Channeling the wild imagination and aesthetic enchantment of "Four Dream's" gorgeous album artwork into his songs, Keenhouse (Ken Rangkuty) entrances with soothing, aetherial vocals blended into seraphic synths that illuminate and perpetuate a fantastic fantasy world where magic breathes in iridescent dust of chimeric sound-waves.

Keenhouse’s “Four Dreams” lilts through your subconscious like prismatic clouds bursting with spectral colors. “Echoplants” charms as tropical birds and bugs cry out their lively echos against flora-like bass and synths that reverberate the sounds of a lively amazonian jungle. “Where I Belong” emotionally strings you along with wistful synths that cascade quietly in the background as wind chimes chirp in their high-pitched accents against Keenhouse’s mellifluously medicinal vocals that ache with the pain of a lost heart that can’t find its way home. Transcending traditional electronic music is the resplendent “Taura,” whose lead instrument is a Koto played by renowned new age composer Osamu Kitajima that solos and weeps over swirling pads like teardrops gently drenching the cheeks of a long-lost lover. The record concludes with “The Lullaby of Keenhouse,” a beautiful traditional piano piece played against the peaceful sounds of a babbling brook, as if Keenhouse himself was tickling the ivories beside a mystical creek, in the midst of an enchanted forest.
 

Latest:
Helios - Espera: https://ghostly.ffm.to/helios-espera
Hollie Kenniff - The Quiet Drift: https://ampl.ink/5Y9Rw
Mint Julep - In a Deep and Dreamless Sleep: https://ampl.ink/omKoq
Goldmund - The Time it Takes: smarturl.it/ibfvzw

I write music for film and record as Helios, Mint Julep, Goldmund.

For licensing inquiries please visit: http://www.unseen-music.com/licensing

Hey there folks! My name is Mike. I'm the vocalist of Raunchy (Denmark)

I have two studio projects, Rest Among Ruins and Ordinance, and I've done session vocals for some really fun projects including Haunted Shores, Star Monarchy, Aenimus, and Memoirs.

I am also the former vocalist of Intervals (Canada) and The HAARP Machine (UK).

I'm very passionate about singing, writing, and playing guitar and bass. Here's a list of my wonderful gear that allows me to do what I do:

Ibanez S Series Prestige

Ibanez SDGR

Shure SM7B

Great River ME-1NV

Apogee Duet

Protools 10

A necessary shout out to my biggest supporters and fans, Mom, Dad, Chris and Pat! Love you guys!

Formed in 2007, Dinosaur Pile-Up are an English alternative rock band who broke out of the thriving Leeds rock scene of the time and instantly drew favourable comparisons to the cream of 90s US college rock. Founded originally as a solo project by songwriter and frontman Matt Bigland, the line up is completed by drummer Mike Sheils and bassist Jim Cratchley. Named after Matt saw the scene in Peter Jackson’s remake of King Kong where a stampede of dinosaurs pile up at the foot of a mountain, “DPU” put out their first official release, The Most Powerful E.P In The Universe, in 2009 and have gone on to record two studio albums, 2010’s Growing Pains and 2013’s Nature Nurture. 

The project was initially a handful of demos that Bigland had recorded on an 8-track recorder in his basement and at Leeds' Brudenell Social Club, performing and recording the drums, guitars, bass and vocals himself. These demos were hosted on a Myspace profile named 'Dinosaur Pile-Up' and quickly gained interest from the local scene and soon the UK music press. Due to offers for shows Bigland enlisted the help of friends in a 'revolving door' policy and began touring in late 2007. Since then DPU have toured extensively through the UK, Europe and the USA supporting acts such as Pixies, Cage The Elephant, Feeder, Twin Atlantic, You Me At Six and Middle Class Rut. In 2010 Mike Sheils officially joined DPU on drums, after meeting Matt on tour and famously bonding over Weezer's blue album. In late 2013 long standing friend Jim Cratchley officially joined DPU on bass after his previous band Tribes disbanded.

Speaking of the band’s first EP, which was initially recorded as an experiment, Bigland said "I wanted to go into a studio and see if I could record something that actually sounded like an album, and not just some sh**ty 8-track demo's I'd recorded in my basement. I knew how I worked best and what I wanted to create, but I didn't know if I was competent enough to record an entire album, so I used recording the E.P as kind of an experiment and didn't take it too seriously, thus the stupid name." Upon successful recording and release of the 'Most Powerful E.P...' recorded with local Leeds producer James Kenosha, Bigland went in to the studio again to record DPU's debut full length album "Growing Pains", again performing all instruments and vocals himself and again produced by James Kenosha. Growing Pains was recorded over a period of a month and a half and upon its release in October 2010 received widespread critical acclaim and radio support including UK Radio 1 taste maker Zane Lowe who has continued to support the band ever since. Between 2011 and 2013 DPU toured extensively in the UK and Europe, taking in many festivals including Leeds and Reading Festival, Oxygen Festival and T In The Park. After two years solid touring Bigland went in to studio again, this time with producers Ian Davenport and Tom Dalgety to record DPU's second full length album. Again Bigland recorded all the instruments himself split between Rockfield Studios in Wales and Courtyard Studios in Oxford. The album took two months to record but what he emerged with was one of the brightest, most bruising rock records of 2013 “Nature Nurture” which was described by Zane Lowe on its release as “Nature, nurture, two of the greatest words in existence, now neatly compacted together for an album that could be one of the greatest albums ever in existence”.

Nature Nurture proved to be the band’s first inroad into the American market where their sound proved to be a perfect fit for US radio on its release in early 2014, leading to several tours including their biggest to date supporting Brand New.  With the album set to be released in Japan and the Far-East in 2014, world domination is still on the cards.


Across a long and distinguished career, B.Traits (Brianna Price) has proven herself to be a musical
artist of great versatility and panache. Equally comfortable commanding festival stages as she is
spinning jungle tunes in dark, intimate clubs, B.Traits backs up an enduring love of her craft with a
tireless work ethic and commitment to showcasing fresh, exciting music. From the raves of British
Columbia where she got her start, through a six-year stint at the BBC and onto more recent
endeavours such as booting up her alter-ego Baby T, Price’s passion has never wavered. In that time,
she’s distinguished herself through her exemplary production chops and DJ mixes of tracks which
orbit the groove-rich, percussion-driven poles of the hardcore continuum. Swing by any B.Traits set
and you’ll hear an eclectic mixture of deep, percussive, rolling techno grooves; find yourself at the
Baby T show and you’ll be plunged into the darkside strains of junglism and breakbeat machine-funk.
And for all her dedication to the dance, the more ambient-leaning releases of Price’s own Paciphonic
imprint demonstrate that by no means are her musical interests simply confined to the club.

MGMT
info@qprime.com

BOOKINGS
Live: dave.galea@unitedtalent.com
DJ: darren@fmly.agency

gemhuckle is following