welcome the duo to our mixtape series and we're sure you'll agree that their mix is an absolute blast. This mix also celebrates the launch of our brand new Deep House London website. Check it!

And if you dig the music, why not give us some love by liking our fb page and stay posted on new mixtapes, interviews, reviews, events and much, much more.

♬ Download ♬

Groove Armada - Deep House London Mix #003

Richard Devine: Jacob's Ladder - electrical arcs
Graeme Revell and Anthony Mannix: A Concise History of the Machine
Batillus: Concrete - Andy Stott remix
Dreamcrusher: Fear
Ab-Hinc: untitled reconfiguration by Kovert
Noize Creator: Where There Is No Darkness
Rory St John: Astroakoustic Two (Duran Duran Duran remix)
Electric Kettle: Photon Torpedo
Anaphylactic Shock: Decapitator
Element Abuse: Digest Your Limbs
Valanx: Beyond Doubt (The Exaltics remix)
6.R.M.E: .......0.
Celluloïd Mata: 550^print
Diamond Version: The Future of Memory
O/H: Delirium Tremens
Pharmakon: Crawling on Bruised Knees
Moleculez: Exit Exorcism
Bombardier: Leviathan
Ancient Methods: Castling Becomes Inevitable
Dekode: Dying Star
Tommy Four Seven: Armed 3
Scalameriya: Transdimensional Void
Fausten: Evisceration (Ontal remix)
Timothy Alexander: Shadow Over Self III
Ducerey Ada Nexino: Mouth of Which [Scalameriya remix]
Akkord: Destruction
Stave: Tower9 (Israel Vines remix)
Objekt: Agnes Demise
Moichido: Frequencies for Nantoiu
These Hidden Hands: Severed
Centuria: Kelotrene
Mothboy: Becoming Solar (Monrella remix)
Kryptic Minds & Sleeper: Solarized Formation
Violetshaped: Black Wisdom, White Witch
Lory D: Coldbringer
The Person: SUI Hightide
Somatic Responses: Robot Fight
Zan Lyons: Abort
Rory St John: Astroakoustic Three
Deathcount: The Iron Rods (remix by Xanopticon)
Electric Kettle: Brut
Somatic Responses: Thrash and Disappear

Permanently Perishable MP3

As part of Lakker alongside production partner Dara Smith, Ian McDonnell has been exploring various forms of music for the best part of a decade, with the Dublin-based pair becoming an increasingly prominent name in techno circles over the past few years. It was perhaps their 2011 Killekill debut Spider Silk where Lakker's heavily atmospheric, dark and broken brand of techno really began to crystallise, and the pair have subsequently gone on to grace the likes of Stroboscopic Artefacts, Blueprint, Candela Rising and most recently R&S Records.

Away from Lakker, McDonnell has also been devoting time to building up a solid discography under the solo guise, with several high-profile releases over the past year for The Trilogy Tapes, Code Is Law, and the Candela Rising and Killekill labels he clearly has a strong working relationship with. Indeed, the latter Berlin-based label seem very pleased to be releasing Spectre, McDonnell's debut album proper as Eomac next month. To toast its impending arrival, McDonnell agreed to mix up a selection of tracks for our podcast series which begins and ends with Lakker cuts and crams in material from his forthcoming Eomac album alongside material from Streetwalker, Evian Christ, Actress, JT '$tinkworkz' Stewart, Voices From The Lake and more.

Fresh from a launch party for Lakker's R&S debut Containing A Thousand, McDonnell was kind enough to answer some questions about the forthcoming Eomac album, his various current and forthcoming projects and dealing with celebrity fans. You can read that here: http://bit.ly/QeRPj1

Tracklisting:

1. Lakker - Asvattha [Stroboscopic Artefacts]
2. Eomac - Clap Your Hands Pt.2 [Maigret Records]
3. Actress - Corner [Werk Discs]
4. Haf Haf - Hybrid [Gang Of Ducks]
5. Redrose - Now Thing [Soul Jazz Records]
6. Evian Christ - Waterfall [Tri Angle Records]
7. Imugem Orihasam - It ain't assertion when only what they have scope to make it (Eomac remix) [forthcoming Bedouin Records]
8. JT Stewart - SWFYSU [Indische Buurt]
9. Eomac - Rainmaker [Forthcoming Killekill]
10.Streetwalker - Ooze (Silent Servant remix) [Diagonal Records]
11. D. Edwards - Untitled [The Death of Rave]
12. DJ Mujava - Township (DJ Nonsense Mix) [Warp]
13. Clap! Clap! - Tambacouna's White Magic [Black Acre]
14. Eomac - The Cure [Candela Rising]
15.Voices From The Lake - Sentiero [Forthcoming The Bunker NYC]
16. Eomac - Crackts [Forthcoming Killekill]
17. Haf Haf - Notch [Gang Of Ducks]
18. Anthony Shake Shakir - Fact of the Matter [Rush Hour]
19. Eomac - Tribs [Candela Rising]
20. James Ruskin - Wisdom of Youth [Blueprint]
21. Objekt - Balloons [Power Vacuum]
22. EDMX - I'm Rushing My Tits Off [Power Vacuum]
23. Lakker - Containing a Thousand [R&S Records]

Juno Plus Podcast 83: Eomac

ARtroniks makes the journey from Ghent, Belgium and mixes this podcast LIVE in our studio.

