The PIMPLETON PROCRASTURBATION ENSEMBLE performs HERR DOKTOR SQUIRCLE'S QUAINT LITTLE KVETCHING KUBICLE by GARY LLOYD NOLAND. For Herr Doktor Squircle, everything needs to be "just so." Notwithstanding all the  overfastidious Herr Doktor Squircles of this world, everybody needs their own private little kvetching kubicle to vent their inner spleen. For more information on the composer, please visit his website at: garynolandcomposer.com

HERR DOKTOR SQUIRCLE'S  QUAINT LITTLE KVETCHING KUBICLE

All the albums and more are available on BandCamp. SoundCloud is just a showcase.
The idea of the concept of UNIC 6 is inviting artists, musicians, composers, improvising on the rythm of Universal Experimental Art Music, freestyle without limitation ...
Founded in 2011 following various constellations, artists have to date a collection of 2 double albums with several art videos produced and edited by Irrealist Art Film & Music Editions.

An Electroacoustic Universal Art Music

Nothing more to say, just listen and see the combination of wild and caracteristics musical expressions, communicating and interfering with each other. Serendipity ...

Images of/and sounds that can never be the same again, a time/historical statement of experimental free musical expressions.

Have fun, enjoy, feel free and be creativ!

The band : 

Frédéric Iriarte (France) Guitar, electronic sounds and remix, bass, saxophone, piano, keyboard, darbuka, bongos, triangle, vocal, FX and arrangements
Erickson Peña (Chile) Trumpet, flûte, percussions, vocal
Santiago Jimenez (Cuba) Violin, contrabasse, piano
Juan Carlos Jimenez (Cuba) Keyboard
Thomas Berglund (Sweden) Lead guitar
Diego Vignola (Argentina) Bass
Albert Fichter (Germany) Vocal, poem, flute, saxophone

Guest Artists : 

Jair-Rôhm Parker Wells (USA) Bass
Duncan Lawson (UK) Saxophone 
Fifty Razak (Gambi) Vocal
Poe Jatta (Ghana) Percussions
Barry Berook Engström (Sweden) Vocal
Igor Boyko (Russia) Contre-basse
Altanuula Baldan (Mongolia) Saxophone, vocal 
Shuree Purev (Mongolia) Vocal
Rodrigo Passannanti HYPERCUBE (UK/Italy) Sound FX

Buy Tracks and Cds on https://unic6.bandcamp.com/

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

HERR DOKTOR SQUIRCLE'S QUAINT LITTLE KVETCHING KUBICLE

Gary Lloyd Noland, composer