Spooky intro. The album art reminds me of a penis though.

Casting away 2017...

The 1st release by Eleven Pond in 24 years... a cover of The Seasons Are Sitting On Chairs by Arvid Tuba (Sweden)... much more to come !!!

Thanks for all the support :) it means the world to me....

Sitting On Chairs ~ new Eleven Pond (2011)

Check out the story behind the remixes of this track at:  http://bit.ly/frkrmx  and get the vinyl here:  http://bit.ly/frskrmx
Get the original versions at http://bit.ly/ftrmnlp    In 1982 Futurisk re-recorded 4 of their best tracks from the "Player Piano EP" which was originally recorded in 1981 on 4-track cassette and released in 1982. This time they went to a professional studio, Ocean Sound in Fort Lauderdale with the intention of releasing an album, which never materialized. This is the version of "Lonely Streets" that came out of those sessions. It is now available on the Minimal Wave Records 30th Anniversary Futurisk retrospective vinyl release "Player Piano LP".more info  here: http://minimalwave.com/artists/artist/futurisk &amp; here: http://futurisk.net


Lonely Streets (1982 )

Bass, Lead, arpeggios, Fx,: Moog Mg1
Drums: Sampled Linn LinnDrum



Astrónomo Insumiso

Unreleased track from the working sessions for the 'Loneliness ep', june 2012.
No mastering. This is a pretty raw version of this track.

Soon out ! 7" vinyl on Peripheral Minimal Records (2025)

Tristesse (feat. Xiu)

Tristesse

New Brass City - (Instrumental) [Demo]

Buy: http://mannequinrecords.bigcartel.com/product/mnq-071-police-des-moeurs-ceux-qui-restent-lp

MNQ 071 Police Des Moeurs - Ceux Qui Restent LP / 2xLP

*** First 250 copies will be released as a double LP edition, with the add of the ‘Punk Tape’ LP, previously released on cassette by Runstate. The second LP contains covers of Chron Gen, Reagan Youth, The Headcoatees, Trotskids, Antisect, Anti-Cimex, Rudimentari Peni and Ludwig Von 88. ***

Montréal synth punk quartet Police Des Moeurs returns on Mannequin Records with a brand new full length  entitled “Ceux Qui Restent”, the most dynamic and incendiary record of the group’s career, following the highly-acclaimed self-titled release from 2013.

While the first effort was mostly about how we're all separate from each others, the second one is all about to getting over it and trying to fight it. As vocalist and synth player Francis Dugas explains: “most of the new LP is about links, love and caring (in PDM style, obviously). The title is «Ceux qui restent», which means «Those who stay» or something like that. Ceux qui vivent la tempête jusqu'au bout.”

Still raw, but more direct and minimal than first LP, two tracks feature Pete from Dekoder on bass guitar.

Tracklist

A1 Première neige 
A2 Le coeur de cette ville bat pour nous 
A3 Ce pays est un sacrifice 
A4 Le moi inachevé
A5 Les larmes et la pleur 
A6 Un voyage 
B1 Ce qui sent la mort, je l’oublie dans ton coeur
B2 Je te vois 
B3 Les années
B4 Profondeurs émouvantes
B5 L’inquiétante étrangeté
B6 Ceux qui restent 

Mastering by Rude 66.

Graphic design by Alessandro Adriani.

Police des moeurs - Première Neige

from 'Danza Meccanica Vol.2 Italian Synth Wave 1981-1987 LP' MNQ 022

buy: http://mannequinrecords.bandcamp.com/album/mnq-022-va-danza-meccanica-italian-synth-wave-vol-2-1981-1987-lp

Der Blaue Reiter - Through Glasses

This week's On Rotation podcast features an intimate interview with legendary producer Giorgio Moroder, who reveals insight into his iconic track with Donna Summer titled 'I Feel Love' as well as his early beginnings in music.

Also found in the episode is a discussion between co-hosts Valerie and Harrison touching on various topics in the music industry, including the controversy regarding Inga Mauer and Flow Festival, Ricardo Villalobos' recent comments and dabbing in Saudi Aradia.