WATCH: http://bit.ly/1o5AZSG



TRACKLIST
ARtroniks - Inverse
Pheral - Tribesman
Minus & Beezy - Insanity Love
VGB - 13th Floor
Binomial - Cosmology
Subreachers ft. Beezy - Restraint
Shiken - Universal Time Matrix
BunZer0 - Badman
Bisweed - Airship
Gantz - Second Nature
VGB - Altair
100mado - First Time
ARtroniks & Lt. Danger - Maelstrom
Stene - Fingerprints
Ago - Backlash
Fialko - Fujin (Feonix VIP)
Enhance - Veken Enkanti
ARtroniks - Power Beyond Relief
ARtroniks - Run Dem
Submask & ARtroniks - Awareness
Darj - Red Crypt
VGB - Phase (ARtroniks VIP)
ARtroniks - Tipping Point
ARtroniks & Digid - Persistence
Taiko - White Bear
ARtroniks & Thumez - Lost Warrior
Piezo - Antelope Swing (Clearlight & Owl Remix)
ARtroniks - Fathom
ARtroniks - Shifted
ARtroniks - Torodial
ARtroniks - Triskelion
Digid - Lion's Path (TMSV Remix)
Dubbacle - Gulim Sound
ARtroniks - Nosebleed
Prevax & ARtroniks - Apophis
Red Eyes - All Things Pass (ARtroniks Remix)
Darj - All Day
Gaz, Subreachers & ARtroniks - Fully Gassed
ARtroniks - Hazy Days VIP


ARtroniks - GetDarker Podcast 209

Margin Walker got his start playing drum & bass at Detroit warehouse parties in the late 90s before stepping away in 2001. He returned to DJing in 2011, returning to his first love of hard, dark techno.

In early 2012 he and longtime friend Garrett Dillon began the formation of their own label, Dystopian Rhythm. The label has released EPs from Andrei Morant, Garrett Dillon, Mark Morris, Virulent, Flex, Justin Schumacher and many more on the way.

Together they perform as Dystopian Rhythm, showcasing label tracks and original material. They also produce high-quality techno-centric events in Detroit and run a weekly podcast aired on Fnoob Techno Radio.

Margin Walker is currently hard at work refining his skills on the production side, with a debut release slated for summer 2014.

In early 2012 he and longtime friend Garrett Dillon began the formation of their own label, Dystopian Rhythm. The label has released EPs from Andrei Morant, Garrett Dillon, Mark Morris, Virulent, Flex, Justin Schumacher and many more on the way.

Together they perform as Dystopian Rhythm, showcasing label tracks and original material. They also produce high-quality techno-centric events in Detroit and run a weekly podcast aired on Fnoob Techno Radio.

Margin Walker is currently hard at work refining his skills on the production side, with a debut release slated for summer 2014.

Tracklist:
01 Uun - Dendrite [Rheostatus]
02 Flex - Data 2.0 [Dystopian Rhythm]
03 Ronan Teague & Trysh Alexander - Global (Frank Salvio Dub Remix) [Vizion Division]
04 Raiz - Cored 1 [VRV]
05 Exium - Star Ancestors [Modularz]
06 Garrett Dillon - Light Shadows (Measure Divide Remix 2) [Dystopian Rhythm]
07 Developer - The Provoker [Modularz]
08 Coldgeist - Artefacts (Developer Remix 1) [Weekend Circuit]
09 Mas Teeveh - Confessions of an Opium Eater [Micro.Fon]
10 Luis Flores - The Word (DJ Hyperactive Remix) [Blank Code]
11 Aaron Litschke - 6U [SecreTechno]
12 Andre Ramos - Generator A [Dystopian Rhythm]
13 Israel Toledo - Let it Flow (Justin Kase Remix) [Ill Bomb]
14 Mono.xID - Black Brew [ConcernsMusic]
15 Quantic Spectroscopy - Depth of Perception [Eklero]
16 Uun - Scroll Locked (Owen Sands Remix) [More or Less]

5 Questions:
According to your bio, you started off dj-ing drum and bass, what caused the switch to techno?

 You know, I don't really have a good reason other than my tastes shifted a bit more into techno and I just kind of went with it. It was the first proper electronic music I heard and I always loved it, so it was probably pretty natural to go that way. That was probably late 2000, and I haven't played d&b since, though I still enjoy it. I really favored the super-heavy, intense stuff so I probably just burned myself out on it or something. Detroit has always had a small but very talented d&b scene, for as long as I've been around to see it.

You co-own the excellent Detroit based label Dystopian Rhythm, with Garrett Dillon. What was the reason for starting it up?

