Name: THE NEIGHBORS SEEM NICE (Op. 131, No. 2) by Gary Lloyd Noland, composer in IGNITION WAVE
Duration: 5 min 43 s
Description: The PIMPLETON PROCRASTURBATION ENSEMBLE performs THE NEIGHBORS SEEM NICE (Op. 131, No. 2) by GARY LLOYD NOLAND—dedicated to David Denniston. For more information on the composer, please visit his website at: garynolandcomposer.com

IGNITION WAVE and other works by composer GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

IGNITION WAVE

"WYA" was released on April 9, 2021 by Jade Entertainment. It hit the BDS most added list the first 2 weeks of release and entered the Mediabase activator chart at #94 on April 24th. The first week in May, WYA climbed 19 spots and holding strong at #75. It is currently being played at over a dozen radio stations across the country including Kiss FM and Q101.

About Tayler: “Ever since I was a young girl, I struggled to find a sense of both my inner and outer confidence. Then I discovered the stage. Growing up with parents who used athletics for self-confidence and identity, I never felt compelled or inspired to go outside and kick a ball around with neighborhood kids. I felt more comfortable alone, in my room and in my personal thoughts. One day I was asked by a girlfriend to attend a musical theatre camp and then my life changed forever. The stage was a place where I could transform and invent myself. A place where I could grow up and become a strong woman like my mother and inspire others to find their spotlight…This is my journey, my story…” 

- Tayler Jade 

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Aaaagh!
Yeah!
The call ov me i see fit to not
You are not me ill never be your rot
I see no just in all your fought
Ill bring the devil in all my voiced rot
you are not me ill never be your words
Ill rejoice all the downfalls and anarchy
Ill rebel from all your sympathies
Your heart is nothing to me
Id rather die than live upon all lied
From the light oh i am not your fight
Yeah
Id rebel all my sympathies
Against your putrid world ov corruption id not seem to fit
Youre not me ill never be your worlds
Youre a cradle ov all filth
Ive left a message to see your rise
I hate their world i hope they fucking die
For your blood i do not take
You corrupt fit not seem to not ill bring justice to all your rot
till then rot

This mask is Against war

Voiced Rot

The PIMPLETON PROCRASTURBATION ENSEMBLE performs ALL'S WELL THAT ENDS (Op. 131, No. 4) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

ALL'S WELL THAT ENDS (Op. 131, No. 4)

GARY LLOYD NOLAND performs his UNFORSAKEN OBSESSIONS for piano (Op. 131, No. 8). For more information on the composer, please visit his website at: garynolandcomposer.com

UNFORSAKEN  OBSESSIONS for piano (Op. 131, No. 8)

Disengage Suicide Silence 'Cover'

Replacement - Levi Grey feat Dj DaveyD

Off The Oxy

The PIMPLETON PROCRASTURBATION ENSEMBLE performs UNBEARDED AVATAR-GOYLES (Op. 131, No. 5) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

UNBEARDED AVATAR-GOYLES (Op. 131, No. 5)

The PIMPLETON PROCRASTURBATION ENSEMBLE performs OPIUM DREAM (Op. 131, No. 6) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

OPIUM DREAM (Op. 131, No. 6)

The PIMPLETON PROCRASTURBATION ENSEMBLE performs IGNITION WAVE (Op. 131, No. 9) by GARY LLOYD NOLAND. For more information on the composer, please visit his website at: garynolandcomposer.com

IGNITION WAVE (Op. 131, No. 9)

The PIMPLETON PROCRASTURBATION ENSEMBLE performs THE NEIGHBORS SEEM NICE (Op. 131, No. 2) by GARY LLOYD NOLAND—dedicated to David Denniston. For more information on the composer, please visit his website at: garynolandcomposer.com

THE NEIGHBORS SEEM NICE (Op. 131, No. 2)

It's Habit

Until The End

Tax Up

Gradient Silhouette

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

THE NEIGHBORS SEEM NICE (Op. 131, No. 2)

Gary Lloyd Noland, composer

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