על התאבדות.

cosmic dark upbeat

KALTE UND DUNKLE WELLEN I - 2

life goes on

Casting away 2017...

Receptors Music Inc's FREE D/L page of exclusive unreleased material from RECEPTORS, KSINE, 8-BIT OPERATORS, FUTURISK, , SHAKESPACE, THE INFLUENCE UK & AMPHETAMINE RESEARCH PROJECT . ¤ micro-digital ¤ space-punk ¤ analogue/minimal ¤ electro-junk ¤ . ART by JKsine.
http://www.receptorsmusic.com/

receptorsmusic.com

Exclusives & Unreleased.

FUTURISK was a pioneering electro-punk group that recorded and performed in the pre-midi era of the early '80's. They had two vinyl releases that sold out, a legendary live show and some videos, but for a number of reasons by 1984 Futurisk was history. Eventually the main core of Futurisk would be the Kolosine/Hess/Howard line up, but in '79 when a teenage Jeremy Kolosine won studio time & money in a competition with his drum-machine triggered guitar-synth act called 'Clark Humphrey & Futurisk', he decided to form a band around the name to record a more punk release "The Sound of Futurism 1980/Army Now". It was an ambivalent anti-war anthem, with Jack Howard on drums, Frank Lardino on synth and Kolosine on vocals and guitar synth. In '81,Kolosine, who had gotten absorbed in a new synth/sequencer replaced Lardino withsynthesist/recordist Richard Hess who had a myriad collection of Moogs, Oberheims and KATs,etc. and the line up for the "Player Piano EP" was cast. The EP, like the live show, was a strange blend of punk/minimalist/disco influenced electro pop, with drum-machine triggered synths and often frantic real drums all led by Kolosine's schizophrenic Bowie/Ferry/Foxx adulations (and about 20 seconds of punk-funk guitar). It was recorded by Rich and the band in the rooms of Ron K's house.The drum sound, gotten in a bathroom, rocks, even today. Reportedly, Futurisk may have been the 1st synth-punk band in the American South...or something, and 1981's track 'Push Me Pull You (pt. 2)' was an early pre-'Rockit' excursion into electro-funk.
In 2003 LCD Soundsystem's James Murphy gave a complimentary wink to Futurisk by using the track on the delightful Colette # 5 DFA Comp CD.
In 2007 an unreleased 1982 version of the track "Meteoright" was included on Minimal Wave's "Found Tapes" vinyl LP.
In 2010 Minimal Wave Records released the long awaited 30th anniversary Futurisk retrospective "Player Piano LP",
and in 2011, Futurisk's " Lonely Streets Remixes" , with remixed tracks by Chris Carter (Throbbing Gristle,Chris & Cosey), Tom Furse (The Horrors), Prince Language (DFA, Editions Disco) and Complexxion was released on Minimal Wave / Cititrax Records.
Available at: minimalwave. futurisk.net


minimalwave.futurisk.net

Futurisk

Electronic RockPop 9

This May, Minimal Wave will take an old sound in a new direction entirely, giving Futurisk’s classic ‘Lonely Streets’ a modern shake-up through a remix package from current artists – to be released on MW’s sublabel reserved for new music and old favorites, Cititrax.

Futurisk, an electro-punk group made legendary by their anarchistic records and explosive live shows, mysteriously disappeared from a thriving scene in 1984. With an electric and dynamically layered sound (created with pre-midi instrumentation), the South Florida group left an indelible mark in the crates of disco and minimalist collectors dotted around corners of the world, including LCD Soundsystem’s James Murphy (who gave a complimentary wink to Futurisk in 2003 by using ‘Push Me Pull You (Pt. 2)’ on the delightful Colette # 5 DFA Comp CD). Minimal Wave’s own history with Futurisk runs a few years back, starting first by including an unreleased 1982 version of the track ‘Meteoright’ on the label’s ‘Found Tapes’ vinyl LP in 2007. Subsequently, Minimal Wave released the retrospective full-length vinyl ‘Player Piano’ LP to celebrate the band’s 30th anniversary last year, culling material recorded between the years 1980 to 1982, with all of the tracks on their two 7-inch releases mixed in with rare studio recordings and early 4-track tapes.

The Futurisk ‘Lonely Streets Remixes’ includes remixes by four of the band’s biggest fans, each of whom have a sound as iconic as the band themselves: Chris Carter (Throbbing Gristle, Chris & Cosey), Tom Furse (The Horrors), Prince Language (DFA, Editions Disco) and Complexxion from the UK.

CITI004 B1 Futurisk-Lonely Streets (Complexxion Version) Sample

Кожны канец - гэта пачатак.