We had talked about starting a label for long time, but never really had the means "back in the day". We both dropped out of it entirely from around 2001 to 2009 or so. Minimal just didn't do it for us, and it felt like a lot of our heroes were just boring us now. When we both started to get fully back into it, we were both in a considerably more secure and stable part of life, and of course the commonality of the internet made it much easier to get in touch with artists we liked and organize everything.


The label has a varied but distinct sound to it. How do you go about curating it?

We actually have pretty different tastes for the most part. Garrett's into a lot of the dark, heavy, peak-time stuff and I really prefer the deep and dubbier end of things. I think so far the label has been pretty accurate at representing a lot of our overlap in taste. We both love weird, synthy, kind-of stuff, and broken-beat. A lot of the music we've released so far either fell in our lap (like the Flex release) or were the result of us meeting someone whose music we enjoyed and getting to know them. It was pretty crazy to put out an Andrei Morant EP, I saw that guy so many times in the late 90's and early 2000's!


Being a resident, how do you feel about the current state of "techno" affairs in the surrounding Detroit area?

It's actually really strong still, with a lot of new talent and plenty of artists coming through. We're pretty spoiled with Movement, and Blank Code does a killer show every month. We've had some success with our events and crowds are getting better and better. There are also some really cool new artists doing stuff you wouldn't necessarily equate with Detroit, like the Slyfoxx and How to Kill guys. It's sometimes hard to get a good crowd for proper techno the same as it is anywhere in the US, but we really can't complain. We're glad to be a part of this current upswing.


Any future projects, shows, label news you're excited about and would like to share?

We've got some really good EPs in the works right now from Angel Costa, Andre Ramos, Dolgener and myself, and an LP from Uun who has really been getting better with every release he does. We haven't done an event in a while but we will be getting that ball rolling again very soon. Thanks for having me!

Margin Walker - From 0-1 Studio Session Vol 068

Uun is darkness on the dancefloor. Coming up in the metal scene of Kansas City, Uun, also known as Ryan Malony, played in multiple regional bands from 2000-2008 before turning his focus to techno.
Since 2007, Uun has put out mixes for Dystopian Rhythm, More or Less, Kansas City Techno, Business Class Records, Feed The Raver, Subterror Radio among others.
In his home base Uun is known for being a member of Kansas city Techno as well as his previous residencies at The Riot Room and The Foundry.
On July 17th, 2013 he released his first EP for Business Class Records. Titled "Minus" it features two originals plus remix duty from Blank Code's Joel Morgan, Naked Lunch's Stevie Wilson, & Dystopian Rhythm's Garret Dillon. He has also self released multiple tracks and two EP's.
December 9th, 2013, marks the release of his second EP, this time for the vaunted Teggno Records. Entitled "Structure", it is a 130bpm techno workout that features two original's plus remixes from techno legend Andrei Morant and NYC based Justin Schumacher.
In 2014, Uun shows no sign of slowing down with multiple new releases and remixes in the works. Be on the lookout for his brand of dubby dark techno.

Tracklist:

01 Jonas Kopp - Dias [Ilian Tape]
02 The Black Dog - Dissident Bleep (Sandwell District)
03 Edit Select & Giorgio Gigli - Substance [Edit Select]
04 Mick Finesse - Prudence Organization (Donor Remix) [Broken Mind Recordings]
05 Alex Bau - Diversions (Ad.lib & Silverson Remix) [Affin]
06 Mono.xID - Shadow [Promo]
07 Developer - Promiscuous [Nheoma]
08 VSK - x4 [030]
09 Mono.xID - Toxic Waste 1.0 (Aluminiumantimonid) [Ill Bomb Records]
10 Alien Rain - Alienated 4A [Alien Rain]
11 Woo York - Smoke Signal [Soma]
12 NX1 - ISM1 [Inner Surface]
13 Nahal - CFX 3 (Atie Horvat Rework)
14 Uun - Reticula [Promo]
15 Garrett Dillon - Light Shadows [Dystopian Rhythm]
16 Truss - Beacon [Our Circula Sound]
17 Stefan Vincent - Elephant's Foot [Dynamic Reflection]
18 Rodhad - Patient Zero (Function Remix) [Dystopian]
19 Uun - Cold Rising [Dystopian Rhythm]

5 Questions:

You really seemed to burst onto the scene recently. Where did Uun begin?

First I'd like to say thanks for having me on as a guest! I had a great time putting this mix together. The Uun moniker has been around since 2009, but I only really started focusing on techno about a year and a half ago. Before that I was making stuff more in the realm of IDM because I've always been into stuff like that, especially the early Warp Records material like Autechre. My first trip to Detroit for Movement in 2012 changed my direction completely and I haven't looked back since.

What's the scene like in Kansas City?

Kansas City has a lot going for it, its a bit of a crossroads for a lot of major cities so the styles and genres reflect that. However it can also be frustrating as its difficult to pull off a strong singular direction like throwing true techno events on a regular basis. That being said the last couple of years I have seen a bit of a shift from straight up party music to deeper forms of house and techno. We recently hosted a night with DJ Shiva which went off really well, it was one of the first times I saw a pretty large crowd going wild for real nasty techno. This Summer and beyond we are looking to throw more events of that type and I really look forward to helping the scene grow.