Stay locked for a collection of Mixmag's top premieres from the likes of Seth Troxler and Bas Ibellini, Mat.Joe and Sonny Fodera, Josh Butler remixing Carl Cox and a fresh cut from rising talent Chevals.

More episodes

On Rotation 020: Giorgio Moroder

This week's episode of On Rotation features a rare interview with Awesome Tapes From Africa, a label owner and DJ who has travelled throughout Africa to discover and highlight music of the nation that has previously only been available on cassette tapes. Here he shares his unique story.  

Later, co-hosts Harrison and Valerie discuss news of the week including album announcements from DJ Pierre and The Prodigy as well as the results from the very first Electronic Music Awards. Plus, you'll hear premieres from Artwork, DJ Stew, Marlon Hoffstadt and a collaboration from Pan-Pot and Michael Klien.

On Rotation 026: Awesome Tapes From Africa

2022 version by A TRANSITION feat. Gina S:
https://atransition.bandcamp.com/album/devine-noire-feat-gina-s

Demo

Cold War

https://paradoxobscur.bandcamp.com/album/artifact

Artifact

Paradox Obscur - A Different Hum

We are proud to present two classic Minimal Wave tracks which have been on heavy rotation for years now, “Computer Bank” and “Like I Am, Comme Je Suis” remixed by The Floor (Veronica Vasicka & Karl O’Connor).

Five Times Of Dust was formed in Bristol, U.K. in 1981 by Mark Phillips and Rob Lawrence. Mark had answered an advert that Rob had placed in a local record shop and later that year they went on to record and release their first tape, The Dadacomputer. A standout track from that tape, “Computer Bank” is a seminal, “proto-techno banger”. The Floor remixed it a while ago to DJ it out and since then have been receiving many requests about where it could be purchased.
The flip side features Unovidual & Tara Cross’ “Like I Am Comme Je Suis”. It appeared on our first compilation entitled V/A The Lost Tapes LP, in 2006. Unovidual was a Belgian producer involved with the Micrart Group (Autumn, Linear Movement, Twilight Ritual) and Tara Cross, a “long lost girl from Brooklyn” who used to play in small NYC downlown clubs alongside Madonna during the early 1980s when she was still an unknown. Unovidual and Tara collaborated on several tracks through the mail during this time as well as in the studio. “Like I Am Comme Je Suis” was recorded in a studio in Ghent, Belgium in 1985.

We find both of these tracks prime examples of innovative and pioneering synth wave tracks that work on and off the dance floor. And through these mixes, The Floor aim to stay true to the artists’ original intentions whilst making the songs more dance floor oriented.

Featured alongside these remixes, are two unreleased tracks. Rob Lawrence’s “Armoured Car” which at one point was released on a compilation CD as Robert (not to be confused with Rob Doran from Hard Corps) and Unovidual’s “Imponative”, a beautiful minimal synth track which has remained unreleased to this day.

The Five Times of Dust / Unovidual & Tara Cross EP is pressed on standard weight royal blue clear vinyl and housed in a hand stamped disco sleeve. Limited to 600 numbered copies. Out now.

Computer Bank (The Floor Mix)

Five Times OF Dust - Computer Bank (The Floor Mix)

Microsite: http://iddk.houndstoothlabel.com/
Pre-Order: http://bit.ly/2CNyA8V
Buy individual tracks each day as they are premiered on Bandcamp: http://bit.ly/2Djl6CU

The release represents a complete rethink about what it means to compile and commission music in the streaming era – and the tracks and seductively dark atmospheres conjured as a result are exploring all kinds of new sonic territory, too. In short, the cream of leftfield electronic talent have been given a brief: to take the phrase “in Death's dream kingdom”, or the whole of T.S. Eliot's poem The Hollow Men from which it comes, as inspiration.

