Mayan Warrior is the result of a collaborative project that has united artists, craftsmen, photographers, designers, technologists, architects and musicians from Mexico City and Northern California. 

The project’s original intent was to present to the world the incredible ascent of contemporary Mexican electronic music while paying respect to the deep and ancient sources from which that visual and auditory culture had grown.


Both light and sound are curated by some of the world’s most prominent artists to transport participants to the very origins of the culture – and to a new understanding of contemporary electronic expression.

AND YES: Mayan Warrior is driven from Mexico City to the playa – and back – each year. It's a labor of love and we're glad so many people enjoy it.

Founder/Artist
Pablo Gonzalez Vargas

Line-up and Music Curation
Rebolledo
Rodrigo Madrazo

Singer-songwriter and electronic music producer. To many that might sound like two very different aspects of modern sound culture - which in turn makes Monolink a fascinating character, because he's both rolled into one. His style seamlessly connects the narrative structure of a song with the compelling forward thrust of electronic rhythms. Guitar chords merge into synthetic pad sounds, hypnotic bass vibrations meet emotional vocal parts, passionate physicality meets sublime stimulation for the mind.

WORLDWIDE BOOKING
Alex Becket & Roman Trystram 
Monolink@caa.com 

MANAGEMENT
Jesse Flemming & Matt Jagger
jesse@thedolab.com & matt@europamusicmanagement.com

WOLO is a DJ, producer and radio host based between Ibiza and Dubai.
Known for his daily radio show Music Therapy on Ibiza Global Radio, he explores electronic music as a space for connection, emotion and reflection.
His sound blends deep house, downtempo and organic electronic music, often enriched with live instruments and atmospheric textures.
🎧 Music, radio shows & live recordings
🔗 https://www.officialwolo.com/about

Located in downtown Montreal, Stereo is a nightclub and afterhours spot meticulously designed to achieve the best in sound quality and acoustics. With three-feet thick walls to isolate and proof sound and a dance floor equipped with shock absorbers to ease clubber fatigue, Stereo is built to provide the ultimate comfort and ease for dancers both physically and aurally. 

Situé dans le centre-ville de Montréal, le Stéréo est un club afterhours conçu pour d’atteindre le summum en matière de son et d’acoustique. Avec ses murs de trois pieds d’épaisseur pour isoler et insonoriser ainsi que sa piste de dance munie de ressorts absorbants pour contrer la fatigue des adeptes du dancefloor, le Stéréo est construit de façon à procurer le confort et l’aisance ultime pour les danseurs autant sur le plan physique qu’auditif.

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


GET YOUR FISHER MERCH !! 
Https://www.followthefishtv.com

MGMT:
Brett Fischer
brett@ayita.com

MARKETING:
Shayan Fakhimi
Shayan@ayita.com

N+S America Bookings:
CChapman@paradigmagency.com

AUS+NZ Bookings:
stuart@posterchild.com.au

EU Bookings:
daveb@codaagency.com

DJ from Buenos Aires, Argentina.
Resident & Founder @undergate-oficial.

booking: isabel@stilvortalent.de
tours & tickets: www.bio.site/hovr

instagram.com/hovrmusic

HOVRs sets range from eyes-closed grooves to uplifting powerhouse. After being raised by a music teacher, HOVR is now one Berlin's most creative exports. The nonbinary multi-instrumentalist gathers a community of music lovers around them, breaking with norms and fusing a classical music education with Berlin's rave culture. With hundreds of performances around the world, including sets at Maxa/Burning Man, and dozens of successful releases, HOVR thrives on a path of bringing people together, supporting spaces of free expression and making memories with sound.
 