What is your workflow like, how do you go about creating music?

I have a pretty structured workflow now that took a LONG time to get down to where it was even remotely efficient and expressive. I used to sit down and kind of be lost as to what to start with or what direction to go in. Now when I sit down to write music I always have an initial idea I'm going off of. Sometimes its a specific sound, sometimes its just a specific clap pattern, but I always try to have a seed of creativity at the center. I often ask myself, "What is the point of this track? What makes it unique?" If I can't come up with an answer immediately I know I need to reevaluate. With how much music there is out there available you really have to have SOMETHING that makes your tunes stand out from the rest. I'm not saying that I really have that yet, but its something I am always working towards and something that I am always very critical of my own work over.

How do you spend your time outside of the studio?

Outside of techno I enjoy PC gaming quite a bit. Right now I'm way into the Diablo III xpac and Dota 2. I'm actually travelling to Seattle this year to watch the Dota 2 grand-finals which I'm really excited about. Other than that I enjoy spending time in the gym. It is often the only time I have time to think and I often come up with ideas while working out. Sound body sound mind!

Any upcoming gigs, releases, or general Uun info you would like to share?

This Summer is going to be really busy which is awesome! Looking forward to spending my third year in a row in Detroit for Movement, its awesome to be around so many like minds and meet so many cool people that love techno as much as I do. I also have a few gigs in St. Louis including one playing with Rrose who is a huge inspiration for me so I'm excited for that opportunity. This winter was particularly brutal weather wise so I spent most of it working on music. June 11th sees the release of my debut album which I couldn't be more excited about. Its coming out on Dystopian Rhythm which is a label I have followed and enjoyed since its launch, so its a great honor to be on there alongside some other awesome talent. Other than that I have a collaberation with Atie Horvat coming out June 15 on Rheostatus, and an EP on Morgan Tomas' label Reloading sometime later in the Summer, as well as a handful of remixes I have done.

Uun - From 0-1 Studio Sessions Vol 069

Joachim Spieth is a long time DJ, producer and label boss of Affin. Whether through the music he produces himself, or the productions he releases on his own imprint, the sounds always operate in their own little pockets away from the norm. It all started with ‘Abi 99’ – one of the earliest 12”s Cologne stable Kompakt ever released. At the time it was supported by legendary UK radio DJ John Peel and, in turn, was followed up with more huge early success in the form of ‘Under Pressure’, a split single EP on Speicher with Michael Mayer. In the years since, there have been tracks licensed to The Orb’s Back to Mine compilation, appearances on labels like Paso, Traum Schallplatten and Tongut and a steady stream of remixes for the likes of Michael Mayer, Einmusik and Guy J, all of which have blurred the lines between techno, minimal and house music in the producers own unique way. Chief amongst Spieth’s achievements are those of his wide-ranging label, Affin. As well as hosting a regular radio show of the same name on Proton and label nights at clubs across Europe, the imprint has clocked up 150 releases, spawned various Selected compilations (including one recently to celebrate its centenary release) and has championed music from artists like Arnaud Le Texier, Samuel L Session, Gez Varley, Truncate, Reggy van Oers and so many more.
 Most recently, the six-year-old outlet has started Affin LTD, a sub-label putting music out on vinyl, with great looking and sounding results. It’s no wonder, then, that revered contemporary DJs like Derrick May, Ben Sims and Laurent Garnier regularly include Affin records in their sets around the world. 
Spieth himself plays a range of top European clubs on a regular basis, impressing crowds at respected venues like Culture Box, Denmark, Tresor, Berlin, Hive Zurich in Switzerland, Kater Holzig in Berlin, and many other European hotspots with his deft blend of groove, melody and atmosphere. His latest vinyl EP release ‘Sensual’ might just be his greatest to date, with the likes of Scuba playing it in his Essential Mix, Depeche Mode’s Martin L Gore (a pop hero for Spieth) charting it on Beatport, Juan Atkins dropping it during his live Beatport stream and many other accolades across the board.

Tracklist:
01 Mas Teeveh ­-The Man Who Lived 1000 Years (Ness Remix) [Sonntag Morgen]
02 Len Faki & Markus Suskut -­ Skulls 1 [Figure]
03 Farceb ­- Frontside [Circular Limited]
04 Dustin Zahn ­- Against The Grain [Drumcode]
05 Petter B ­- Clap Track [H-Productions]
06 Glos ­- Cut Throats [Ressort Imprint]
07 PVS ­- Black paranoid 7 [Key Vinyl]
08 Takaai Itoh -­ Hiatus [Shades]
09 Samuli Kemppi ­- Libration [Children of Tomorrow]
10 Terence Fixmer ­- Descente [Planete Rouge]
11 George Lanham & Mr. Jones ­- Hackney Movement [The Public Stand]
12 Abori ­- Malo [Credo]

Links:
http://joachimspieth.wordpress.com 
https://www.facebook.com/pages/JOACHIM­SPIETH/33219177020 https://twitter.com/JOACHIMSPIETH https://plus.google.com/104855596332619417656/posts https://soundcloud.com/joachim­spieth 
https://www.youtube.com/user/SpiethJoachim 
http://instagram.com/joachimspieth 
http://www.residentadvisor.net/dj/joachimspieth

5 Questions:

1. How did you find your way into electronic music?

I was touched by music since i was a child. Got a lot of influences while listening music on the radio. As a teenager is was addicted to instrumental Hip Hop, the bridge finally was built by the HEADZ compilation on UK­based Mo Wax label. After i got into Warp Records etc...

