Verwendete Synthesizer:

1 Sequenz vom Unosynth Pro
1 Sequenz vom Roland S-1
2 Pad Sounds vom Microkorg XL
1 Choir Pad und1 Pad Sound vom IPAD ( VHS Synth)

Verwendete VST Plug Ins

1 Pad Sound vom Legend HZ (Synapse Audio)
1 Pad Sound vom  GX-80(Cherry Audio)

Die Drums stammen von Studio One.

Final Beat Version 2024@Travelling through Space-Time

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Welcome, everybody.

Follow me as I explore the many genres of electronica.

𝐻̶͎̜͔̭̺̪́𝑒̷̖͎̰̰̲̬̼͈̮̍͆͊͋̀̆́𝓎̵̧̢̥̰̘̦͍̼͖̽̋̀̽̚!̸̨̯̜̻͈͑̒̈̀̐̕̚ ̸̧̛̭͖̫̗̺͆̐̈́̓̓̀𝑀̷̨̡̻͔̦̹̺̲̄̅̄𝓎̴̛̱̣̲̟̌̾̑͛́͌͜͜ ̴̥̣̂𝓃̶̨̛̭̜̈͐̒̄̍͐𝒶̴̼̘̤̘̰̭̱͕͆͌͑𝓂̷̧̢̱̜͔̘̝͙̾̂̅̍̍̓̕̚ͅͅ𝑒̵̘̗͕̐̔̑͆̕͠ ̷̛̛͎͙̹̙͉̎͌͑͑̈́͘͠ͅ𝒾̴͎̎̑͐̓͘͘̚͝𝓈̴̧̺̘̫̥͝ ̷̡̻̰̗̭̓𝐵̷̛̪̳̤̜̂̿̒͒̚̚͝ͅͅ𝑒̶̱̤̦͈̗̣̘̟̌̽̄͊𝓃̶̞͚̇͌̄͒̇̎̑́̚͜͜𝒸̷̨̛͕͈̅̓͌͂͐͑̌̏͐𝑒̸͎̲̓̂
Hey! My name is Bence and i play guitar for 15+ years now... 
I listen and play mostly progressive rock, neofolk and jazz. 

I created this project to explore textures, soundscapes and subtle nuances that are exclusive to synth music. And also to challenge myself and become less reliant on my favourite instrument, while exploring ideas i haven't tried out before. 

Trying to find rhythmic patterns and serenity between the lines. Both in music and life...
𝘳̷̢̤̳̗̘̱̩̩͛̊̀͆̈́͗͊ͅ𝘩̶̢̣͓͇͉̑͗𝘺̸͙̔̄̐̍̐̽𝘵̸̫̮͓̏𝘩̴͍̰͙̩̉̍̓̈͗̚͝𝘮̷͖̦̗͉͕̰͑́͐̇̃͘̚͝ͅ𝘪̷͍͖̲̋͂𝘤̶̜͌̈́̓ ̵̛͓͚͖̹̱̙̠̪̌͂̇̀̅̂͑̕𝘱̸̧̡̛̤̙̖̦̉͌̍̂̓̑͜𝘢̴̲͔̪̇͂̌͠𝘵̸̨̭͉̪̯̙̤̫̰̲̀͐͠𝘵̴̢̱̰̞̦͓͈̀̎̿̍̓̄́͊́̓𝘦̸̨̥̗̣̦̙͂͒̈́͐̒͛̀̽𝘳̸̢̹̝͈̯̏̀̅𝘯̸̛̛͎̐͆͋̄̿̚𝘴̸͕̆̓͒̈ ̵̤̍̽̃̾̉̽̓͂̚𝘢̴̢̛̘̻̤̞̮̺͓͋̇̊͑̽̓͘͘̕𝘯̵̠͖͚̙̯͈̄̑̑̒̅̑͜𝘥̷̡̙̟͔̤̣͉̔̄̂̈́́̎͛̈̕ ̸̪̜̺̅̋͐͐̚𝘴̷͉͙̘̭̥̬̯̘̟̆͊𝘦̵̲͖́̈̉͠𝘳̶̧̨͒̐̆𝘦̶̢̳̮̩̗̦͉̭͉͙̄͐̎͆̀̕𝘯̶̡̼͉̦̄𝘪̸͈̹͎͔̠̯̦̗͇͙̚𝘵̶̥̲͋𝘺̶̼̰̖̮̼̮̖̟̆̅͛͆̐̽͠ ̸̧̞̮͂͌𝘣̵͖̩͕̮̭͚̍̐̓𝘦̶̛̘̲̣̭͛̂̄̄̆̚𝘵̶̨̢̛̠͈̤͌̓͗̔̈́̍͘̕𝘸̴̫̫̮͉́̊̅𝘦̴̢̝͚̔̆͆𝘦̸͕̺͗̀𝘯̶̧̣̳̙͉̃͊̏ͅ ̴̢͇͔̹̝̗̖̆͜͝ͅ𝘵̶͕̝̑͒̇͐̓͌̾̅̇̕

Glass and concrete are so intertwined with the neural network of their inhabitants that a kind of symbiosis is obtained, reaching parasitism of one above the other. A small person has a choice: to be free or to become a link in this system, having realized this choice, the choice as such ceases to exist.

Dolbania was founded in January 2008 by two friends and a cat - lovers of good heavy music. Then a gloomy Gothic composition was recorded on the poems of I.V. Goethe on an acoustic guitar and synthesizer.
In the first year of her existence, she was in a creative search, with an admixture of depression. We searched for inspiration at abandoned industrial facilities and in listening to a huge amount of music. We fucked for a long time and a year later we finally decided on the style that you can currently hear in our songs.

DJ for various occasions till the age of 25, I always loved electro music till my life changed and turned to be  more demanding, leading me to stop mixing . However, I stayed attentive to the world of electronic music, and more specifically to the « lounge » and « deep house » style played at the Buddha Bar, which remains for me  a source of inspiration.  
Allowing me to be in  direct contact with thousand of people, the 2018  and 2019 technoparades gave me the opportunity  and motivation to go back to the turntables, while trigerring my return into the electro-music world. I was then able to mix sounds accumulated for years, turning the whole thing into an incredible experience.  I now produce my own pieces of Deep House,  Organic House, Ethno Deep House, Tech House, and Lounge, using tones reminiscent of  the Middle and Far East, Eastern Europe and India.  I am just at the beginning of a new and fascinating adventure. Thank you for listening, repost...likes...
🙏

Final Beat Version 2024@Travelling through Space-Time

S o l o ~ M u s i c ~ S e n s e ~ P r o j e c t