Name: Degenerating Orbit by Frontin Stunts
Duration: 2 min 54 s
Description: This song is the soundtrack to the life and times of an object whose orbit has been destabilized and will ultimately crash into or be thrown away from the object it orbits.

This is just what wanted to come out. I have no control.

This song is the soundtrack to the life and times of an object whose orbit has been destabilized and will ultimately crash into or be thrown away from the object it orbits.

Waitin’-n-Superposition

Degenerating Orbit

reachbrandyn - NOT ENOUGH

“Knowing When It’s Over” is a slow-burning confession whispered through the curves of a saxophone. It’s the sound of one final glance across a dimly lit room—the kind where words have long since failed, and only melody can speak the truth. Dripping with soul and smoldering with jazz, each note aches with the quiet resignation of letting go.

This piece lingers in the space between goodbye and gone, where memory dances with melancholy. The saxophone doesn’t cry—it exhales. It tells the story not of heartbreak, but of clarity. Of closure. Of understanding that some endings are more beautiful than beginnings.

Let this track wrap around you like smoke from a midnight cigarette. Let it remind you that silence doesn’t always mean absence—sometimes it means peace.

🎷✨ Close your eyes. Press play. Feel everything.

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Knowing When It's Over

"Falling Through Forever" drifts through time and emotion, blending smooth jazz guitar with atmospheric textures and a pulse that feels both infinite and intimate. It's a soundtrack for memories that won't let go—tender, restless, and beautifully unresolved.

Falling Through Forever

I don’t usually write descriptions for my creations, I just want the sound to take you wherever your mind wants to go.
But basically, over the years, I’ve always been producing what I call “Space Music.” I’m sure there’s already a definition for it, but here I’ll try to describe what it means to me.

For me, it’s all about deep sounds, a strong presence of low frequencies, big reverbs where everything blends into the background, and some keys rumbling subtly behind. Always huge pads (synthesizers), and sometimes even a noticeable absence of mid frequencies. I tend to gravitate toward repetitive patterns as well.  The tempo of the tracks is usually slow. And basically, I aim for something a bit hypnotic - with the pads creating an immersive atmosphere, and the keyboards playing arpeggios that weave through the background.

Devastation

Abyss

Vibe boi clique

I don't really live

I'm just on the dumb stage

I learned to shut up

While I'm exploding inside

They look me in the face what I'm thinking

But they will never see the rest

I write sentences like cures

But for you I'm poison

I feel my chest burning every time I'm sincere

And I don't save myself with smiles, I use them as a shield

Every I'm fine is a code

To say that I closed myself

I don't need company

If then I feel empty

Mix e master by @hoodieindahood

Qualcosa di buono

[CHANCELURE]

Maybe back to the ways
Maybe back to the days
Maybe back to the way that I was
Take me back to the day that we was

When the sky didn’t gray
When your eyes didn’t stray
When I still had a place in your heart
Way before we drifted apart

Now I’m stuck in a phase
Where the light never stays
Playin' songs that we used to replay
Feelin' lost, but I fake I’m okay

All the texts that I saved
Fadin’ slow like the waves
Maybe back to the ways
Maybe back to the days

Readin’ words that you don’t even mean
Guess we’re not who we used to be
Every line is a ghost in my dreams
Wish I knew how to feel whole again

Tryna write out the pain
But it bleeds in the same
Takin us back to the way that it was
It’s a beautiful view kinda look like a dream

I wonder if I will be okay
I havent felt the same since then
Watching it fall apart

[TEEJ]

Thinking back on them times
Not a cloud in the sky
With your hand in mine
The world felt so bright

It’s funny how the season change
Watching all the color fade
When you went away
All it ever did was rain

Forever waiting onna day
Where you would change your mind
Baby all you gotta do is
Name the place and time
Girl we ain’t enemies
Let’s make more memories
By your side is where I wanna be

Been drowning out my sorrows
With these 808s
When I pop another bottle
I’ll be A-OK
You were my destiny
Now we just history
Friends is all we ever gonna be

And I wonder if I will be OK
I haven’t felt the same since then
Watching it fall apart

[F.L Buck ‘E]

I never wanna feel this way

I been working on my patience
Gave you my time
All the time you was taken
Life could’ve easily been amazing
Remember the things you said
No I won’t entertain these games
It’s a wreck off the rails like a train
I was really just hoping you’d change
Changed my mind Now I see it’s the same

I know this something that you never seen
Don’t gamble but you bet on me
To never ever make a name
I did what I can watch me put you to shame
All the things that I’ve changed
I’ll shoot and light the chamber
Taking my shot hit your heart like a sniper
Just like the range you gotta hear the bangers
No I’m not Superman
I cannot Save yah

I wonder if I will be okay
I haven’t felt the same since then
Watching it fall apart


Fall Apart

The Meadows of Bunche – David Randall

A groove born in the halls of memory.
Back in high school, on Meadow Street in Bunche Village outside of New Orleans, this track started as a jam between two friends still shaping their musical identity.

Years later, I’ve reimagined and remade it — keeping the spirit of discovery alive, but giving it the depth of experience I’ve gained along the way. The Meadows of Bunche is equal parts nostalgia and evolution: a nod to where I came from and a groove for where I’m headed.

🎧 Smooth, soulful, and rooted in the vibe of New Orleans, this is a track for late-night drives, open skies, and anyone still finding themselves in the music.

The Meadows of Bunche

Electric Sonata: Chroma
A vibrant collision of pop-fusion energy and classical elegance.
Driving drums, lush strings, bold brass, and a whisper of acoustic guitar create a prismatic soundscape—pure color in motion.

Electric Sonata:Chroma

Employing Chaos Theory and fusing it with a dash of hardcore, punk, funk, rock, blues, and whatever else the cosmos throws into the mix. But if you just have to have a category, we’re happy with a description given by one of our listeners saying the sound is akin to a chaotic space blues. Maybe we’re just experimental. You tell us what genre we should call home. https://linktr.ee/frontinstunts

Degenerating Orbit

Frontin Stunts

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