French music producer, master of the synths & songwriter.

All enquiries: contact@french79.com

i took a plane from brazil and lisbon killed my sadness

drop me a line
barbierigiovani@gmail.com

Sónar 2026
18.19.20 June | Barcelona

Sónar Istanbul 2026
10.11 April | Istanbul

Bookings:
alma@lb-agency.net
ralf@vdhaardt.com (Classical Ensemble Requests)

Management: niko@starling.works

Music and more:  https://linktr.ee/sebastianmullaert

When you listen to Sebastian Mullaert’s music you will feel something enchanting, a resonance that delivers truth, integrity and reminds us to simply be. The Swedish artist has a distinct approach to life, as well as music, which is centred around tranquillity, stillness and the convergence of Zen meditation, nature and creativity. Known for his work as one half of Minilogue, Sebastian is also an accomplished solo artist with new material ready to roll. As an artist that is constantly evolving he has taken a bold new direction in his sonic exploration, immersing himself in the neo-classical scene and joining forces with one of the top 10 philharmonic orchestras in the world - Tonhalle Zürich. Working with great care and innovation he has created a truly immersive audio-visual performance experience, combining a mesmerising integration of electronic and classical instrumentation, with a visual art installation based on breath taking nature landscapes shot from a helicopter perspective. With such an innovative approach he aims to bridge the gap between classical and electronic music and introduce a whole new generation to the neo-classical concept. 

Sebastian's deep connection with music can be traced back to his formative years; from playing the organ and violin as a child, to performing in orchestras, string quartets and pop band, progressing into electronic music in his late teens. Discovering house and techno in the mid-nineties was the catalyst behind a revolution in his life, he set out on a new musical pathway, to promote the simplicity of being. Throughout the late nineties he experimented with electronic sounds, forming cult duo Minilogue with a friend and releasing with Crosstown Rebels, Traum Schallplatten, Wagon Repair and more, plus two albums via Cocoon – ‘Animals’ (2008) and ‘Blomma’ (2013). In 2014, the duo decided to take a break and invest their time in solo projects and Sebastian has since been hard at work cultivating a collection of new music already snapped up by hugely influential labels such as R&S sub-label Apollo, Drumcode, Hypercolour and Minus.

Sebastian Mullaert’s live performances are awe-inspiring, combining technical wizardry with energy, atmosphere and euphoria, you only have to watch his “Interpretations” performance for XLR8R or Boiler Room appearance for examples of his prowess. Recognition of his aptitude has led him to perform at institutions and festivals such as Panorama Bar - Berlin, Labyrinth Festival - Japan, Fabric - London, Concrete - Paris, The Block - Tel Aviv and Blackmarket - NYC. 

Sebastian’s collaborative work runs parallel to his solo endeavours and he has teamed up with several figures in the techno world to produce some unforgettable releases. Collaborators include Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, and releases have come via underground platforms such as Hypnus, Mule Musiq and Kontra Musik. He also produces under the alias Wa Wu We, offering a serene, understated take on the techno aesthetic. Furthermore he is involved in the new Be Yokai project, a trio formed of Sebastian, Douglas Holmquist and Kristoffer Ström. The three men formed a natural alliance, finding their flow after several sessions together. Their first EP is signed to Hypercolour sub-label Space Hardware, with a live show and more music in the pipeline.

Sebastian Mullaert is already established as a potent force in the world of electronic music. Serious about reminding people to BE on the dance floor, or in the comfort of their own home, the music he makes is deep, progressive and utterly unique. Whatever the future holds, you can be sure he will continue to channel the infinite energy that surrounds us into every facet of his life.

I am neither afraid of showing my emotions nor to include them in my music - Stimming

Few people bring a truly original sound to house music. At a relatively young age, Hamburgs Martin Stimming did just that, demonstrating a sophisticated yet accessible sound that is beyond his years.

Two years after hooking up with Solomuns Diynamic Music, his 2008 breakthrough hit Una Pena made the electronic world sit up and take notice, and before long acclaimed labels like Freerange, liebe*detail, Buzzin´ Fly, Green and Poker Flat were snapping up his work. 2009 saw him release his immaculate debut album Reflections to great acclaim, cementing his reputation as one of the most exciting new producers of his generation. 

His second album, Liquorice, eschews the normal kick-clap/snare template by and large to explore more interesting and progressive territories, but always with that trademark magpie-like sense of texture, emotion and discovery. 

His productions are filled with a multitude of his own unique, charismatic field recordings, and he never uses the same sample more than once. 

2010 saw him pick up an award for Best Newcomer at the Ibiza DJ Awards, following on from his live show (Stimming does not DJ) stunning the crowds at the islands legendary Pacha, and the finest danceries around the world Πfrom Berlins Panoramabar to Sao Paulo´s D-Edge, Brussels Fuse, London´s fabric and Paris Rex, and plenty more beyond. 

Remixes for the likes of Sascha Funke, Claude VonStroke, Deadmau5, Stephan Bodzin and Tom Novy to name but a few have further spread his influence amongst the discerning house and tech community, and cemented his reputation as one of the scene´s most exceptional producers.

Clearly, Martin Stimming is a precious talent indeed. But then again, not everyone loves liquorice...

Ensemble committed to an imaginative and cinematically suitable sound who aim at overtaking any limits of music genres. Indeed their name is inspired by the Stieglitz's Dadaist magazine "291" doing homage to that lawless, ironic, and creative movement that rejected the reasons and logic of pre-established rules. 
291out project presents original compositions based on a fusion approach moving at free frequencies through the territories of jazz and funk, with influences deeply rooted in the tradition of Italian prog and soundtrack realms; yet they don't miss to explore many further soundscapes, including electronica, in their eclectic music production scope also expressed by side projects and collaborations with other artists.
Consistently on the lookout for unexpected suggestions, they highlight an experimental nature strongly connected to the video art: a "motion-picture" flavour coming from their professional experience as applied music composers for A/V productions.

Members: Luca "Presence" Carini aka @william-bones (electric bass), Antonio "Totemio" Bocchino (drums & percussions), Floriano "Majà" Bocchino (electric piano), Tancredi Duccio d'Alò (guitar), Vincenzo "Warren" Ciorra (guitar), Roberto Dazzan (trumpet), Daniele Lacava (Sax & Flute), Gianluca Morelli (vocals) & more guest musicians ...

Music released on labels: @earlysoundsrecordings, @flybynightmusic, @reallyswing, Acido Records, @best-company, @bosconi-records , @terrasolare.

Info & booking: 291out@gmail.com

Management:
mgmt[at]bonentendeur.com

Say hello :
hello[at]bonentendeur.com

Bookings :
guillaume(at)allofloride.eu

Premier Album "Aller-Retour":
https://bonentendeur.lnk.to/AllerRetourDeluxeID  ☀️

BE Records: https://soundcloud.com/bon-entendeur-records

Management:
sam@verdigrismanagement.com

BOOKINGS: 
ed@freetradeagency.co.uk

North America, South America, Canada 
averymctaggart@gmail.com

DJ BOOKINGS:
UK, Europe, Asia
ali@warmagency.com

US & LATAM
bowen@paradigmagency.com
Press:

nikki@orienteer.us

Dj, Music Supervisor & Booking at SUONICA

♫ El Rudo Del House ♫
♫ RIONEGRO ♫
♫ The Desdemonas ♫

www.matiasaguayo.com
www.thedesdemonas.com

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