A Golden Wave Will Come

A hike to the park, past the concert garden, out into the no man's wood land and back.

Eine Wanderung zum Park, vorbei am Konzertgarten, hinaus in in den Niemandsland Wald und zurück.
_____________________

I was inspired by some older synthesizers for this song. So SQ80, Wavestation and D50 were used, along with some modern VST plug-ins. The song refers to an older song and thus connects past and present.
Ooh yes, i cooked the picture myself once again ;-)

Zu diesem Lied haben mich einige ältere Synthesizer inspiriert. So wurden denn auch, SQ80, Wavestation und D50, neben einigen modernen VST Plugins, eingesetzt. Das Lied nimmt Bezug auf einen älteren Song und verbindet somit Vergangenheit und Gegenwart.
Ach ja, das bild hab ich mal wieder selbst gekocht ;-)

No Man's Wood Land

No Mans Wood Land

She Was Untrue (Danger Dance)

Nič ni tako srečno

Nič ni tako srečno kot poletje, 
ki je opustilo svojo stražo,
ki je stopilo naprej 
in našlo svojo senco
v soncu.

Words: Manca Klun
Music: Alessandro De Oliveira Bastos

Nič ni tako srečno

Entering 2023, with the heavy burden of uncertainty we all share, my thoughts are with Ukrainian people: Next to their arduous yet defiant fight for freedom and sovereignty, my personal problems feel quite frankly- insignificant...

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My first electric guitar recording after many, many years.

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Safari

For All Of Yall Out There

Hei!

It's difficult to categorize my music into just one genre. It draws influence from trip hop, breakbeat, instrumental and abstract hip hop, heavy rock, techno, minimal, sound art, contemporary, glitch, and more!

I admire many artists, and you might detect their influence in my work. Among the best are Daft Punk and Massive Attack, followed by 90s Ninja Tune artists like Amon Tobin, DJ Vadim, The Herbaliser, and Kid Koala. I've had the pleasure of seeing many of them live at the legendary Ilosaari Rock festivals. I also appreciate French hip hop, particularly Le Peuple de l'herbe. Other inspirations include The Prodigy, Portishead, DJ Krush, DJ Shadow, Gorillaz, Moby, Mono, Thievery Corporation, Future Sound of London, and more. My taste spans from acid jazz and funk to lo-fi and even punk or hard metal, depending on my mood.

I've been making music since the early 2000s, starting with MadTracker software (I am fine with the program name). A few years ago, I transitioned to music production with Ableton Live 10, and I'm currently using version 12. Some of my tracks are experimental, stemming from explorations over the past 20 years, while others are entirely new compositions. This experimentation is perhaps influenced by my background in research—I'm eager to explore new territories, including music.

Nature is my second passion. I tend to a micro-farm in the summer, raising sheep and chickens and restoring it to its traditional biohabitat. In the winter, I evade to the city and brood there, craving for the countryside's spring, summer, and autumn... or dreaming being in hot and sunny place by a sea or river...

I'm open to collaborations, akin to scientific endeavors where novel and exciting outcomes emerge from teamwork. Feel free to reach out!

Lastly, I want to express my gratitude to my SoundCloud friends, website visitors, and music listeners. This community is truly remarkable!

Best regards,
Tarmo aka Funking Duck

P.S. If you enjoy my music and wish to support me, you can do so via PayPal at paypal.me/funkingduck. Your support will contribute to expenses such as a pro-account subscription on SoundCloud and music software. Thank you very much!

They Babbled Until They Had To Jump To Their Deaths

Funking Duck

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