2. Now that you have been actively releasing records for 15 years, how do you feel your process has changed?

I like to experiment with sounds. I mainly work with samples since i started to build up my own tunes. Back in the days it was more expensive to get a proper setup, nowadays you can find a lot of awesome software plug­ins doing a great job. Actually i like to mix hardware / software.

3. Your label, Affin, has been steadily releasing quality techno and house for about 7 years. What was your decision to start the label and how do you curate it?

I got some good demo stuff from unknow ppl around. Moreover, i wanted to build something to feel home. Working with labels sometimes isn’t easy if they decide to change their style... So you’re always relying on decisions from others. As i worked with Kompakt, Paso Music and some other labels for years i thought it was just on time to decide on my own what should be released. In the begin i wanted to release “all” music i like but this changed in the last 1 ­ 2 years. Now we’re focussed on techno.

4. What are some of your favorite tracks at the moment?

Never easy to name just a few as i always like so many tunes :­) Dustin Zahn’s “Against The Grain” on his new Drumcode Album is ace. “Hypnopaedia” from Ness on Planet Rhythm is awesome! Not to forget Keith Carnal’s “Prospect” on my own label Affin, ha ha.

5. Any closing thoughts on upcoming releases, label work, etc ?

Ah yes, for sure. I’m very excited about my upcoming 12” Aidan (with rmxs from Samuel L Session & Arnaud Le Texier). Proper techno package... Arnaud also will deliver his 2nd 12” before summer ( with amazing Unam Zetineb rmx) and some more projects are already set up. I’m really happy to see how things developing in the last time regarding Affin.

Thanks for the nice chat!

Joachim Spieth - From 0-1 Studio Sessions Vol 070

Bio:

Revy’s sonic focus is driven by hypnotic polyrhythm, unconventional sound palettes, and a relentless pulse. Spontaneity, instinct, and impulsive live experimentalism are key elements realized to formulate his compositions and dj sets, which are often described as unique, weird, alien, and intensely psychedelic. He is also known for founding the netlabel Bleepsequence, which is becoming notorious for its growing library of quality experimental techno at no cost, along with releasing on numerous labels such as Make Mistakes, Kalimari Musique, and several others, including an appearance on a compilation on From 0-1. Currently he is based out of Pittsburgh, Pennsylvania and working on new music projects including an independent video game soundtrack, and youtube videos for audio geeks.

Tracklist: 

Annulled User - Ending #01 [ANNULLEDUSER] 
Bleupulp- Peace At Home [BLEEPSEQUENCE] 
DJ Datch - Mesosaurus [MAIN CONCEPT] 
Dasha Rush - Dream n68 [FULL PANDA] 
Lori - Antimonit 1 [PROLOGUE] 
Error Etica - Criticism (Deepbass Interpretation) [PSYCHOSKUNK] 
P.E.A.R.L. - Behind the Fog [SUBSIST] 
Ness - Diagnostic Imaging [PROLOGUE] 
Datura Dilema - Estrella Nocturna [DUALITY] 
Lapse - Mother May I [DUALITY] 
Radial - Cosmetics [RADIAL] 
Shadow Runner - Wide Spectral Hearing [SHAWDOWRUNNER] 
Groof - Sick Mantra [DUST] 
Christian Wunsch - Gamma [SEMANTICA] 
Conrad Van Orton & Sleeparchive - Crescia [RSVD] 
Israel Toldeo - Let It Flow [ILLBOMB] 
Material Object - Oppai [SEMANTICA] 
Go Hiyama - Swell [HUE HELIX] 
Oscar Mulero - Electric Storm (Sigha Remix) [POLE] 
Korova - Nuances (Kike Pravda Remix) [SHADES] 
Radial - Asiel [MORD] 
Uncompromise - PR05P3TT1V4 [SEVERAL REASONS] 
Retsof - Causal Link [INPUT OUTPUT SYSTEMS] 
CWS - Pain in the Drone (Voidloss Appointment with Lucifer Remix) [SINGULARITY] 
Milkplant and The Automatic Message - Colonies [FROM 0-1] 
Angel Alanis & Adam Jay - Detritus [SUBSENSORY] 
Xhin - Claw Eyes [SEMANTICA]

5 Questions Interview:

1) You're in Pittsburgh these days. Formerly, you were in Portland, Oregon; What was the impetus to relocate to the Steel City?

