The Gluts - Estasi

“They had a hi-fi phono, boy / did they let it blast / Seven hundred little records, / all rock, rhythm and jazz / But when the sun went down / the rapid tempo of the music fell / ‘C’est la vie,’ say the old folks, / it goes to show you never can tell.”  -  Chuck Berry 'You Never Can Tell' (1964)

Hail, Hail Rock 'n' Roll / MARCH 2017 - \\ Dreampop / Shoegaze / Psychedelic / Indie Pop

Mar 17

the razor breaks through the snow

Music from Pluto

The Body - To Carry The Seeds of Death Within Me

Official Video: https://youtu.be/bTXDLifjTUY

Purchase from RVNG: http://smarturl.it/body-isdh-rvng
Purchase from Bandcamp: http://smarturl.it/body-isdh-bcamp
Purchase from iTunes: http://smarturl.it/body-isdh-itunes

Taken from I Shall Die Here

© and Ⓟ 2015 RVNG Intl

The Body - To Carry The Seeds Of Death Within Me

Mable

Applebee's Bar - Spraynard

Pill — "Fetish Queen"
From the debut LP, Convenience.
Out August 19 2016 - LP / CD / DIG
pillpop.cool

Purchase from: 
Mexican Summer: smarturl.it/ConveniencexWebstore
Bandcamp: smarturl.it/ConveniencexBandcamp
iTunes: smarturl.it/ConveniencexiTunes
Amazon: smarturl.it/ConveniencexAmazon
Google: smarturl.it/ConveniencexGP
Spotify: smarturl.it/FetishQueenxSptfy

Convenience

Pill — Fetish Queen

Sonic Jesus - I'm In Grace

"Beyond The Clouds" By You'll Never Get To Heaven
From their album "Images" - Release Date 3/24/2017
Available on Vinyl and Cassette at https://youllnevergettoheaven.bandcamp.com/album/images

Images

Vinyl

Beyond the Clouds by You'll Never Get To Heaven (Official Single)

Produced and mixed by Tom Longworth at Parr Street Studios.

Stream, 'Home', on Spotify, here: goo.gl/tyG4HI

Home

THE FUTURE IS CLOSE ENOUGH - the full LP available now

Spotify - https://goo.gl/KFFYRE
Apple Music - https://goo.gl/52r1Mt
Google - https://goo.gl/qe5T8R
Amazon - https://goo.gl/aDGmsX

04 Mild Learning Difficulties

The Gluts - I Realize That I'm Not So Dumb

The Gluts - Squirrel

The Gluts - That's Me

The Gluts - Controller

The Gluts - Colline Bianche

https://soundcloud.com/lapsihymy
https://www.facebook.com/Lapsihymy/
https://lapsihymy.bandcamp.com

Lapsihymy - What Happens When We Reach for Each Other (Living in Dreams)

"Different Now" is the first single from Chastity Belt's highly anticipated I Used to Spend So Much Time Alone, out 06/02/17 on CD, LP, digital, and cassette from Hardly Art records. Pre-order the album today from flyt.it/usedtospend

Follow Chastity Belt on Twitter: https://twitter.com/CHAST1TYBELT
Follow Chastity Belt on Instagram: https://www.instagram.com/chazzybelt/
Like Chastity Belt on Facebook: https://www.facebook.com/chastitybeltmusic/

I Used to Spend So Much Time Alone

Chastity Belt - "Different Now"

As we embark on a new year more characterised by fear and uncertainty than hope and optimism, a chronic shortage of dissent can be detected in the artistic community amidst a harrowing socio-political climate. Yet the Salford-based collective Gnod have wasted little time in kicking against the doom and disquiet with everything at their disposal.

“It seems like we are heading towards even more unsettling times in the near future than we are in at present.” reckons Chris Haslam of Gnod. “2016 is just the beginning of what I see as the establishment’s systematic destruction of liberalism and equality as a reaction to the general public’s loss of faith in their system” .

Charged by this outlook, Gnod’s new album, ‘ Just Say No To The Psycho Right-Wing Capitalist Fascist Industrial Death Machine’ represents a hitherto uncharted level of antagonism and adversarial force for the band - an artistic statement as righteous, fervent and direct as its title. which far from being an echo of an anarcho spirit of yore, denotes a record  rmly entrenched in the psychic terrain of 2017.

“On the surface it could almost seem like there’s no political art movement out there to oppose what’s happening, but there is - we know there is” adds the band’s Paddy Shine. “Maybe that movement is struggling to  nd its voice as a cohesive whole right now but that will change. It has to change.”

Fuelled by their militant drive and unyielding ardour, ‘Just Say No...’ refracts Gnod’s harsh and repetitive riff-driven rancour through a psychotropic haze of dubbed-out abstraction, with Paddy’s incendiary vocal delivery to the fore. ,‘Just Say No... sounds like a record only Gnod could make - a band  ercely independent, never comfortable in one place artistically for any duration of time, always with their co-ordinates set on uncharted territory and the next challenge ahead, and delivering a monument of ire and iconoclasm.

---

JUST SAY NO TO THE PSYCHO RIGHT-WING CAPITALIST FASCIST INDUSTRIAL DEATH MACHINE

Stick In The Wheel

GNOD - Stick In The Wheel

Do Make Say Think returns with their first new album in 8 years, Stubborn Persistent Illusions.