Recording, mixing and mastering:  Andrej Babroŭka
Cover: Aliaksandra Michalkovič

Vinyl and CD's will be released at Young and Cold Records

https://band.link/4Owbu

Pytanni

Himn

Ein Krieg der Träume

Lonely Streets (Prince Language's Fantasy Mix)

Taken from LEGACY FROM A COLD WORLD LP, aufnahme + wiedergabe (2013).

http://aufnahmeundwiedergabe.bigcartel.com/product/a-w-lp-003-black-egg-legacy-from-a-cold-world-lp-cd

BLACK EGG - Meaningless

Black Devil Disco Club

« H » Friend

Artiom - The Dance Of Dead (Demo)

wsr-ta01

Medical Records releases the first full length LP in 5 years by LA’s Geneva Jacuzzi. To say Jacuzzi is a multifaceted artist would be an understatement. She is well known for her uncompromisingly obtuse synth-driven pop and one-of-a-kind performance art that is comprised of one time only spectacles and installations. Her works have been presented in famous art institutions such as the Museum of Contemporary Art, MOCA and numerous other venues across the globe. She has developed a very focused cult following in the art AND music scenes. She was originally well known for her multitude of self-released home recordings but also released a full length Lamaze in 2010 on the Vinyl International to much acclaim. Not to mention her track The Sleep Room featured on The Minimal Wave Tapes Vol 2. Technophelia is the culmination of a hybrid of DIY and professional studio recordings (with the help of esteemed producer Chris Coady) that resulted in this exquisite album. Features the soon-to-be-hits I’m A TV and Cannibal Babies. Lovers of unique and left-field wave such as Gina X, Ronny, and the like will be transfixed by the raw, oozing newness of it all. All tracks recorded/performed by Geneva Jacuzzi with additional production by Chris Coady at Sunset Sound Studios. Mastered by Josh Bonati. Presented on high-quality 180gram heavyweight white vinyl.

Geneva Jacuzzi - Technophelia (MR​-​053)

Beautiful darkness for my Darling M.W. xx

The Depths

Clear

Clear (Jose “Animal” Diaz Remix)

Strange

This week's On Rotation podcast features an intimate interview with legendary producer Giorgio Moroder, who reveals insight into his iconic track with Donna Summer titled 'I Feel Love' as well as his early beginnings in music.

Also found in the episode is a discussion between co-hosts Valerie and Harrison touching on various topics in the music industry, including the controversy regarding Inga Mauer and Flow Festival, Ricardo Villalobos' recent comments and dabbing in Saudi Aradia.

Stay locked for a collection of Mixmag's top premieres from the likes of Seth Troxler and Bas Ibellini, Mat.Joe and Sonny Fodera, Josh Butler remixing Carl Cox and a fresh cut from rising talent Chevals.

More episodes

On Rotation 020: Giorgio Moroder

This week's episode of On Rotation features a rare interview with Awesome Tapes From Africa, a label owner and DJ who has travelled throughout Africa to discover and highlight music of the nation that has previously only been available on cassette tapes. Here he shares his unique story.  

Later, co-hosts Harrison and Valerie discuss news of the week including album announcements from DJ Pierre and The Prodigy as well as the results from the very first Electronic Music Awards. Plus, you'll hear premieres from Artwork, DJ Stew, Marlon Hoffstadt and a collaboration from Pan-Pot and Michael Klien.

On Rotation 026: Awesome Tapes From Africa

We are proud to present two classic Minimal Wave tracks which have been on heavy rotation for years now, “Computer Bank” and “Like I Am, Comme Je Suis” remixed by The Floor (Veronica Vasicka & Karl O’Connor).

Five Times Of Dust was formed in Bristol, U.K. in 1981 by Mark Phillips and Rob Lawrence. Mark had answered an advert that Rob had placed in a local record shop and later that year they went on to record and release their first tape, The Dadacomputer. A standout track from that tape, “Computer Bank” is a seminal, “proto-techno banger”. The Floor remixed it a while ago to DJ it out and since then have been receiving many requests about where it could be purchased.
The flip side features Unovidual & Tara Cross’ “Like I Am Comme Je Suis”. It appeared on our first compilation entitled V/A The Lost Tapes LP, in 2006. Unovidual was a Belgian producer involved with the Micrart Group (Autumn, Linear Movement, Twilight Ritual) and Tara Cross, a “long lost girl from Brooklyn” who used to play in small NYC downlown clubs alongside Madonna during the early 1980s when she was still an unknown. Unovidual and Tara collaborated on several tracks through the mail during this time as well as in the studio. “Like I Am Comme Je Suis” was recorded in a studio in Ghent, Belgium in 1985.

