Carlos Rossell Vico nacido el 21 de Agosto de 1983 en Sevilla.
Músico autodidacta (Guitarrista,Bateria)entró a formar parte de la banda de metal Malagueña EPIDEMIA en el año 2002 a la baterÍa.
En 2003 guitarrista compositor y vocalista de la banda Diatriba.
En el 2005 entró de guitarrista en OPERACIÓN MUTANTE.
Compositor y guitarrista actualmente en FUTU MATANO.


Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Athanai,

una de las figuras más relevantes del Rock cubano de todos los tiempos, vuelve a la carga con su esperadísimo tercer disco: “Creando Milicia”.


Totalmente autoproducido, el álbum cuenta con edición “física”, aunque está disponible esencialmente a través de la Red, en los principales portales de venta de música como iTunes, Spotify, y Amazon.


Acostumbrado – como todo buen cubano -  a enfrentar los tiempos duros con inteligencia, resolución y grandes dosis de imaginación y creatividad, el chico más duro del Vedado ha escogido en esta ocasión el clásico estilo de producción “Juan Palomo” para dar luz a un disco que profundiza en la estela del ya antológico “A Castro Le Gusta El Rock”, demostrando, una vez más, que no es preciso contar con el poder económico de Lenny Kravitz o Phil Collins para asombrar al mundo con una deslumbrante colección de canciones que dejan sin aliento por su brutal e inédita mezcla de energía metalera, sabrosura habanera y textos sulfúricos…


Vuelven, con más fuerza que nunca, esos incendiarios riffs guitarrísticos que conviven con estribillos y melodías tan irresistibles como adherentes  – de pura raíz cubana – que siempre fueron marca de la casa… y que tantos han tratado de emular, sin conseguirlo jamás. Todo envuelto en una presentación gráfica – creación también del propio artista, que debuta en estas lides con su desparpajo habitual – que deja, literalmente, sin habla.


Íntegramente compuesto, arreglado y producido por Athanai, “Creando Milicia” se beneficia, además, de las esplendidas colaboraciones de un selectísimo grupo de músicos procedentes del lado más inquieto e interesante de la actual escena musical de ambos lados del Atlántico, entre los que se cuentan  los guitarristas Dayan Abad y Tato Monrabal, la violinista Gladys Silot, y el gran Roberto Carcassés al piano, entre otros.


El disco contiene un bonus track realmente especial: “Séptimo Cielo” grabado en directo, su mayor éxito comercial hasta la fecha y un clásico indiscutible del Rock en Español, cuya versión original se incluyó en su homónima opera prima.




Futu Matano banda Costasoleña se crea en 2010 con la idea de unificar las diferentes influencias musicales de sus componentes.
Seis músicos forman esta banda que no pone limites a la creatividad,desarrollando temas que van desde el Funky al Rock pasando por Reggae y HIP-HOP con pinceladas latinas,en resumidas cuentas fusión sin limites.
La formación ha sido galardonada con diferentes premios de ámbito provincial,como son primer puesto en Guarrock Festival 2010 (Campillos Málaga)y MalagacreaRock 2011 (Málaga)en la modalidad de fusión.
Ademas de numerosas actuaciones han compartido cartel con "La Excepción","Hora Zulu","Gordo Master","Los Porretas"o "Little Pepe" y teloneando en acustico a artistas como "Raimundo Amador".

Futu Matano costasoleña band created in 2010 with the idea of ​​unifying the different musical influences of its components. 
Six musicians formed this band that puts no limits to creativity, developing topics ranging from the Funky Reggae and Rock through HIP-HOP Latina strokes, in short fusion without limits. 
Our band has been awarded various awards at the provincial level, such as first place in Guarrock Festival 2010 (Campillos Málaga) and MalagacreaRock 2011 (Málaga) in the form of fusion. 
Besides numerous performances have shared the bill with "The Exception", "Zulu Time", "Gordo Master", "The Porretas" or "Little Pepe" and backing with in acoustic artists like "Raimundo Amador".

Jack Trebol se forma en Málaga a principios de 2010, apostando por un Pop Rock de corte muy actual y directo, elegante en cuanto a su presentación, y acompañado por letras de temática universal que surgen de lo más íntimo.

El LP debut de la banda ve la luz de forma independiente en Mayo de 2014 bajo el título homónimo 'Jack Trebol', disponible en todas las principales plataformas digitales.

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