BRYAN GEE ROLLS OUT THE CLASSICS AND DUBPLATES FROM THE EARLY V RECORDINGS, CHRONIC AND PHILLY BLUNT ERA .. HAS WE WARM UP FOR THE LATEST 
1- all the crew big up - roni size 
2- sky - dillinjah 
3- badman - dillinja & Bryan Gee ...
4- girls den want it ( remix ) londons most wanted 
5- warning - firefox 
6- burial 9 amen mix )  leviticus
7 phizical ( ray keith & photek mix )  roni size 
8- burning ( lemon d remix ) - krust
9-  maintain - krust 
10-  simple - trinity ( aka dillinja ) 
11-  fashion - roni size 
12- box of tricks - roni size 
13-  turbulence - firefox 
14- invaderz - dj suv 
15-  get on down - die & dj suv 
16- blaze dis one - krust 
17-  war and peace - die and suv 
18- check it out - dj krust 
19- you can run - glamour gold 
20-  slide away - die & suv 
21-  stay - kamanchi 
22-  die and suv 
23- day and night - trinity 

INSTALMENT OF THE RETROSPECT SERIES VOL 5 COMIN SOON ON V RECORDINGS ...  for more info  http://www.vrecordings.com/news/11233/retrospect-volume-5-v-recordings
Follow me on twitter   https://twitter.com/vforever
facebook  https://www.facebook.com/thebryangee

BRYAN GEE V RECORDINGS OLD SKOOL MIX  PART 2  ( RETROSPECT 5 WARM UP )

I search daily for new 🔥 mixes from jungle to techno, uk bass, reggae, drum and bass, house, hard trance, garage, bass line and more


Sound cloud is life ☁️

Roberto Rey, known in the music scene as Negocius Man, was born in 1980 in Madrid. His exciting journey in the world of music began in 1997 when he took his first steps as a DJ, and two years later, in 1999, as a music producer.

His musical beginnings are located in Hiphop of the 90s and Electro of the 80s and 90s. In his early years, he was part of the Hiphop group MFD2 along with artists such as Mackfrank, Darmo and Julia, under his alias of Dj.Say.

Negocius Man stood out on the Madrid scene, performing in iconic venues such as Kea, Davai, El Sol, Caracol, Siroco, Specka, Yasta... and CSOA's such as Seko, Laboratorio or Tabacalera. At the national level, he took his music to places such as Sala El Grito (Murcia), El Arrebato (Zaragoza), El Orritxo (Bilbao), Sala Arco (C.Real)... and events such as Three Monkeys Fest, Hifi Fest both in Guadalajara, Electrocamp (Valencia) or Nuit Pastel (Francia).

In 1999, he began his first contact with hardware equipment, such as the Roland MC303, and software such as Fruity Loops and Fasttracker 2, thus marking the beginning of his career under the alias Negocius Man since 2000.

Throughout his career, Negocius Man experienced a significant musical evolution. In 2005, he largely disconnected from the world of Hiphop to delve deeply into Electronic music. In 2007, he took a bold step by creating his own club, "THE KINGS_ELECTROBAR", in Alcázar de San Juan (C.Real), where he made valuable contacts in the scene.

In 2009, he made the decision to acquire new hardware and returned to Madrid. Since then, he has released music on various notable labels such as Fundamental Records (Madrid), Mars Frequency Records (Madrid), Bankai Records (C.Real), Binalog Frequency Records (Greece), Beathazard (Bcn), Eclectic Reactions Records (Bilbao) , Elektrodos (Zamora) Electroclub (Bcn), Urban Connections (Jaén) Crobot Muzik (London/Croatia), Subsonic device (Germany), Syntax & HC records (Valencia), Frigio Records (Madrid), Nawal (Mexico) ... etc.

In 2014, he launched his own record label, MICROM RECORDS, cementing his status as an influential artist in the national and international electronic music scene.