We find both of these tracks prime examples of innovative and pioneering synth wave tracks that work on and off the dance floor. And through these mixes, The Floor aim to stay true to the artists’ original intentions whilst making the songs more dance floor oriented.

Featured alongside these remixes, are two unreleased tracks. Rob Lawrence’s “Armoured Car” which at one point was released on a compilation CD as Robert (not to be confused with Rob Doran from Hard Corps) and Unovidual’s “Imponative”, a beautiful minimal synth track which has remained unreleased to this day.

The Five Times of Dust / Unovidual & Tara Cross EP is pressed on standard weight royal blue clear vinyl and housed in a hand stamped disco sleeve. Limited to 600 numbered copies. Out now.

Computer Bank (The Floor Mix)

Five Times OF Dust - Computer Bank (The Floor Mix)

Microsite: http://iddk.houndstoothlabel.com/
Pre-Order: http://bit.ly/2CNyA8V
Buy individual tracks each day as they are premiered on Bandcamp: http://bit.ly/2Djl6CU

The release represents a complete rethink about what it means to compile and commission music in the streaming era – and the tracks and seductively dark atmospheres conjured as a result are exploring all kinds of new sonic territory, too. In short, the cream of leftfield electronic talent have been given a brief: to take the phrase “in Death's dream kingdom”, or the whole of T.S. Eliot's poem The Hollow Men from which it comes, as inspiration.

The resulting 25 tracks will be released, day by day, together with further artist information, to build into the full work. Not an album in the traditional sense, certainly more than just a playlist, it brings together a seriously diverse array of talents into a coherent whole with a vivid aesthetic reverberating through it. It occupies a similar space to the great home listening electronica acts of the 90s – Future Sound Of London, Global Communication, the Artificial Intelligence axis – but there are no throwbacks here: this is radical in sound and thought. Dark music for dark times.

"" ~ ASC

01 - Otto Lindholm - Cain
02 - Pan Daijing - The Island Within
03 - Lanark Artefax - Styx
04 - Petit Singe - Komm Wieder Mit
05 - Peder Mannerfelt - Post Sense Perspective
06 - Tomoko Sauvage - In Some Brighter Sphere
07 - Pye Corner Audio - Box In A Box
08 - Sophia Loizou - Shadows of Futurity
09 - Abul Mogard - Trembling With Tenderness
10 - Pär Grindvik - Speaking Their Minds
11 - Koenraad Ecker - Rat's Coat
12 - Roly Porter - Without Form
13 - Hodge - Sunlight On A Broken Column 
14 - Gazelle Twin - The Dream Ends 
15 - Shapednoise - Ghostly Metafiction
16 - ASC - Tessellate
17 - Batu - Zoo Hypothesis
18 - We Will Fail - Carbon Trail
19 - Peter Van Hoesen - 98 Lines
20 - Spatial - Haunted Dance Hall
21 - Yves De Mey - Solemn But Fading
22 - Mindspan - Accept Things As They Are
23 - Kangding Ray - Glacier
24 - ZOV ZOV - Post Six
25 - Ian William Craig - An End Of Rooms

25 TRACK COMP

ASC - Tessellate (Clip)

mixing, mastering, synthesizer: Roman Komogortsev (молчат дома)
picture by: Henri Cartier-Bresson
special thanks for Źmicier Pyšny

Skryvaj

Spać

Biessensoŭnasć

Usio roŭna

Cosmódromo

Astrónomo Insumiso

Búnker

You Today

Don't Let Me Go

For Us

Secret Stores

Some Days

Playfair

Ksine - D2OUR (2002 prev unreleased) This entire track was made with a single Roland D2   Art by JKsine

Ksine - D2OUR

This unreleased 2004  track  is a recording of RECEPTORS' last 'GROUP' rehearsal on 06/02/2004 for the 2nd NYC show in (at Pianos).This time we were a three-piece, so I went all-out with equipment, bringing the Moog Rogue, Moog Taurus, syndrum-pads, Roland Alpha-Juno-1, Roland SH-32, Evolver, Adrenalinn, DigitechTalker, pocket Theremin, Roland PMA-5 & Roland D2 all midi-synced with minimal bed-tracks on a Roland BR8 recorder .Lastly there was one Game Boy & Nanoloop cart, which would hijack us like a pied-piper on a decade-long whirl-wind love affair with lo-bit micro-chipmusic, where my entire show was a gameboy in my pocket. This song uses all the analog gear here or there The show went great I think, but also I remember the sound guy and other band at the club hated us for bringing all  that equipment.  

