Composer, arranger and orchestrator. Writing music for : Film, short film, theater, animation film, video games, advertisement, expositions etc.

Composer Brian Sears’s music is based on his attraction to timbre, space, and texture, and is heavily influenced by the concept of augmenting reality through the use of electronics. His compositions use these forces as a foundation for creating immersive sonic environments that communicate intimate and emotional connections. Brian holds a Master’s degree from Bowling Green State University, and a Bachelor’s degree from San Jose State University, and is currently pursuing his PhD in Composition & Theory at Brandeis University where he studies with Eric Chasalow and David Rakowski. Brian is continually inspired and influenced by his interactions and collaborations with performers and sound artists, as well as past teachers and mentors like Elainie Lillios, Mikel Kuehn, Pablo Furman, and Brian Belet. These interactions have had a huge impact on his work, leading Brian to be a vocal proponent for the importance of community and collaboration in the new music world. His music has been performed nationally at festivals and conferences like ICMC, SEAMUS, NYCEMF, Electronic Music Midwest, N_SEME, Electroacoustic Barndance, and CEMICircles, as well as by members of the International Contemporary Ensemble, SPLICE ensemble, the Toledo Symphony Orchestra and the San José Chamber Orchestra. He has also been a participant artist at various residencies including the Atlantic Center of the Arts, the SPLICE Summer Institute, and the Summer Institute for Contemporary Performance Practice at New England Conservatory.

Hey y'all! I compose, I perform in many different ways, and much of my practice involves social justice. I also am an advocate for young, upcoming Black composers around the world. Are you one? Please reach out to me! Enjoy my SoundCloud, and for more madness, check out my website, twitter, IG, and Vimeo links below. Don't be shy, say hi! Or don't be shello, say hello ...

Composer, conductor, percussionist, improviser, and technologist. I love sound, science, and the intersection of humankind with the machines we build. Come listen at www.vidiksis.com.

Joshua Mallard (b. 1998) is an award-winning composer currently residing in State College, Pennsylvania. Mallard's eclectic body of work seeks to reshape musical idioms and embrace experimentation. 

His work consists of music for game, film, and classical music. He has worked with companies and studios such as Blipsounds, E-Line Media, Lunchbox Entertainment, and Forest Ring Games. This includes working on games such as Beyond Blue (IOS), Sky Haven, Just Act Natural, and more. 

Mallard's works have been performed internationally by a variety of ensembles, including HyperCube and Rote Hund Muzik. His flute work Perennial was programmed on Fear No Music’s 2020-21 concert series, “Tomorrow Is My Turn”. Recently, Mallard was commissioned to write a new work for Willamette University's "Artist As Advocate" workshop. 

Mallard's works have been selected for many festivals including The 2022 UNK New Music Festival, Electronic Music Midwest 2022, NSEME 2020, MuSE Sound of Arts Festival, Penn State New-Music Festival and Symposium, and more. Currently, Mallard is a host for the Contemporary Art Music Project's podcast, "Lost to Time". Here, Mallard discusses the work of musicians from marginalized groups.

G. Blake Harrison-Lane is following