Over the years, he has shared the stage with a long list of artists such as: Awco, Waje, Dj.F. Groof, Juanpaplo, David Aragón, Durban Noise, Robert Cosmic, Zenobit3, Julia Pe, Sace 2, Bas Madrid, Eleztrik Body, MEKA, SEEK2012, Darxid, Lektroid, Arch, Fer Xploxion, Antoni Maiovvi, Hyboid, Mauro Nakimi, Vema o Spy, among others.

Negocius Man remains a leading figure in the electronic music scene, leaving his distinctive mark on music and continuing his exciting sonic journey.

DEMOS + INFO: micromrecords@gmail.com

* Message me if you have any copyright issues *

Home of my own mixes - predominantly jungle/hardcore with the odd bit of D&B, plus eclectic sample-digging, breaks and hip-hop, techno & electronica. 

Pre-2001, all mixes vinyl; Post-2016, all mixes digital (DJay 2); Post-2018, Ableton Live. Why? Why not?
I've got an old skool DJ's mentality, early influences ranging from Sublove, Ratty, Randall & Hype to Coldcut, DJ Juice, MK & Primo.  In the early 00s I turned my back on D&B, retired my turntables in favour of family/work commitments, and got into funk, soul, reggae and so on... a lot of this driven by curiosity around the sample roots of hardcore and jungle.  Forward another decade and an early mid-life crisis saw me messing around with virtual decks on my phone, and later acquiring a vinyl ripper, with one vision in mind: making mixes.
Although I'm partial to the odd DJay or vinyl mix when I get the chance, the progression into Ableton Live was a simple means to an end.  My ideas stretch further than the limitations of my physical collection and real-time mixing, and by sequencing I can pick, choose, chip away and structure mixes at my leisure. Which I do... a lot :)

Wait, there's more ... an absolute stack of classic golden era/old skool hip-hop/turntablism, jungle and d&b, hardcore, techno and house mixes retrieved from my dusty tape & CD archives.  This includes (by my reckoning) the most exhaustive collections of classic Full Cycle and Sublove Galaxy Radio shows, live Ruffneck Ting jungle tapes, loads of studio & compilation mixes, all manner of rave tapes, and so on. 
Use the playlist shortcuts (top of spotlight) to find your way around. 

Have fun, spread the love :)

Please check out and support these like-minded individuals
@the-roadblock
@ethereal94
@kolanut 
@drumtrip 
@repertoiresound
@sonarsghost
@dj-madbeats
@dareerickson
@danielnorman
@vykhod_sily
@sonicrampage
@rough-culture
@wiseguisedjs
@distantworldtransmissions
@code618
@mafsone
@mihailpetrovski
@cash_bailey
@sinewavebass

Im a raver who loves it all, I've been into the rave scene since the early 90s especially, the UK side of things, for me the 90s were the best  days... But I love the modern stuff too and why wouldn't I, good music is good music is it not?

As I first said I love it all as you may be able to see by my playlists, JUNGLE, DNB, HAPPY HARDCORE, TRANCE, TECHNO and everything in between FUCK SUB-GENRES.
 I like what I like end of,
Take a look through my playlists and you'll see what I mean..... Big up to all who follow me and enjoy my eclectic playlists 

25 dj/producer/podcaster
Corvus founder
BPM radio show animator

Juno Download's comment:
"Extra fistbumps go to Arkange's insane 'Get Bullet' for it's absolutely twisted riff on 'Get Bullet'. Wild by name, wild by nature."

Maddun produces unique dnb, crafting his own sound, putting his big energy and creativity into his own music and live performances. (Including playing after Andy c and before Calyx and Teebee and DJ Die)

Quick mixing on 3 decks - blending the old heavy tunes with the fresh bangers , blending jump up and jungle and neuro and liquid. It’s all dnb and it’s all vibes!

Committed to the drum and bass culture for more than a decade. 

Maddun’s sound is deep and dark and dangerous. 




drum and bass and drum and bass and drum and bass 
drum and bass and drum and bass and drum and bass 




www.instagram.com/maddun_dnb

www.tiktok.com/@maddundnb

https://www.facebook.com/MaddunDNB