JEREMY KOLOSINE: synths/seq, vocals/vocoder, drum-machines, program, gameboy
MARSHALL MOGUE: syndrum/trigs, soft-synth, pocket-theremin
EMILY PLAY: synth, vocals, gameboy

Art by JKsine
Uploaded 2 months ago - 

Receptors - The Cry For You

In 2003 a group of hardcore record collectors/ experimental sound artists got together weekly to create, just for the sake of creating. At their disposal they had countless vintage analog organs and classic synthesizers, a varied selection of time-tested drum-machines, electric guitars, pedals, samplers and numerable handheld gadgets and 'walkstations'.. To top things off, MC Paul Scott acted as vinyl scratch-sample selector. 
Personell:    

Marshall Mogue - synths, syndrums
Emily Play - Keyboards, vocals & flute.
Ksine - synths, guitars, sampler, programming..
J Weatherman - electric and treated guitars.
MC Paul Scott - Vinyl selector and party-host.
Nick Max - Bass

Amphetamine Research Project - Reconnaissance 1

unreleased track completed in 2003. Equipment used is Roland Alpha-Juno & HS-32,Yamaha SU-10 & SH-10, Roland PMA-5 & Les Paul Firebrand. Art by JKsine http://www.receptorsmusic.com

Ksine - Thru BZLDRNS Eyes

Full-stream of Push Me Pull You Pt2 (Clark Humphrey Reference Mix) Brand new mix using purely the analog 1981 porta-studio-1 stems recorded by Richard Hess and Futurisk  in various rooms in Jeremy's brother, Ron's house.

There's also  a full-stream of Meteoright (Clark Humphrey Reference Mix) here:
http://futurisk.bandcamp.com  Brand new mix using purely the analog 1982 stems recorded by Mike Couzzi at Ocean Sound, Miami. Thanks to Veronica Vasicka for baking the masters for transfer preservation and chemical sound re-enhancement.





Get all the original Futurisk releases (taken directly from the previously unreleased 1/4 inch stereo analog and 1inch masters from 1982 studio sessions sessions) on vinyl and hi-qual d/l thru Minimal Wave Records/ Cititrax. Also available is the Lonely Streets Remixes featuring Chris Carter (Throbbing Gristle,Chris & Cosey), Tom Furse (The Horrors), Prince Language (DFA, Editions Disco) and Complexxion (UK ) here:

http://minimalwave.futurisk.net

...and stay tuned for fully available remixes, including Bacalao's micromusic atari-mix of Meteoright on Marty Thau's Red Star Records!:

www.redstarmusic.net


Vinyl portrait art by Geoff Conley at Weirding Way Studios:
www.facebook.com/WeirdingWayStudios


Futurisk merch: futurisk.bandcamp.com/merch/

on Facebook: facebook.com/futurisk

Youtube: www.youtube.com/user/FuturiskVideos

Twitter: twitter.com/FUTURISK_1981


Home: www.futurisk.net

FUTURISK was a pioneering electro-punk group that recorded and performed in the pre-midi era of the early '80's. They had two vinyl releases that sold out, a legendary live show and some videos, but for a number of reasons by 1984 Futurisk was history. Eventually the main core of Futurisk would be the Kolosine/Hess/Howard line up, but in '79 when a teenage Jeremy Kolosine won studio time & money in a competition with his drum-machine triggered guitar-synth act called 'Clark Humphrey & Futurisk', he decided to form a band around the name to record a more punk release "The Sound of Futurism 1980/Army Now". It was an ambivalent anti-war anthem, with Jack Howard on drums, Frank Lardino on synth and Kolosine on vocals and guitar synth. In '81, Kolosine, who had gotten absorbed in a new synth/sequencer replaced Lardino with synthesist/recordist Richard Hess who had a myriad collection of Moogs, Oberheims and KATs,etc, and the line up for the "Player Piano EP" was cast. The EP, like the live show, was a strange blend of punk/minimalist/disco influenced electro pop, with drum-machine triggered synths and often frantic real drums all led by Kolosine's schizophrenic Bowie/Ferry/Foxx adulations (and about 20 seconds of punk-funk guitar). It was recorded by Rich and the band in the rooms of Ron K's house.The drum sound, gotten in a bathroom, rocks, even today. Reportedly, Futurisk may have been the 1st synth-punk band in the American South...or something, and 1981's track 'Push Me Pull You (pt. 2)' was an early pre-'Rockit' excursion into electro-funk.
In 2003 LCD Soundsystem's James Murphy gave a complimentary wink to Futurisk by using the track on the delightful Colette # 5 DFA Comp CD.
In 2007 an unreleased 1982 version of the track "Meteoright" was included on Minimal Wave's "Found Tapes" vinyl LP.
In 2010 Minimal Wave Records released the long awaited Futurisk 30th Anniversary retrospective full-length vinyl Player Piano LP .
In 2011 Cititrax /Minimal Wave Records released Futurisk - Lonely Streets Remixes with remixed tracks by Chris Carter (Throbbing Gristle,Chris & Cosey), Tom Furse (The Horrors), Prince Language (DFA, Editions Disco) and Complexxion from the UK.

