Really nice banger, the bass is really a treat ! I wish the kick was a bit deeper though

I like that some of you folks pull out sounds I haven't heard in 20 years. WohWoh-Woh woh WOW WOW

Ah, this is more like what I expect from MX. Good sounds, good mix.

Good old acid in tha house.... Reminds to older days... :) Nice track and groove.

One Synth Challenge #198: Any One Synth

OSC 195
Reaper 7.3
23 instances
ReaLimit, A1StereoControl, ReEQ, Replika, Valhalla Supermassive, Raum, ReaVerb, Trancegate (khs), STFU, OTT, Loudmax
LUFS-I=11.2

Any comments appreciated.

OSC195 Saneville (Ragnarok2)

Whassup - Nok Nok Ragnarok

made for KVR "One Synth Challenge" with Full Bucket Ragnarok 2

ZioMau - jasf2 (not so stupid)

Warm Fusion - OSC 195 Ragnarok

This is a track made for KVR Audio's monthly One Synth Challenge contest. All sounds were created with Full Bucket Music's Ragnarök 2 software synthesizer.

I used:

Reaper v 7.39
36 instances of FBM Ragnarök 2
13 instances of Reaper ReaEQ
5 instances of Dragonfly Plate Reverb
2 instances of Dragonfly Hall Reverb
2 instances of Limiter No. 6
2 instances of Reaper ReaXComp
1 instance of Dragonfly Room Reverb
1 instance of Dragonfly Early Reflections
1 instance of Valhalla Supermassive Reverb
1 instance of TDR Molotok
1 instance of Transpire

hsje - OSC 195 - This is the Place

Track made only using sounds from the Ragnarök 2 Synthesizer by FullBucket

19x Ragnarök 2
Daw: Cubase 14pro
Stock Cubase Effects: Compressor, Limiter, Brickwall Limiter, Delay, Reverb, Frequency EQ, Magneto II
3rd Party Plugins: BlueARP, Couture

A New Beginning

MiJoFranDa - Neptune - A New Beginning - OSC195 - Ragnarök2

All sounds produced by the Full Bucket Music Ragnarok 2 synthesizer

Feedback welcome!

Photo: Henry J. Olsen

Get the Album

toadhjo - Valhalla Beach [OSC195]

hennessey - mint

My entry for the KVR One Synth Challenge #195: Ragnarök 2 by Full Bucket Music
Daw: Studio One Pro
Synth: 7x Ragnarök 2

Studio one fx: Compressor, Limiter, Splitter, X-Trem, Cross Delay, Ampire, BitCrusher, Beat Delay, Groove Delay

Other free fx: BassAmp64(AirWindows), Soundly Shape It, Valhalla, Raum, DrumSlam64, Infinity264, BiQuad264, A1TriggerGate

JuergenK - Ambient2 - KVR #195: Ragnarök 2 by Full Bucket Music

This month's One Synth Challenge uses Ragnarok by FullBucket (and CrimsonWarlock). The slightly odd interface took a wee bit of getting used to but I'll not use that as an excuse for this effort. It does contain some passable bird type noises hence the unrelated reflection of a jungle in my living room. This is a first outing for my Exquis so most of it was recorded from live rather than my usual generated MIDI.

Anyway, this is brought to you with Bitwig Studio 5.3 and 19 instances of Ragnarok.  The following plugins were also used:

- dpMeter5, Blue Cat's Gain 3 and KClip Zero on clip to zero duty
- khs Delay, Reverb and Stereo to tart things up a bit
- Panflow to get it moving
- Bitwig's compressor+, eq+, drum machine, delay+ and multi-note
- the inevitable Valhalla Supermassive and almost as inevitable Raum for some reverb flavours
- TDR Kotelnikov and Nova for mastering with a wee bit of KClip Zero 

Also used Modalics Beat Scholar to generate the MIDI for the percussion and iZotope's Tonal Balance for, er, tonal balancing...

Unrelated Reflections

For this OSC Any Synth Challenge, I chose the PS-3300, a beautiful software emulation of a late 1970s analogue polyphonic synthesizer from KORG. Cherry Audio developed this soft synth. Every sound you hear was created using the PS-3300. I tried to create an overall sound that matches the capabilities of a studio production in 1978. This is in honour of this beautiful synthesizer and its creators.

