NICE ELECTRONIC SOUNDS! BEST DROP [via https://sc.repostexchange.com]

Amazing work my friend , This is certainly heavy!! wow 🔥🔥🔥

Very nice rock and electro mix ! Amazing release ! More like this !

A song about a man working his whole life, giving up everything and coming up short in the end.

Company Man

Withstand your torment is about is trying to deal with things that are happening in your life or in the world . There’s things out there that you love and hate , but it’s mainly over the things you hate out there in the world and you can’t always get what you want . But it’s also knowing that you can’t go back in time and change your past so you have to live with things that’ll haunt your memories for a long time . Living with very big regrets,mistakes,opportunities ect and it’s fucked you over .

Withstand Your Torment Vocal Demo

Naked

Musique / Music: Ootol 
Paroles, chant et jaquette / Lyrics, vocal and artcover: Lukowig 

Paroles / Lyrics :

Linceul

Etrange ange
sa peau se fond
dans la blancheur des draps de lin.

Linceul

épiderme pur maquillé ou peint
s'étale s'épanche
m'avale me mange...

Et chante l'ange...
Lapons le fond
de l'âme en cœur dans les bras de l'autre de l'un. 

Linceul

Shroud

Shroud [Ootol and Lukowig]

Seq00l  WWW  Love Is That Condition In Which The Happiness Of Another Is  Essential To Your Own.

LEON DjRMG MACH1N.wav

YouTube

Ghost Chase

Let's Mash Out

Heavy as Loud

Heavy As Loud - KRT Production

Nasdac

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - III. Dolente

KRT - WAR TEMPO - NEXT STEP - NUR - ATOMIUM - BBAM

Funkle Ace is born in Brussels, Belgium. Son of piano teacher, he was initiated very soon at the keyboard. During a long he played with a friend and made a lot of concerts in Belgium, France and Spain. Now he's following his own way and decided to make appreciate his unique style of music.

Heavy As Loud - KRT Production

Funkle Ace

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