The resulting 25 tracks will be released, day by day, together with further artist information, to build into the full work. Not an album in the traditional sense, certainly more than just a playlist, it brings together a seriously diverse array of talents into a coherent whole with a vivid aesthetic reverberating through it. It occupies a similar space to the great home listening electronica acts of the 90s – Future Sound Of London, Global Communication, the Artificial Intelligence axis – but there are no throwbacks here: this is radical in sound and thought. Dark music for dark times.

"" ~ ASC

01 - Otto Lindholm - Cain
02 - Pan Daijing - The Island Within
03 - Lanark Artefax - Styx
04 - Petit Singe - Komm Wieder Mit
05 - Peder Mannerfelt - Post Sense Perspective
06 - Tomoko Sauvage - In Some Brighter Sphere
07 - Pye Corner Audio - Box In A Box
08 - Sophia Loizou - Shadows of Futurity
09 - Abul Mogard - Trembling With Tenderness
10 - Pär Grindvik - Speaking Their Minds
11 - Koenraad Ecker - Rat's Coat
12 - Roly Porter - Without Form
13 - Hodge - Sunlight On A Broken Column 
14 - Gazelle Twin - The Dream Ends 
15 - Shapednoise - Ghostly Metafiction
16 - ASC - Tessellate
17 - Batu - Zoo Hypothesis
18 - We Will Fail - Carbon Trail
19 - Peter Van Hoesen - 98 Lines
20 - Spatial - Haunted Dance Hall
21 - Yves De Mey - Solemn But Fading
22 - Mindspan - Accept Things As They Are
23 - Kangding Ray - Glacier
24 - ZOV ZOV - Post Six
25 - Ian William Craig - An End Of Rooms

25 TRACK COMP

ASC - Tessellate (Clip)

Days Of Sorrow - Travel

Circuit 7 - Video Boys

FUTURISK was a pioneering electro-punk group that recorded and performed in the pre-midi era of the early '80's. They had two vinyl releases that sold out, a legendary live show and some videos, but for a number of reasons by 1984 Futurisk was history. Eventually the main core of Futurisk would be the Kolosine/Hess/Howard line up, but in '79 when a teenage Jeremy Kolosine won studio time &amp; money in a competition with his drum-machine triggered guitar-synth act called 'Clark Humphrey &amp; Futurisk', he decided to form a band around the name to record a more punk release "The Sound of Futurism 1980/Army Now". It was an ambivalent anti-war anthem, with Jack Howard on drums, Frank Lardino on synth and Kolosine on vocals and guitar synth. In '81,Kolosine, who had gotten absorbed in a new synth/sequencer replaced Lardino withsynthesist/recordist Richard Hess who had a myriad collection of Moogs, Oberheims and KATs,etc. and the line up for the "Player Piano EP" was cast. The EP, like the live show, was a strange blend of punk/minimalist/disco influenced electro pop, with drum-machine triggered synths and often frantic real drums all led by Kolosine's schizophrenic Bowie/Ferry/Foxx adulations (and about 20 seconds of punk-funk guitar). It was recorded by Rich and the band in the rooms of Ron K's house.The drum sound, gotten in a bathroom, rocks, even today. Reportedly, Futurisk may have been the 1st synth-punk band in the American South...or something, and 1981's track 'Push Me Pull You (pt. 2)' was an early pre-'Rockit' excursion into electro-funk.
In 2003 LCD Soundsystem's James Murphy gave a complimentary wink to Futurisk by using the track on the delightful Colette # 5 DFA Comp CD. 
In 2007 an unreleased 1982 version of the track "Meteoright" was included on Minimal Wave's "Found Tapes" vinyl LP.
In 2010 Minimal Wave Records released  the long awaited 30th anniversary Futurisk retrospective "Player Piano LP", 
and in 2011, Futurisk's " Lonely Streets Remixes" , with remixed tracks by Chris Carter (Throbbing Gristle,Chris & Cosey), Tom Furse (The Horrors), Prince Language (DFA, Editions Disco) and Complexxion was released on Minimal Wave / Cititrax Records. 
Available at:
http://minimalwave.com/artists/artist/futurisk/
For more go to http://futurisk.net


Lonely Streets (1982 )

Futurisk

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