Outback Bert

I like to composer music) Enjoy my music and I hope you like it!

"More like a radical cult than a rock band are one of Melbourne’s hottest new outfits, Jim Jackson And The Hats.
Led by charismatic front man Pat "Bubbles’’ Jackson, this band sweats charm and charisma and generate some far out country flavoured spaghetti gothic rock chill outs.
There is something scary at play here.
Jim Jackson And The Hats play the kind of music serial killers listen too as they drive up and down lonely highways looking for potential victims. I love them. My favourite new band,’’ veteran Melbourne punk Paulie Stewart from Painters And Dockers

The Oxford Ambient Collective (OAC) is the solo musical alter-ego of David Smith, an artist who began his compositional journey in his early thirties using software such as Buzz, FL Studio and Reason. He has a  focus on a aesthetic of crafting immersive "ambient drones and ethereal soundscapes." Intentionally grounding his work in the history of the genre, Smith’s creative output reveals a clear artistic lineage, with albums like Berlin Vol. III acknowledging the "subtle German EM influences" and paying thematic homage to the pioneering Berlin School of electronic music. While deeply reverent to this historical lineage, Smith's methodology is aggressively contemporary, positioning him at the vanguard of mobile sound design by relying on a sophisticated suite of iOS applications to perform complex sonic morphing and generate his signature textures; his advanced workflow employs Soundscaper as an "experimental sound mini lab" for textural manipulation, with all audio professionally routed through the AUM mixer and hosting application. This innovative approach powered his self-proclaimed "proudest achievement"—a 90-minute live performance at Oxford's prestigious Ashmolean Museum, an opportunity secured through his affiliation with Oxford Brookes University as part of its 150th Anniversary celebrations. To solve the inherent challenge of engaging an audience with long-form ambient music, Smith transformed the event into an immersive audio-visual installation, pairing his soundscapes with curated visuals from sources like The Internet Archive to command "active listening." The project's visibility expanded significantly beyond this institutional context through a pivotal relationship with the independent Focussed Silence label, which was instrumental in securing national airplay on BBC 6 Music. This success highlights a versatile appeal, with OAC's work finding a home on highly experimental programs like A Duck in a Tree on Resonance FM—hosted by the influential group :zoviet * france:—as well as on sophisticated global platforms where his work was programmed alongside compositions by genre progenitors like Brian Eno and Vangelis. While OAC remains a solo endeavor at its core, Smith actively engages in digital collaboration with a network of sound artists like Encym via platforms such as SoundCloud, effectively transforming the solo project into a decentralized creative hub, thereby giving true meaning to the "Collective" in his moniker.

Composer for movies, shorts, video games and artists. 

You may contact me for licence inquiries and/or custom music for your projects. 

Best regards


Finished playing some footy and now keen to bring the tunes.

Two regal gents from Melbourne set their whisky down to embark on a journey through the cosmos. Enjoy

A sonic tragic wandering around with little idea of his immediate surroundings

Outback Bert

Gardnar