Producer, DJ Ben Safire has performed in cities around the world including London, Tokyo, Amsterdam, Berlin, Outlook festival, Let it Roll and released music with Noisia, Alix Perez, Dub Phizix, Zed Bias, DLR and many more.

Renowned for technical production, Ben has presented masterclasses at Abbey Road institute, Offical Ableton user group, SAE institute, R-Lounge (Tokyo, Japan) and had over 30 releases with UK/EU record labels.

Ben Safire has built foundations for Drum and bass in Australia, crossing over to Bass music and Hip Hop, his labels Plasma Audio & Chilla Holla represent music from top international/local artists and also offers professional Mix and Mastering services from Plasma Studio in Collingwood, Victoria, Australia.

Safire facebook: http://www.facebook.com/safirebba
Safire Soundcloud: https://soundcloud.com/safirebba  
Plasma Web: http://plasmacolab.co

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

Based out of Linz, north Austria, Martin Schober is a singular protagonist at the forefront of this beguiling game we call drum & bass. He likes hip-hop, skateboarding, schnitzel, Leibniz biscuits and long walks in the sunset, but he’s most respected for how he traipses across electronic music’s wildest terrains with total boundary abandonment… And is regarded as a leading influential new-gen figure in the genre. 

From his agenda-setting halftime twist of ‘Sunday Crunk’ to his rolling, emotional collabo cameo on Camo & Krooked’s acclaimed album ‘Mosaik’. From his entrance into the Fabriclive mix hall of fame with a mix album comprising entirely of his own productions (‘Fabriclive 95’) to his Drum&BassArena Award-winning debut album ‘Emulation’, Mefjus’s signature sound has been felt across the furthest expanses of the genre since he emerged in the early 2010s. 

Now working closely with Vision - the label run by kindred studio spirits Noisia - Mefjus continues to fine-tune his musical syntax, technical dexterity, eye for detail and deft groove sensibilities. The latest chapter to savour this on-going flux of development is his second album ‘Manifest’.

Released April 2018, ‘Manifest’ is the sound of Mefjus 2.0. After several years in the studio wilderness, exploring the dark science of song structure, musicality and textural contrasts, ‘Manifest’ captures a new mindset for Mefjus. Raw, energetic, playful and subversive, ‘Manifest’ is the most personal, diverse and daring body of work to date. Not so much as reminder of why he occupies such a unique position in drum & bass but a straight-up statement of intent.

So now you know. And knowledge is power. Thanks for reading.

Kronos Quartet is David Harrington (violin), John Sherba (violin), Hank Dutt (viola), and Sunny Yang (cello).

http://kronosquartet.org/

Here you will find our recordings of new work commissioned for Fifty for the Future: The Kronos Learning Repertoire. Released over five years beginning in 2016, this collection of 50 compositions by 25 men and 25 women from around the world will be devoted to the contemporary approaches to the string quartet and designed expressly for the training of students and emerging professionals. Scores and parts, audio recordings, composer interviews, and many more resources are available for free on our website.

Founded over forty years ago, we are a San Francisco-based 501(c)3 nonprofit organization. For more recordings, please visit http://www.nonesuch.com/artists/kronos-quartet or http://kronosquartet.org/recordings Thank you!

DnB and Bass music based in Melbourne, Australia

order beats / contact / exclusive / custom: xtraordinarxx.x@gmail.com
PROD. XtRaOrDiNaRxx.x 新 ドラゴン 

some beats listed here: https://soundcloud.com/xtra_prod/sets/all-available/s-scyUW4KZHkM

An extraordinary piece of me in the notes of the daily horror and the fucking thing that happens in the current era of madness.

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