My wife and I actually didn't have jobs or know anybody in town before moving to Pittsburgh. We were living in Tokyo for a little while after getting married, and decided to make a return to the States somewhere where there were decent job prospects and an affordable cost of living. I wasn't sure what to expect but it's become a really comfortable spot for us. I do miss the funky weirdness of Portland along with many of my great friends there, but I can't say I miss struggling to pay rent.

2) Pittsburgh isn't necessarily on the international radar when it comes to Techno but from our perspective there seems to be a good bit of activity there music-wise. Care to shed some light on the subject for us?

I've been here a little over 4 years now, and it seems to be developing pretty well lately. There are some passionate people here working very hard at putting out some great records and throwing events, not to mention some open minded and responsive crowds ready to get down in whatever dive bar or bath house is hosting some proper techno. It's taken a while to build up to this point but there is worthwhile stuff going on every weekend now, and the local event crews are all working in tandem to make things go off.

3) You run Bleepsequence, a netlabel. You've been at that for awhile now, for how long, and what made you interested in going for the Creative Commons approach?

We've been at it since the start of 2010, it's gone by so fast. I had been collecting so much netlabel music for years up to that point and had connected with a lot of great artists. It just felt like it was the right time to form a collective and start giving back. It's liberating to not have to worry about the financial aspects of running a traditional label, besides the fact that I don't want to have the need to sell units be an indirect influence on the sound. We are all about pure expression, risky experimentalism, and concept exploration.

4) For people who aren't familiar with your sound- how would you describe it, and what outlets can we find your original productions?

I have a wide range of influences and prefer to use unconventional sound palettes and design methods. I always have a hard time nailing down a genre for my music because there's always little pieces of stuff floating around in my pool of sound, deep spacey bleeps, glitchy clicks, pulsing bass, rhythmic drones, or weird dubbed out field recordings. My recording process is often driven by impulsive instinct and spontaneity, as I find that the unexpected things that happen in the studio are usually the most interesting.

I have releases available all over the place. You can find some of it on beatport and bandcamp, or I've also contributed a lot of work to netlabels that you can download for free. And of course, I often release and remix on Bleepsequence. For the most recent EPs, check labels like Make Mistakes, Kalimari Musique, and Abstrakt Records. And let's not forget an appearance on a compilation by From 0-1 back in the day!

5) Any interesting bits on the horizon we should be on the lookout for?

I have an EP of some eclectic stuff coming soon on the netlabel Wondermachine Musique, and another weird techno EP for Make Mistakes. I'm also very excited to be working on some music and sound design for a beautiful and intense arcade shooter called ZeroDay, an independent project that has been in the works for years. It's coming together really well and I can't wait to see what develops with that. I'm also preparing to launch a new channel on youtube that will host a variety of music and technology videos, including stuff like iPad app reviews, hardware demos, random live jams, and whatever else pops into my head. Bleepsequence is showing no signs of slowing down either with several releases in the pipeline, so it's looking like a busy summer ahead!

Revy - From 0-1 Studio Session Vol 071

Sone is Seattle based DJ and Producer Brian Sonnleitner. His first exploits into music was being immersed in the underground punk scene growing up in Wisconsin during the 90′s. Then late one August evening, after witnessing Chris Liberator melt his mind, Brian shifted gears into pursuing his passion for techno full time. Sone is now a DJ of over a decade, his sets are stuffed full of tension ranging between the deep and dark to heavy big room sounds but, without fail, maintaining the element of the dance floor. While keeping his philosophy of “the best techno is simple and effective”.

2008 brought Brian into the realm of production with his tracks exploring the bigger and darker side of techno. His original productions and remixes appear on his home label, From 0-1, which he runs with long time friend and cohort Milkplant, Slant Records, Audio Autopsy, Rheostatus, and Subspec to name a few. His remix contest for the track “Recovery Mode”, released on From 0-1, received far reaching interest and support with submissions coming in from all over North America and Europe. One of Seattle’s brightest up-and-comers, the years ahead will surely see his impact on the Northwest and beyond.

Tracklist:
01  Yves De May - Transfer #1 (Shifted Remix) [Modal Analysis]
02  Spherical Coordinates - SCFGM-19 [Token]
03  Woo York - I Am Against [Soma]
04  Keith Carnal - Subjective [Affin]
05  Developer - In Pure Form 07 [Modularz]
06  Psyk - Eclipse [CLR]
07  Svreca - Overgang (Oscar Mulero Digital Edit) [WarmUp Recordings]
08  Dino Sabatini - Modulation A [Outis Music]
09  Garrett Dillon and Margin Walker - Detachment (Sone Remix) [Rheostatus]
10  d_func. - Shifting Frames [Torque]
11  Flug - Exadecimal [Analytic Trail]
12  Tadeo - 4 [Net28]
13  Antonio De Angelis - Unlocking (Lee Holman Remix) [Translucent]
14  Milkplant - Plasmic [From 0-1]
15  Advanced Human - Creational Forces (Advanced Human Dub) [Gynoid Audio]
16  Oscar Mulero - Electric Storm [Pole Group]
17  Mike Gervais - Push [System]
18  Romanolito - Ibristofilik (Reggy Van Oers Remix) [Translucent]
19  Shifted - Wash Over Me [Bed of Nails]