29 instances of PS-3300 by Cherry Audio 
Reverbs: Body &Soul by TSOM, VertiVerb by Audiority and VitaliumVerb
Delays: Deelay by Sixth Sample and Dual Delay X by UVI
EQ: Claro by Sonnox and Graphic EQ by Viator
Compression: FET-76 by Arturia
Enhancer: Type B by Audiothing
Mastering: Smart:Limiter and Smart:EQ4 by Sonible

Please note: I haven't used any distortion or saturation plugin to create the guitar tone. It's all been synthesized in PS-3300

After the Rain (OSC#198-Cherry Audio PS-3300)

Hey ! Here's my entry to OSC 200 !

All sounds are synthesized using Native Instrument's Massive X.

Daw : Ableton Live
Massive X : 21 instances including 
- The preset "Full Blown" for the flute
- The percussions are tweaked from the base library presets
- The hurdy-gurdy is made from scratch

FX from Ableton :

- ∞ x Compressor
- ∞ x Auto Filter
- 2 x Delay
- 2 x Auto Pan
- 4 x Glue Compressor
- ∞ x Utility

Free plugins :
2 x KHearts Trance Gate

Paid plugins :
- 3 x FabFilter Saturn (Drum bus and Basses, subtle Warm Tube)
- 1 x Valhalla Vintage Verb
- 2 x Eos 2 
- 1 x FabFilter Pro-G
- 2 x NI's Replika
- ∞ x FabFilter Pro-Q 3

Mastering (paid) :
- 1 x Endless Smile (Pace Melting Joy preset = delay + filter)
- 1 x TRacks Saturator X
- 1 x FabFilter Pro-L 2
- 1 x TRacks 5 Quad Imager

Metering :
- Youlean Loudness Meter (free)

The Oneiric Ball (OSC #200)

One Synth Challenge #198:  AnyOneSynth => Apricot

https://sites.google.com/site/kvrosc/2025/osc-198-any-one-synth
https://nakst.gitlab.io/apricot/

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Although OSC is currently celebrating its 200th anniversary, this track was created for the 198th challenge – a small tribute to the series that nevertheless captures the groove of the anniversary energy.

With 92 BPM, catchy harmonies, a concise bass hookline, and crisp kicks, FractiQ takes you straight to the dance floor. The melodic fractals weave together into a catchy tune that sticks in your mind.

Perfect for all fans of melodic music, hypnotic chords, and pulsating energy.

NJoy. Any feedback welcome.

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SiL3NC3_SWX - FractiQ
https://soundcloud.com/soulwerx/sil3nc3_swx-fractiq-osc198

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DAW: Bitwig 5.3.8
15 instances of Apricot

FX:
- Bitwig: Arpeggiator, Dynamics, Convolution, EQ+, Delay-1, Vocoder, Humanize, Compressor+
- Valhalla Supermassive
- Wider

Mastering:
- Free Clip 2
- LoudMax
- TDR Kotelnikov
- Peak Limiter (Bitwig)

Analysis:
- MAnalyzer
- YouLean Loudness Meter2


Keep on Looping... ;)

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~ Copyright : SiL3NC3 - 2025 : All Rights Reserved.

SiL3NC3_SWX - FractiQ [OSC198]

My KVR OSC#198 ENTRY

30 instances of Babylon 2 synth by W.A.Production
all presets made from scratch (init)

FX used:
TR6 Equal
TR6 Classic Clipper
TR6 Opto Comp
Dropkick
kHs Haas
Melda MDynamicEQ
Melda MVibrato
AAS ObjeqDelay
Stereo Savage
bx_enhancer
bx_masterdesk Pro

DAW: Renoise 3.5.2


PeterBPL - Spotlight

My Submission for August 2025 OSC. 7 Tracks, powered by FLStudio and Quilcomm's Trout. Maximus for loudness.

Based on various incarnations of the Trautonium - a Synth Design originating in the 1930's. I chose Trout because I've wanted to try my hand as something very old and very strange with the plugin. And oh my - it's strange.

Cover is AI generated this time - Colors and some things fixed/added afterwards. My blender skills aren't THAT good. 

Early synths defined some of the sounds and vibes that powered Science Fiction, so I went with something that evoked a dangerous and strange job in space. Enjoy!



Starsickle - Nebulous Journey

This Track was made for the kvr OSC challange. It was made using only NI MassiveX for every sound.

Plugins used with number of instances:  
NI MassiveX x30
Shaperbox x20 (cableguys (used only the volumeshaper for sidechaining))
Fabfilter ProQ3 x21
NI Raum x2
kHs Transient Shaper x1
Valhalla Delay x1
Mcompressor x1
SPAN x1
Izotope Ozone 9 (used the maximizer EQ and dynamic EQ modules) x1
4U Project Time x1

DAW: Reaper

Join the challenge by going here: https://shorturl.at/bhBFQ

X

GeneralQ

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