⌇2 0 2 5⌇ 
4.4. Stuttgart
11.4. Limassol, Cyprus
12.4. Bergamo, Italy
18.4. Berlin
20.4. Hamburg
25.4. Kopenhagen
2.5. New York City
9.5. Los Angeles
11.5. San Francisco
16.5. Maui
17.5. Oahu
25.5. Washington DC 
30.5. Seattle
7.6. Nürnberg
7.6. Würzburg
11.6. Magdeburg
14.6. Berlin
19.6. Bayreuth
21.6. Freiburg
28.6. Fusion
5.7. Berlin
12.7. CoSy Festival
26.7. Insel der Freuden
1.8. Liana Festival 
2.8. Vogelball Hamburg
9.8. Wien 
10.8. Freetree Festival 
14.8. Bucht der Träumer* (b2b Carlo Bonanza)
16.8. Hildesheim 
17.8. Sisyphos 
24.-31.8. Burning Man 
5.9. South Lake Tahoe 
11.9. New York City 
19.9. Berlin 
20.9. Landshut
2.10. Frankfurt
11.10. Stuttgart
18.10. Pinky Promise
20.10. Berlin, Nevernow
24.10. Bochum
25.10. Zürich
31.10. Unfamiliar Festival
20.11. Zurich
November: Peru Tour tba
31.12. Singapore

Booking contact: isabel@stilvortalent.de

Wow! You read my entire description. Here is your reward-bear: ʕ ´•̥̥̥ ᴥ•̥̥̥`ʔ

Hofer66 began DJing in the early 90s after living the true beginning of house music in Ibiza in 1989 with the live performance of Adamski in Amnesia in Ibiza.

After this first impact he started to play in Ibiza in legendary places like Km5 from 1991 on, at this point with tapes and a rudimentary mixer.

From 1992 - 1995 he was playing in Germany in legendary places like 'The Box' in Frankfurt, 'Babalu' in Munich, 'Oz' in Stuttgart and 'Oktan' near Freiburg.

In 1996 he moved to Ibiza and played almost every club and bar on the island in the following years.

Since 2001 he is the editor of dub Magazine Ibiza, so he is giving back the people what they give to him - his spirit and love for this music. 

In march 2012 dub Magazine became dub Ibiza network going online again at www.dubibiza.com. On hold for the moment dub will be back somehow somewhen stronger than ever - quality never prostitutes.

In 2005 he started his own partyseries called 'sense - everything that makes sense', becoming one of the most successful parties during the wintermonths in Ibiza for 4 years in a row.

Since 2008 he produces together with Ingmarlo under the name 'Sonicure', including collaborations with Stephen Russell - The Barefootdoctor. Until today they released more than 20 tracks with the label Movinsounds Ibiza.

In 2009 he was nominated for the DJ Awards in the category 'Best Ibiza Resident'.

Also in 2009 he was a regular guest in the infamous 'Watergate' in Berlin with his mates Patrik Bodmer and Philipp Jung aka M.A.N.D.Y.

Another remarkable residency is in the infamous 'Macarena' Club in Barcelona, Spains smallest but most acclaimed House Club.

From March 2011 until February 2012 he was programming director of Ibiza Sonica, one of the main electronic radio stations in Ibiza.

From 2004 - 2020 he broadcasted his show 'igr makes sense' live and direct every single week, becoming one of the longest residencies on Ibiza Global Radio with over 750 radioshows in 16 years.

In 2014 his party concept 'Local Heroes' joined Carl Cox' 'Music is Revolution' events Tuesdays in Space for 6 exclusive nights.

In 2015 and 2016 he took 'Local Heroes' back to the underground with a weekly residence in Sansara Ibiza.

Since 2017 he celebrates his show 'purified' live and direct every Monday @ prime time from 09 - 10 PM CET on www.pureibizaradio.com.

In 2018 he was resident in the legendary 'El Clodenis' and had a short but intense residency with 'Odyssey' in Seasoul Ibiza.

In 2019 he played strictly private events and a few selected gigs, e.g. with Ricardo and Luciano at Storytellers in Cova Santa.

Since 2020 he only plays selected gigs and private parties worth the while, ukwis.

His style is well known for the variety of deep, sexy, sensual grooves ranging from Deep House to Deep Tech House. He is as well known for his endless sets on the beaches of Ibiza, playing from Chill to Lounge, Balearic to Downbeat, finishing up with Drift House. He prefers to play long sets to take the people on a trip rather than a short, intense set.

For bookings contact Andreas @ info@dubibiza.com

Hugs from the wild isle.

fubulou is following