Sone - From 0-1 Studio Sessions Vol 076

http://from0-1.com/2017/08/31/0-1-studio-sessions-vol-109-mossmoss/

Mossmoss (aka Mattie Bowen) is a Scottish born dj and producer with an intense interest in explorative music. With a keen ear and eye for detail, he is an artist by nature. His wandering sets paint landscapes of light and dark patterns, textures, and strange melody, heavily relying on atmosphere and tension. Mattie's inspiration draws from the organic details of existence, the tiny pieces most overlook in exchange for the big-picture rush of an ever changing modern world. His mind deeply set to explore these facets and to share his exploration in all forms to those that might look and listen. Mossmoss currently resides San Francisco and draws on The City and its colorful nightlife for constant immersive inspiration.

Mossmoss has had the pleasure of setting up some of the most popular underground dance music artists in the world, including Jeff Mills, Richie Hawtin, Marcell Dettmann, Function, Max Copper, Tale of Us, Cari Lekebusch, Todd Terje, Magda, Jooris Voorn, Voices from the Lake, Axel Boman, Kassem Mosse, and Speedy J, among many others. Currently mossmoss is a resident for the promotion group As You Like It in San Francisco, California.

Mossmoss has released music on Coal, RACECAR, Kabutomushi, El Otro Mundo, Blipswitch Digital, and Cable recordings, with more to come.

From 0-1 Studio Session Vol 109

Mossmoss - From 0-1 Studio Sessions Vol 109

US based artist, Milkplant (Justin William Pennell) is originally from Milwaukee,Wisconsin; but has lived in Oakland, California since 2010.  He relocated to the West Coast in 2004, lived in Seattle for six years, and started the internationally recognized Techno label and artist collective, From 0-1; with fellow artist, Sone.  Schooled in the Midwest and developed on the West Coast, his work encompasses over 30 years of combined DJ/production experience, and 9 years of record label operations.

In autumn 2014 he released 'Time Dilation', a four track 12" EP on From 0-1.  Charted by Gary Beck, Paul Mac, and Ben Sims at #2, #1, and #26 in their November 2014 Juno charts, this was a turning point for him.  Since then he has released on Planet Rhythm, Wall Music, Dark Net, Etichetta Nera, From 0-1, and Excise.  His productions have drawn critical acclaim from many notable artists; showing up in mixes and charts by Ben Sims, Cari Lekebusch, Jerome Sydenham, Bryan Zentz, Joachim Spieth, Tommy Four Seven, Submerge, Tadeo, Mattias Fridell, Mr. Jones, Electric Indigo, David Meiser, Samuli Kemppi, Arnaud Le Texier, Abstract Division, DJ T-1000, and many others.

As a DJ he can be found playing a combination of vinyl and CDJs.  He has played in various cities across the US, most notably in Detroit at the Blank Code - Droid Interface/Scene party for Movement 2016.  His mixes have been featured on Droid's D-Node podcast, the Warsaw Torture Boyz podcast, Blank Code podcast, Drone podcast, and Error Sessions.  Upcoming releases: “The Distance” 12” vinyl EP arrives autumn 2017 on San Francisco based label, Excise; his remix of Sone’s ‘Australis’ arrives on 12” vinyl late 2017 via From 0-1.  

Visit http://from0-1.com/2017/10/04/0-1-studio-sessions-volume-110/ for a full tracklist

From 0-1 Studio Session Vol 110 - Milkplant

Milkplant - From 0-1 Studio Sessions Vol 110

Komprezzor is not simply another gimmick or project trying to reach for the sky, fame or
mainstream, in the contrary he prefers to stay hidden in the darkest corner of that old abandoned
factory were you once wondered if you even had the guts to step in. The sounds and elements of
his live sets are dark and dirty as if they had been extracted from a piece of literature by Edgar
Alan Poe. Full of white noises and atmospheric riffs the percussive elements are extracted from
classic drum machines; such as the legendary 808, 909, and 303 that slowly morph in to a
hypnotic rhythm. Along with his live sets the Dj sets are also full of some of the dirtiest and darkest
heart pounding Techno, no top 40 will ever make an appearance on his track list, interacting with
up to 4 decks running at the same time and a few drum machines it will make you wonder if a
third arm was present at the time.


2016 has been a game changer for Komprezzor traveling with his modular set up the creativity
flows from beginning to end no presets or patters are preprogrammed before the machines are
turned on, in a way he is merely a medium or translator to the cry of the machines, multiple synth
voices and drum machines interlacing into a one of a kind sound creating and stitching each
element form scratch right on front of the audience eye’s, the result is a fully improvised Techno
mayhem.

