Mayan Warrior is the result of a collaborative project that has united artists, craftsmen, photographers, designers, technologists, architects and musicians from Mexico City and Northern California. 

The project’s original intent was to present to the world the incredible ascent of contemporary Mexican electronic music while paying respect to the deep and ancient sources from which that visual and auditory culture had grown.


Both light and sound are curated by some of the world’s most prominent artists to transport participants to the very origins of the culture – and to a new understanding of contemporary electronic expression.

AND YES: Mayan Warrior is driven from Mexico City to the playa – and back – each year. It's a labor of love and we're glad so many people enjoy it.

Founder/Artist
Pablo Gonzalez Vargas

Line-up and Music Curation
Rebolledo
Rodrigo Madrazo

More Bubbles & More Bass Make The World a Magical Place. Serving sunrise champagne and soulful beats since 2011.

Cercle is an artistic movement that hosts and curates experiences, events, festivals, a record label, and immersive musical journeys. At the intersection of music, aesthetics, heritage, and video, Cercle aims to create and produce innovative experiences on a global scale, highlighting unique artists on unique stages, offering a new perspective on the cultural and natural legacy of our world.

hello@cercle.io

All contact details and tour dates: www.eelkekleijn.nl

Andrea Oliva’s current status as an established international headline act is the result of an entirely organic journey.

Having taught himself to DJ at the age of 13, Andrea then started working in a record store where he built his extensive collection of upfront promos and white labels from Europe and beyond and he soon secured bookings at some of Switzerland’s best clubs leading to residencies at Terminus and Pravda. With his status in his home country growing, Andrea teamed up with the owner of Nordstern in Basel, Agi Isaku, and the duo were soon throwing sold out ‘Banditz’ parties across Switzerland. His reputation took him across the continent and all the way to Ibiza, where in 2004 he was first invited to DJ at Space.

As his reputation grew so did his diary, and he was invited over to Ibiza to play at Space in summer 2004. Ibiza remains a pivotal location in Andrea´s current DJ career where he plays headlining slots most weeks at ANTS in Ushuaia. However his worldwide touring schedule is equally as extensive counting slots at many of the worlds biggest festivals including Coachella, Tomorrowland, A Summer Story, Sunrise, Dreambeach, Medusa, Sonus, Sunwaves, Kappa Futur and DGTL as career highlights.

Andrea developed his production style under the likes of VIVa Music, Saved Records, Be As One and Cadenza, and has gone on to have tracks on some of the industry´s most recognisable imprints. Several of his tracks including Vermona, My Way, Scream, and his remix of Thick Dick's "Welcome To The Jungle" topped charts across digital download platforms and have become anthems in clubs around the world. His 2015 “4313” album released on Objektivity was also received with critical acclaim and he continues to garner widespread support for his music from clubbers and industry alike.

Throughout few years Andrea has continued with an everstrong release schedule, with EP’s released on Hot Creations, Desolat, Truesoul, Play It Say It, Saved, Moon Harbour, Relief, Rejected, Kaluki, 7Wallace, Rawthentic and Circus. Not forgetting of course his massive remixes of Thick Dick’s “Welcome to The Jungle” (SONDOS), Groove Armada’s “House with Me” (Snatch), Tiga’s “Woke” (Turbo) and Catz n Dogz “New Love” (Pets Recordings), all of which were supported right across the industry and each of which also became huge club anthems. In addition, Andrea completed a solo headline “Andrea Oliva & Friends” residency at Ibiza’s newest superclub Hï Ibiza featuring a string of high profile guests, as well as maintaining an eye watering touring schedule incorporating headline festival sets and tours right across the globe. Other highlights include debut Boiler Room, Mixmag Lab and DJ Mag sessions, another B2B set and live broadcast with Pete Tong as part of the Radio One in Ibiza weekend, a second BBC Radio One Essential Mix and a return to the huge Zurich Street Parade where he performed on the main stage and which was attended by over a million people. 

Management: TNL | aomanagement@thenightleague.com
Worldwide Booking: ian@analog-a.com alex@analog-a.com
Press: Listen Up James Mack - james.mack@listen-up.biz

DISTRIKT is a 501c3 Non-Profit music and arts organization, supporting an inclusive and diverse community of performers and artists through events, partnerships, community involvement, mentorship and relationship building.

DISTRIKT Sound is more than just a record label. We build relationships with up and coming producers to nurture their creative work, release their original music, book support tours and help artists build successful careers.

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Robot Heart is a collective of doers and dreamers, artists and entrepreneurs. Our home is in the desert dust of Burning Man, and the streets of New York City, Detroit, Bay Area and Hong Kong. Home is wherever the Heart is.

Robot Heart is a community and a family, and our events are an extension and celebration of that community, bound together by shared values of inclusion, giving, environmental responsibility and mutual respect.

Music is our first language, and our mission is to bring love and beats to the world. We work with and support artists, technologists and visionaries of all types in order to create incredible experiences and connected moments. To create love and beats, for you.

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