Born in Mymensingh/Bangladesh.
Lived in Germany, France and the U.S.A., Bali.
The coordinates of his atmospheric works are mad driving techno and dubby rollercoaster space techno.
He created the soundtrack for “81 The Other World”, a documentary film about the Hell’s Angels and worked on several image-films.
He is playing as DJ worldwide, creates sound and composes on all devices he could lay his hands on.
His ongoing journey started in 1979.
Vinyl, CD, Digital releases.
Monikers are Dr.Scissors, Capri File, Syrinx 2600, F.Free H.Hand.
Member of Insect Jazz, Mobile Space Unit, Mohare, Mo-X.

Sonic sketches ,Meditaions and improvisations.Sound Artist /  Experimental /  Ambient Electronic music / Tape Loop /Sonic sculpture /field recording and Eurorack Modular improvisation .   https://christophergaston.bandcamp.com/follow_me

Personal IG
https://www.instagram.com/kunpei0____?igsh=MTQxdTF4OGFtaWs1YQ%3D%3D&utm_source=qr

My team
https://www.instagram.com/takahata_techno?igsh=eDZzMHRuM2Ewb2tv&utm_source=qr

Welcome to my place of musical experiments and my endless journey of exploring new sound textures, rhythms and melodic ideas. I am a multi-instrumentalist coming from a background of having actively played, harmonica, recorder, piano, organ, clarinet, tin whistle, pan pipes, guitar, violin, Shakuhachi, jaw harp, didgeridoo and accordion. My genre is mostly a fusion of Jazz and Soundscape, however I often seek inspiration from a wide variety of music, Celtic, Rock, Heavy Metal, Classical, Folk, Micro-tonal, just to name a few. I also build my own instruments, various Shakuhachi using them either directly in recordings or sample the sounds to incorporate in pitch shifting tools in Ableton Live. I often set myself a music challenge, taking every day sounds not considered musical, sampling, transforming and moulding them into a virtual musical instrument. Experimenting with evolving polymeters is a favourite feature of my works. I have been classically trained but soon ventured into free improvisation, which is my happy place.

I am based on the South Island of New Zealand, enjoying the great outdoors there. I often take inspiration from this for my music and associated cover art.

I have a no cover’s policy, all my works being original compositions, the only exception would be the odd jazz interpretation of a Bach piece from the Baroque era. My percussion sections do not use any artificial intelligence drum machines, nor do I use auto tuners for my violin playing. Paid likes and plays — none of that either. 

I also participate in musical collaborations, from accepting sound samples to see what I can do with them, to instrumental collaborations. Send me a message if interested.

Please join me on this wonderful journey of music exploration.

Shifted all my dozens of albums to Bandcamp now - The music is a rare hybrid of melodic progressive trance, celtic &amp; world music and cinematic electronica. His versatility lies in his being able to exhibit the sensitivity in combining music of different cultures required for a wide range of film genre and being able to utilise both full orchestral scoring through arrangement and production to cutting edge electronic music realisation and sound design.
Gary became interested in music at an early age and was playing guitar and clarinet by the age of 9.He was already composing piano pieces by the age 11 and was playing &amp; writing in several signed bands through to early twenties. He gained a BA in music &amp; physics at Manchester University. After University Gary founded Audio Images his own music and multimedia production company as one of the first in the UK to use computers and sample equipment and began creating commercial music for TV, Radio and Advertising. He also co-produced and worked with renowned Manchester bands during this period. He composed many library albums and had works regularly played on BBC TV and National Radio, scores for documentaries and drama, including stage work.
Gary also began teaching Music and Multimedia Production at Central Manchester College for two years before moving to the London based Guildhall School and finally lecturing at the famous BRIT School for four years working with artists. At the BRIT school he mentored emerging young artists in the studio such as Imogen Heap &amp; David Lynden Hall and developed new forms of interactive on and offline performance pieces. Gary also organised, performed and composed for contemporary music festivals in London in collaboration with the Royal Academy of Music.
He then went to work at the BBC for eight years as a key new media Senior Development Producer but continued scoring and writing music for film, TV and interactive including several at the BBC . He has a continued interest in the participatory potential for music creation in a web 2.0 world and as well as specialising in progressive trance and film now he lectures in music for games, generative composition and future music tech.

Navigating chaos from the top of the world.

Dawless Synths
https://bohomilitia.bandcamp.com
Hardware Sequences 
Sound Design
Hand Drum Percussion Loops
Curmudgeoning￼
Mixed and Recorded Live￼

Followers of Gary P Hayes