more:

realclarkhumphrey.tumblr.com
soundcloud.com/futurisk



Home: www.futurisk.net
credits
released 02 February 1982
(c)1982 Jeremy Kolosine
(p)1982/2010 Clark Humphrey Records/Receptors Music Inc/Minimal Wave.
tags
tags: electronic electropunk minimal wave new wave synthpop synthpunk Miami 

Futurisk - Push Me Pull You Pt2 (Clark Humphrey Reference Mix)

Bacalao remix of FUTURISK, who've recently been rediscovered by Veronica Vasicka and LCD Soundsystem's James Murphy.
From the album "Marty Thau Presents VARIATIONS".
Download this track by clicking the iTunes link.

FUTURISK Meteoright (Bacalao Mix)

"What's the Use of the Week-End?"
The System - The Box  
Softspot Music, August 2013

Available for purchase here: 
softspot: http://softspotmusic.net/releases/the_box
Bandcamp: http://softspotmusic.bandcamp.com/album/the-box

The Weekend - What's the Use of the Week-End?

Minimal Wave presents the long awaited 30th anniversary release by Futurisk.
The Player Piano LP culls material they recorded between 1980-1982, featuring all the tracks
from their two 7” releases as well as some early 4 track tapes and rare studio recordings. The record is pressed on 180 gram vinyl, comes in a matte printed innersleeve (with old photos and press) and orange matte outer jacket .
Vinyl available at http://minimalwave.com/artists/artist/futurisk/  and   http://www.juno.co.uk/products/394745-01.htm
Download FUTURISK MP3 &amp; WAV at Juno: http://bit.ly/ftrskjnodl  iTunes: http://bit.ly/ftrsktns   and  Amazon: http://amzn.to/ftrskamzn


Meteoright (1982)

From AA 'Essential Entertainment' EP (1982)

AA - Suicide Fever

FUTURISK was a pioneering electro-punk group that recorded and performed in the pre-midi era of the early '80's. They had two vinyl releases that sold out, a legendary live show and some videos, but for a number of reasons by 1984 Futurisk was history. Eventually the main core of Futurisk would be the Kolosine/Hess/Howard line up, but in '79 when a teenage Jeremy Kolosine won studio time &amp; money in a competition with his drum-machine triggered guitar-synth act called 'Clark Humphrey &amp; Futurisk', he decided to form a band around the name to record a more punk release "The Sound of Futurism 1980/Army Now". It was an ambivalent anti-war anthem, with Jack Howard on drums, Frank Lardino on synth and Kolosine on vocals and guitar synth. In '81,Kolosine, who had gotten absorbed in a new synth/sequencer replaced Lardino withsynthesist/recordist Richard Hess who had a myriad collection of Moogs, Oberheims and KATs,etc. and the line up for the "Player Piano EP" was cast. The EP, like the live show, was a strange blend of punk/minimalist/disco influenced electro pop, with drum-machine triggered synths and often frantic real drums all led by Kolosine's schizophrenic Bowie/Ferry/Foxx adulations (and about 20 seconds of punk-funk guitar). It was recorded by Rich and the band in the rooms of Ron K's house.The drum sound, gotten in a bathroom, rocks, even today. Reportedly, Futurisk may have been the 1st synth-punk band in the American South...or something, and 1981's track 'Push Me Pull You (pt. 2)' was an early pre-'Rockit' excursion into electro-funk.
In 2003 LCD Soundsystem's James Murphy gave a complimentary wink to Futurisk by using the track on the delightful Colette # 5 DFA Comp CD. 
In 2007 an unreleased 1982 version of the track "Meteoright" was included on Minimal Wave's "Found Tapes" vinyl LP.
In 2010 Minimal Wave Records released  the long awaited 30th anniversary Futurisk retrospective "Player Piano LP", 
and in 2011, Futurisk's " Lonely Streets Remixes" , with remixed tracks by Chris Carter (Throbbing Gristle,Chris & Cosey), Tom Furse (The Horrors), Prince Language (DFA, Editions Disco) and Complexxion was released on Minimal Wave / Cititrax Records. 
Available at:
http://minimalwave.com/artists/artist/futurisk/
For more go to http://futurisk.net
