Intro//Drums by me//excerpt from "Through The Filter: Red & Blue" by me//
excerpt:
An early conviction,
Which has left me bound, tied by strings and held down, unable to see the falsehood in intangible solids
Reminds me of the walls that surround a prisoner,
His vision accustomed to viewing the world from inside barred windows through cold steel doors
Never remembering the intense beauty of a sunset, or getting to feel it’s loving and nurturing warmth softly kiss the skin
A fiery-red, through a filter which has so effectively captured harshness, hatred, and rage
Fills his corneas and sit ever so lightly above a revealing color coating
Still burning, stinging the sights of anything he lays eyes on, until his eyes run
And now soft tears,
In an ocean-like blue, with such depth that shallow ends seem to be non-existent
Through a filter that was there with him for every betrayal, every moment of extreme paranoia, and virtually every unfortunate tragedy
If only he could show them behind the grayness which casts a shadow above the chin and below the forehead,
If only he can remember those times as a kid he had had with his mother, running and playing in the fields as an adolescent, laughing in a childish excitement which still echoes softly when she dreams of their old memories
If only he could remember what it is was all like before living through the filter

SUCH LOVELY DISSONANCE (INTRO)

On a quest to find lost gems and diamonds in the rough.
Plus Music is my drug and Soundcloud is the plug!

shitcloud is dead. I'm on YouTube now

proactively exploiting market positioning models through distinctively procrastinating frictionless collaborations and idea-sharing, monotonectally restoring accurate infrastructures built for interactively creating vertical opportunities towards assertively cultivating raw minerals and scraps of rusted metal, and applying them surgically to the sides of your head, by yourself alone in the dark

i. sense discrimination for particle verbs, particles and simplex verbs (including the base verbs with regard to the chosen particle verbs); 
and
ii. identification of regular meaning shifts and the conditions that trigger the meaning shifts.

Concerning (i), our work is interdisciplinary, combining (A) theoretical considerations about salient meaning components with (B) empirical evidence from psycholinguistic experiments and (C) computational models with a strong focus on distributional information and soft clustering methods to represent and disambiguate contextual ambiguity. 

Concerning (ii), we aim to incorporate the empirical sense properties into computational models that identify regular polysemy regarding PV-BV meaning shifts via analogy. Importantly, we are not only interested in the identification of the meaning shifts per se, but in addition we aim to determine the conditions of the meaning shifts, i.e. the meaning components of the particle verbs and their constituents that trigger the meaning shifts, such as subcategorisation behaviour at the syntax-semantics interface; contextual indicators of abstract vs. concrete contexts; domain information; aspect; etc. As a side-product of meaning shift identification, we will address compositionality: one type of meaning shift is a non-shift with strong PV-BV overlap and a prototypical particle meaning. 

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Alex|22
https://www.instagram.com/sorixmusic/
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bookings/etc: sorixmusicc@gmail.com

SUCH LOVELY DISSONANCE (INTRO)

Fukkit