Motorpig is an experimental electronic project based in Kharkiv, Ukraine. Its music ranges from industrial technoid rhythms to abstract ambient soundscapes. Motorpig was created in 2012 by its only member Mykola Yosypenko.  He was introduced to music at a young age, created his first sampler by the age of 14 from two used tape recorders and was quickly involved in audio experiments. Since then, he started graduate forming a style of music he admits has been influenced by a lot of pro-industrial bands who combined elements of rhythm, techno, noise, dark ambient and weird fantastic soundscapes.

Vienna-based DJ and Music Maker. Focused on unconventional electronic music, particularly genres such as Breakcore, Braindance and IDM.

i bee n DJing for years!!! i like to play techno, electro, house. For BOOKINGS /SEND ME PROMOS, email links for download or via inflyteapp.com (wav. files only). bioni.samp@gmail.com *Bioni Samp from Leeds, Yorkshire. Published since 1995. Releases on various labels; Aconito, EMIT (UK) Harthouse (DE) Philtre/Kompakt, Instinct, Minimalizm (USA) and Noise Music (BR).

Bioni Samp - Pyramids Along The Caulder 2015 
Released on Aconito Records Ltd. 

Played and supported by Marcel Dettmann, Dj Deep, Electric Indigo, Cleric, Exium, I/Y, Alex.Do, Blind Observatory, Takaaki Itoh, J.C., Antonio De Angelis, Angel Molina, Albert Van Abbe, Ness, Deepbass and more.

Previews and downloadable track pics here... https://bionisamp.wordpress.com/2015/05/05/previews-online-of-my-new-ep-on-aconito-records-acdseries-01-03-bioni-samp-pyramids-along-the-calder/ 

Biog – Short Version
Bioni Samp is an artist, producer and video maker originally from Leeds, Yorkshire. He currently resides in London. He creates experimental electronic music, live and on recordings. He also seasonally works with bees. When not beekeeping, he makes custom audio software and hardware, which he uses in creating his music.

Bioni Samp has been publishing his work since 1995 and has had releases on various labels: Aconito, EMIT (UK) Harthouse (DE) Philtre/Kompakt, Instinct, Minimalizm (USA) RoHS Prod (FR) and Noise Music (BR).

Growing up in Yorkshire to a backdrop of industrial decay next to rural beauty, inspired me to create my own electronic landscapes using cassette, tape loops, bass guitar and a Roland SH-101 synthesiser.

I was influenced and inspired by other Yorkshire locals, Cabaret Voltaire, early Human League, their harsh electronic sound and slide based multimedia live shows.

After studying video and sound in Scotland, it was in Glasgow that I really started to developed my own work and built an early ProTools based electronic studio. Many djing, live electronics gigs and then releases followed.

Over the years I have continued to research and experiment with stereo / binaural, producing recordings and performing live with extreme stereo processing, using mainly my own home made equipment. Recently I have been invited to perform my live electronics in Canada, Sweden, Slovakia, Czech Republic, Poland, Austria, Liverpool, and London.

I have recently performed with my 'Hive Synthesiser' at reRooted Festival at Humber Street Gallery, part of Hull UK City Of Culture 2017. Where I also played a DJ set on the last night of the festival.

I like to create something new for each live performance, my sound constantly evolving between ‘ambient / experimental / field recordings / noise / techno‘.

Also released
Bioni Samp - The Island - Aconito Records 2012 

Supported by: Developer, 88uw, Anderson Noise, Audio Injection, Pfirter, Valentino Kanzyani, Tom Bonaty, Lucy, Richie Hawtin, Adam X, Giorgio Gigli, Claudio PRC, Forward Strategy Group + more. ...thank you ALL for the AMAZING FEEDBACK 

Thanks to Boomkat for the great review of my 2012 release... 

'Bioni Samp makes his solo debut proper with a finely structured, dark and elemental Ambient Techno EP. Hailing from Leeds, he's already appeared on the London-based Aconito label alongside Nax_Acid with the 'Ghost Bus' EP, but this is his definitive solo statement. Stark ambient pieces bookend four minimal Techno rollers. 'Feather Ings' uses field recordings and plunging subaquatic basses reminiscent of Thomas Köner, and the title track sketches bleak atmospheres around a skeletal hi-hat pattern reminding of DJ Skirt at her most isolated. The Techno tracks are equally carefully constructed, from the rippling, offset roll of 'Todays Skyline' to the SAW-like pulses of 'Oil On Canvas' and the ghostly warehouse space of 'Slinky Makes Reverb'. Check!' http://boomkat.com/downloads/538080-bioni-samp-the-island

For best return to support Artists and Label buy direct from http://aconitorecords.bandcamp.com/

For more Bioni Samp DJ Mixes http://www.mixcloud.com/bionisamp9/

Send tracks to me to include in my DJ sets and occasional radio shows via wetransfer or similar via my website https://bionisamp.wordpress.com/

Always playing with machines... 

NEW 5 TRACK EP "BEHIND US" OUT... soon.

I have wanted to create music for a very long time but with no real beat knowledge or instrument ability I purchased a little Dirtywave M8 to start... having no tracker history at all either I jumped in head first. it's been a deep dive and I'm forever learning but I'm having so much fun whilst doing so.

recently adding the amazing torso electronics s-4 has opened up a whole new sound stage...

here are a few of my songs/tunes I've made so far...


hardware

Dirtywave m8
torso electronics s-4 
Roland j-6
Zoom recorder
Teenage engineering EP-133 KOii
Behringer PRO VS mini

Canadian Polyglot and polymath living in North Carolina, Francois is Head of Dion Research by day, & artist, maker of instruments & effects, musician, photographer & sound engineer by night.

His interest in music started at a very young age when he studied classical piano and electronics, both of these things would be quite influential on his future work.

He started composing electronic music as a kid in the early 80s and experimenting with sampling on an Apple //e, and would later use the Amiga, Apple IIgs and on the PC, the Gravis Ultrasound wavetable soundcard, and would publish soundbanks for it. Today, most of his music is done without computers, on modular synths and effects built by him, along with some commercial synths and effects.

From 1988 to 1997, he hosted a show on electronic music from its beginning in the early 20th century all the way to modern electronica, and the history of it and the technology that enabled it. He also did a stint at the Canadian Broadcasting Corporation and Videoway / Videotron in Montreal.

In parallel with that, he would continue releasing music through various media, including digital media before MP3 files (through MP2 and ADPCM WAV files on Hyperreal, IUMA etc). In those 30 years to now, he has produced an average of ~1 album (EP or full) a year

ambient \ idm \ acid

(dawless) live hardware jams


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