From 0-1 Studio Session Vol 111 - Komprezzor

Komprezzor *Live* - From 0-1 Studio Session Vol 111

http://from0-1.com/2017/12/08/0-1-studio-sessions-volume-112-sone/

Sone is Seattle, Washington based DJ and producer Brian Sonnleitner. His first exploits into live music was being immersed in the underground punk scene in Wisconsin during the mid/late 90's. Fast forward to now, while keeping the same energy and ethos of his early experiences, Brian is a DJ of well over a decade with his sets trending towards the driving and tracky side of techno.

2008 brought Sone into the realm of production with his music exploring a stripped down but heavy sound. His original productions and remixes have received support from Ben Sims, Reggy van Oers, Joachim Spieth, Juho Kusti, TWR72, Soolee, and many others.  His tracks appear on his home label, From 0-1, which he runs with long time friend Milkplant; while surfacing on other labels such as Android Muziq,  Webuildmachines, Rheostatus, and Darknet.

From 0-1 Studio Session Vol 112

Sone - From 0-1 Studio Session Vol 112

INFINITY INK - Hot Natured Galactic Radio Transmissions Part 3 DOWNLOAD

http://from0-1.com/2018/02/10/0-1-studio-sessions-volume-113-john-massey/

  Brooklyn native John Massey has been attempting to damage eardrums for almost 20 years.  A child of the 80s, John transplanted to Los Angeles as a teen.  There he discovered an emerging underground dance scene and was infected with an interest in electronic music.  John soon founded Sound Rehab Productions, connected with influential local promoters and artists such as Omar Ojeda (Darius Aleksander), Robin Porter, Drumcell, Ron-D-Core, Raiz (Acid Circus) and began coordinating techno events and working the DJ circuit throughout the southern California area.  Today John resides in Seattle.
  John is the kind of unassuming artists that earns respect rather than demands it, keeping his head down and focusing on his craft, trusting his instincts to keep the dance floor moving.  His current set consists of a live/dj hybrid that enables John to creatively blend a wide variety of techno, house, minimal and experimental sounds.  As a producer John tackles a variety of sounds ranging from his previous hip hop efforts under Dysposable Heroes, to his recent techno projects under his own name and previously as Indispensable Villains.  Heʼs affiliated with Seattleʼs From 0-1, a conceptual label which he represents in his various endeavors.  Heʼs released on various labels such as HardSignal, Subspec, From 0-1, Subsensory and his own Sound Rehab Recordings.  No matter the genre he has always enjoyed working with various artists giving him the opportunity to make new friends and take in new influences.  With several new projects on horizon 2018 looks to be a productive year for John so keep look out...

From 0-1 Studio Sessions Vol 113

John Massey - From 0-1 Studio Sessions Vol 113

Special Thanks to : http://skywalker-fm.com/

Play List
. Chris Liebing & Tommy Four Seven - Bauhaus (Mallet Mix)
. Monoloc & Pfirter - Session 1 (Original Mix)
. Bart Skils - Shantaram (Original Mix)
. Miguel Bastida - Voice In My Head (Original Mix)
. Motor hyper lust feat. Billie ray martin (pfirter remix)
. Tony Thomas - Beginnings (Gary Beck Remix)
. Energy 52 - Cafe Del Mar ( DJ Kid Paul Mix )
. Psyk - Second Trail
. Renato Cohen - Pontape 2013 Remake (Alan Fitzpatrick Remix)
. The amazing – Qu est ce que vous voulez 
. Spartaque -  Alan Wools - Rock The Beat (Tom Hades Remix)
. A.Paul - Other Worlds (The Advent _ Industrialyzer Remix)
. Hans Bouffmyhre - Demon Within (Pfirter Remix)
. A Mochi - Black Reigns 
. Tom Laws - Vindavadge (Gabriel D'Or & Bordoy Remix)


LIKE ME ON FACEBOOK :)

Miss Shiva @ 42 Exclusive Radio Show On Skywalker-fm.com * 05/2013

Here is my set from The Attention Shockwave show on www.dee-r-dee-radio.de

Tracklist:

Gary Beck - Video Siren 
Luix Spectrum -WWIII
Angy Kore - Fucking Spam 
Clouds - Radical Cutting Methods 
Gary Beck - Rascal 
Jewel Kid - Crazy 
Kraemer & Niereich - Factory Lights 
Maae - Run 
Roberto Capuano - Sharpness (Spektre Remix)
Sergy Castle - Peke Never Stop Dancing 
Joe Kendut - Bondmind (Fabrizio Pettorelli Remix)
Skober - Utopia 
Stevie Wilson - Mind Bending 
Stevie Wilson - The Wolf 
Stevie Wilson & Danny Smith - Drop This 
Stevie Wilson & Danny Smith - Contagious Disease 
Ronny Vergara & Takatsugu Wada - First Connection (Stevie Wilson's Dark Overload Remix) 
Uun - Minus (Stevie Wilson Remix)
Naked Pilotz - Check In (Gabeen & Tosi Remix)
Stevie Wilson & Danny Smith - Beat The Devil At Tiddlywinks 

Margin Walker - From 0-1 Studio Session Vol 068

From0to1