Dimension

Starscourge

Demo for Eduardo Tarilonte's (Best Service) "ERA 2: Medieval Legends"

There is a Naked version only with instruments of this library.
Here: https://soundcloud.com/eduardotarilonte/the-fable-naked-by-fran-soto

Fran Soto - The Fable

Imagination 2

Neo-Baroque Revival

Ignition

Full Ignition

Antihero

Elevation

The Price of Honor

Descend into darkness with "Scorched Earth: RPG Music Collection." This collection of 8 handcrafted tracks provides the perfect soundtrack for your RPG adventures into the depths of shadow.

Created by our producer Pathum (no AI used), this music features a blend of dark orchestral scores and driving rhythms, capturing the intensity of monster hunts and the grim reality of a world on the brink. From shadowy dungeons to desolate wastelands, these tracks will enhance your game's world and inspire your players to confront the darkness.

Perfect for:

Game Developers: Enhance your fantasy RPGs, MMORPGs, and adventure games with these dynamic and evocative soundscapes. Ideal for any game that features monster slaying, dungeon crawling, and dark fantasy themes.
Content Creators: Elevate your live streams, videos, and podcasts with these dramatic and intense sounds, setting the perfect mood for your audience.
Features:

8 unique tracks.
High-quality audio for optimal immersion.
Royalty-free license for use in your projects.
Perfect for creating a sense of danger, intrigue, and the struggle against overwhelming odds.
Price: $19.99

Confront the darkness with "Scorched Earth: RPG Music Collection."

7 - Phat Phrog Studio - Scorched Earth - Ashen Wings

4021 EDM

MORE LORE & POSTMORTEM: indiekev.itch.io/one-summer-night-ost-jam-08

3rd track for the OST Jam 08. Given how many issues I've had during the week with internet and the computer, I decided to make it a Medley of most of the themes I was thinking for the final battle against Eryndor in the imaginary JRPG I had in mind.

This is by far my most complex work and I'm super proud after 3 projects (OST Jam 07, Crunchtime & now OST Jam 08), to feel like I've improved a lot in composition. Didn't have much time for doing good mixing though but it is what it is xD

DETAILS

Section A
The initial section is the God of Darkness awakening, plain and simple. Organ is really loud, choir is omnipresent, it has all the marks of an omen coming to pass. I wanted the very slow ending to the section as a way to really hammer what the group has in front of them. And that's also the section where Eryndor attempts to control the God of Darkness, being just a little bit early to the party.

Section B (0:31)
It feels regal and godlike, Eryndor is starting to ascend after having absorbed the God of Darkness power, but in the end ends up being the one losing himself to madness. I think it works especially with the super dissonant organ finish with the Tenor singing alone, it felt like it was Eryndor lost his soul to the God of Darkness. Of course the Organ will the main characteristic of Eryndor in his ascension, but slowly something else will take its place when he's lost to the darkness.

Section C (0:49) 
This is a long drawn out couple of sections, stretching pretty much 3 sections. It's the start of the combat with Eryndor as a twisted godform. It's dramatic, you face casualties. We hear a solo Viola, which is pretty much the instrument of Eryndor's darkness.

Section D (1:16)
Some more tension and building up for section D. Here the Solo violin joins which is Ren, seeing how many of the people he's loved being lost into the darkness. It's pure despair for him, until he starts finding the resolve with Selias alone.

Section E (1:41)
This section made me shiver literally when I was making it, not as much the end but the start of it was haunting me for days and I'm so happy with it.  Now Ren is trying is best to defeat Eryndor but to no avail, Selias is hurt in the process as well as his companions while Eryndor lays waste to the world. We hear the choir, organ, brass, strings and winds swell up as the pressure mounts.

Section D (1:41)
Ren decides to give his all and the real fight really begins as he's able to awaken the primordial energy as the vessel for Selias, until...

Section E (2:08)
We have some parts of the battle theme here with Eryndor's low growl in the background. The choirs are here to make it feel more powerful too.

Section F (2:40) 
Ren awakens Helios godform as Selias holds him, and Eryndor cowers in disgust to the blinding light.

Section G (2:52) 
Now both are at the same power level starts dishing out proper damage now to Eryndor, we now hear the proper battle theme in a lower darker key and it works beautifully (for me).

Section H (3:16)
Now this is extended here because it's where the end of the fight would loop pretty much.

Section I (3:50) 
The end pretty much spells the end of Eryndor and the God of Darkness.

One Summer Night - Eryndor's Madness (Medley)

This was composed with the 8Dio Aura Guitars music software for Kontakt (VST/AU/AAX). The 8Dio Guitars is a deep-sampled instrument containing 12 Different Guitars.

The product can be purchased at www.8dio.com

Follow us on Facebook: www.facebook.com/8dio.productions
Follow us on Twitter: twitter.com/8dio 
Follow us on YouTube: www.youtube.com/user/8dioproductions

8Dio Aura Guitars: "Delta V" by Mike Hastings

IMM008 String Theory promo montage.

Music written by Michal Cielecki, Christer Wibert, Mathieu Hallouin/Tim Stoney.

Cover art by Wojciech Magierski.

String Theory Montage

https://linktr.ee/gabrielsaban

Gabriel Saban is a multi award-winning French composer and music producer based in Paris. Born in 1985 and raised in the south of France, he studied piano and clarinet before entering the prestigious Conservatoire National Supérieur de Musique et de Danse de Paris, where he trained in music production and orchestration.

Since 2010, he has composed for film, television and visual media. In 2017, he launched Cézame Trailers with the support of Frédéric Leibovitz — a label dedicated to music for movie trailers — then founded Infinity Scores in 2021 to explore a more personal and eclectic vision of cinematic music.

Blending neoclassical emotion with modern sound design, his music features in major trailers (Oppenheimer, Frozen 2, Avengers, Star Wars, Wednesday, Knives Out, Mowgli, Don’t Look Up, Goosebumps 2...), global ad campaigns (Apple TV+, Disney+, Dior, Mercedes-Benz, Mc Donald’s, Indeed, Samsung...), and international shows and events (Super Bowl, Olympic Games, NBA, WWE, Money Heist, Venom 2, The Bureau, FIFA World Cup, NHL...).

He has received multiple Mark Awards, Production Music Awards and a Music + Sound Award, highlighting his stylistic versatility — from suspense to Latin, horror or orchestral drama. Recognized for his contribution to trailer music, his emotional impact and sonic precision have helped shape the genre.

Above all, his music is a language — turning inner worlds into soundscapes that resonate with image, memory and imagination.

Full Ignition

Gabriel Saban

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