▶︎ https://ffm.to/nextra

Follow #Hau5trap new releases here: spoti.fi/3GJuqjX

About #deadmau5:
Joel Zimmerman, more commonly known as deadmau5, is one of the world's most respected electronic music producers of modern times. Enjoying international chart success with his platinum-certified single "Ghosts 'n' Stuff," as well as "Professional Griefers," "Sofi Needs A Ladder" and "I Remember," he has also released seven critically acclaimed albums: an orchestral album where’s the drop?, W:/2016ALBUM/ and > album title goes here < (both reached #1 on the Billboard Dance/Electronic Chart), 4×4=12 (recently recognized for having sold over 1,000,000 copies in the United States), For Lack Of A Better Name, Random Album Title and while(1<2). The multiple JUNO Award-winning and GRAMMY®-nominated artist's ability to push the boundaries of his talent grows at an equal rate to his fan base, which counts almost 15million over his combined social media channels.

Other music offerings which includes original productions, remixes and collaborations with featured guests like Rob Swire (“Monophobia”), Lights (“Drama Free”), Shotty Horroh, Scene of Action and more can be found on the mau5ville: level 1, 2 & 3 series. deadmau5 kicked off 2019 with his first film score for the Jonas Akerlund-directed spy thriller Polar available via Netflix. deadmau5 toured cube v3 during 2019/20 performing singles "FALL," "SATRN" & "COASTED" as well as "A SEED". This May he teamed up with The Neptunes (Pharrell & Chad Hugo) to release Pomegranate; Billboard saying it may well “be the song of the summer!”

About #Hau5trap:
A multifaceted home for global electronic pioneers within the house music space. Focusing on textural, groove driven, melodic sounds, Hau5trap is the new premier collective for the who's who of who's next in all things house. Welcoming back familiar members of the mau5trap horde while simultaneously introducing fresh faces alike, Hau5trap is positioned to make itself one of dance music's most unique labels to date.

▶︎ deadmau5 online:
https://facebook.com/deadmau5
https://twitter.com/deadmau5
https://instagram.com/deadmau5
https://youtube.com/deadmau5

▶︎ Hau5trap online:
https://hau5trap.com
https://facebook.com/hau5trap
https://twitter.com/hau5trap
https://instagram.com/hau5trap

nextra

Stream & Download

deadmau5 - Nextra

GOOSE - Can't Stop Me Now (The Bloody Beetroots Remix)
Produced,arranged and Composed by Sir Bob Cornelius Rifo a.k.a The Bloody Beetroots

GOOSE - Can't Stop Me Now (The Bloody Beetroots Remix)

Etienne De Crecy - Funk (The Bloody Beetroots Remix)
Produced,Arranged and Composed by Sir Bob Cornelius Rifo a.k.a. The Bloody Beetroots

Etienne De Crecy - Funk (The Bloody Beetroots Remix)

deadmau5 - Hi Friend (Instrumental)

Moon rise _  After night

A boundless, cosmic, infinite gaze, translating techno rhythms into raw energy—vibrations that pierce galaxies, ignite stars, and unite hungry souls in the ritual of pure sound.

Infinite Gaze

Rock, Paper, Scissors

Stream/Buy

BlackGummy - The Machine

Single off forthcoming Impactor EP, releasing via mau5trap 9/30

Stream/Buy: http://smarturl.it/impactorEP

www.facebook.com/blackgummy/
twitter.com/theblackgummy
www.instagram.com/blackgummy/

mau5trap online:
www.mau5trap.com
www.facebook.com/mau5trap
www.twitter.com/mau5trap
www.instagram.com/mau5trap

Descent - Single

Descent

Buy/Stream

2008.
679 Recordings.
Only released in the US. Promo only in the UK.

Little Boots - Stuck On Repeat (Fake Blood Mix)

Syrup

Contact:
fukkkofff@icloud.com

Fukkk Offf. Statement, attitude, intent and goal. To hell with conventions, go with what you want, what you see as great. Insist on your own sound, show character, strength, individuality, the courage to swim against the current. And above all: go for it. Believe in yourself. Say ’Fukkk Offf’. Get it out of your system. Dance it away. Fry your synapses. Experience your own self. Fukkk Offf the lot of you. I am me. All of that lies beneath the nom de plume of a Hamburg techno producer who is all set to exert a greater influence on the genre’s future fates, even more so than now.