Out 19 May 2017
cstrecords.com/cst120
domakesaythink.com


“The supernova in Constellation’s stellar network... arguably the finest catalogue of any currently operating instrumental rock band." • Drowned In Sound

“Experimental rock on the grandest and most impressive of scales with not a trace of musical mildew or corrosion." • The Wire

“Do Make Say Think legitimize post-rock as a term of art... engender some of the most honest, unpretentious, group-oriented rock of their time." • Popmatters

Do Make Say Think • "Bound And Boundless"

from "NO MERCY FOR LOVE" album ( BORN BAD)
More infos & buy : http://www.bornbadrecords.net/releases/bb094-cannibale-no-mercy-love/

CANNIBALE -  Mama

La Llorona, “the weeping woman”, drowned her children in a fit of madness. When she realized what she'd done, she took her own life. According to the legend, her ghost is said to haunt the rivers and lakes of Mexico, where she can be heard crying, wandering in search of her kids. Hearing her cry is an omen of death. She will kidnap and take the soul of children who wander alone - believing them as her own - in an attempt to find her peace. La Llorona is Lilith, the ancestral daemon, the creature of the night; Lamia, the child-eater, the banshee and the hag. People who fall into her trap mistake her for an apparition of the Virgin Mary due to her charm and beauty.

HEADLESS CHILDREN

Strange Ranger 'Daymoon' out 10/6/17 on Tiny Engines

Daymoon

Strange Ranger - Sophie

Strange Ranger - House Show

Daybreak tends to creep up on you. Emerging from starry darkness, the sun wobbles at first but proceeds on its scheduled arc. You can’t help but wonder if it ever looks back in disbelief, or regret.  This feeling of self-reflection—of looking back to see how far you’ve come—is precisely the sentiment of Thawing Dawn, the first solo record from A. Savage, released on Dull Tools.

The songs on Thawing Dawn form a guided tour through the romantic environs of A. Savage’s mirrored mind. While some were written recently, other tunes were penned over the past decade. For one reason or another, these compositions didn’t land with any of Savage’s other groups, and instead are presented now as a distinct collection. Reflecting back, Savage says, “Once I realized I had a small body of work that didn’t fit anywhere else, I started to examine the commonalities: What’s the common denominator of all this and how I can expand on it?”

Savage is best known as the frontman for Parquet Court, a duty split with fellow Texan Austin Brown. Their last record, Human Performance, delved into the emotional wreckage of a broken heart, to critical acclaim.  But with Thawing Dawn, it’s clear that Savage has matured. While assembling the record, he fell in love. Now, for the first time, we hear songs about being on the inside of love. Rather than lamenting the end of a relationship, we hear a voice trying, in the moment, to make sense of love’s mysteries. “Part of this maturity,” he says, “is reflecting on something when it’s happening, not just when it’s gone.” 

Thawing Dawn gives us honesty: We see the artist at home in bed, more singer-songwriter portrait than esoteric statement. Throughout his discography Savage has long abbreviated his first name as a kind of writerly gesture. He says, of the move, “I am an uncivilized member of modern civilization--I’m just a savage.” Like Duchamp’s R. Mutt signature on a urinal, the shortening embodies a mischievous directness, enabling this savage to introduce his slanted honesty into the universe.

“I always like it when records are good representations of communities,” Savage says, and this one succeeds in this regard. These ten songs were recorded between December 2016 and June 2017 by a cast of friends in Jarvis Taveniere’s Thump Studios in Brooklyn. Members of Woods, Ultimate Painting, PC Worship, EZTV, and Psychic TV all lend their talents.  Savage’s voice, once shouted into mosh pits, now glides confidently above its backing band. Thawing Dawn marks the arrival point for Savage as a sensitive and skilled vocalist.  A strain of rural inquiry tinges the soundscape, an ongoing trope in Savage’s writing most powerfully felt on Parkay Quart’s ballad “Uncast Shadow of a Southern Myth.” On this record it is stronger, with a healthy helping of pedal steel guitar, a chorus of female back-up vocals, four familiar chords, and maybe the truth, all layered throughout these songs. Their titles also steer us this way, but don’t fully convey the hidden intricacies. “Buffalo Calf Road Woman” opens the record in a burst of C&W energy.  The staccato pop piano of “Eyeballs” lays crisply beneath a refrain of heartbreak. “Wild Wild Horses” finds him confessing inside a Talk Talk bubble of guitar static and organ. The build-up of “What Do I Do” yields a guitar freak out that Parquet Courts fans will recognize. You could two-step to the swing of “Phantom Limbo.” “Ladies from Houston” is a Leonard Cohen-like ramble through a party scene. Finally, the title track is a suite of three interwoven songs that closes the record in a beautifully cinematic style. 

Throughout, A. Savage delivers one-off lines of razor-sharp observation that will stick in your brain, only to surface when you’re least prepared to handle their insights. When you put your copy of Thawing Dawn on your turntable and drop the needle, you’ll learn what A. Savage has to say about romance in our modern world. Keep your ears open--it’s worth hearing.

- Jack Murphy

Wild, Wild, Wild Horses

Odonis Odonis continued to push their sound further into the depths of post-apocalyptic experimentation. Following 2016's foreboding Post Plague, No Pop is the band's starker, more dance-floor-friendly fourth LP.

No Pop is being released by Telephone Explosion in Canada on October 20th, 2017.

Pre-order an LP here: https://goo.gl/VqjDbC

TELEPHONEEXPLOSION.COM

The Gluts - Squirrel

Fuzz Club Records