super groove und vibe - ganz tolles stück - siehst übrigens sehr konzentriert aus

yeah, being friendly rules.  vielen dank!

mix on the horns here is tight, very well done

Beautiful piece 😍 🙏 🍀 🎶 🎧 

It's a two year old track, but I think the advice is still current.  I will do my best.  Beautiful (and skillfully played) music as always.

Cool track, nice groove going. 👍👍👍

Great Conjunctions

Reckoning

Devotion

Easter Sunday Improvisation (feat. Adrian Kunz)

Rhetorical Fondness

Away Away

Away Away J BeAt {To My Own Drum} Chill Vibe Songwriting Sample Sound Check Acoustic Guitar

A relaxing jazz album for easy listening. Great as background music for a social gathering. Calm jazz music with relaxing saxophone sounds.

Park Walk

Excerpt from 22:12 length single track: "Cementerio Central Bogotá" (2019)*music by Sábila Orbe. *vocals by Mist Spectra.
 Listen/ Free download full track from 3 alternative links:
- https://archive.org/details/cementerio-bogota-single
- https://humanfobia-official.bandcamp.com/track/cementerio-central-bogot-single-2019
- https://hearthis.at/humanfobia/01-cementerio-central-bogot/

Humanfobia - Cementerio Central Bogotá (Excerpt)

Cover del tema principal de la película HABANA BLUES de Nacho Zambrano.

BATERIA: Samuel Valiente
BAJO: Juan Carlos Gallego
GUITARRA ACUSTICA: Manolo Santana
GUITARRA ELECTRICA: Gori Cáceres
GUITARRA ACUSTICA Y VOCES: Ray Pérez

HABANA BLUES (Cover)

A collection of funky, anthemic songs about weird platonic love, sticky subways and Brooklyn throughout the apocalypse.

Lyrics, voice, and the basic chords by Annie Nirschel.
The brilliant Eva Lawitts and Chris Krasnow at Wonderpark Studios did everything else. 

Eva Lawitts: production, engineering, editing, guitar, bass, upright bass, piano, so many other things that I can’t think of atm, #dankmemes

Chris Krasnow: production, engineering, mixing and mastering, trombone, drums, guitar, piano, dad jokes.

Wonderpark studios: 
https://www.wonderparkstudios.com/

Bad Time

Kelen Helvetia -  Rain On Your Parade Cover (Duffy)

last track for the year 2020,
#industrial, #noise, #korgvolca, #theremin

you already know-staring into the abyss-your eyes staring back

Freundlich sein

Synthwave inspired beat somewhere in between Pop and Hip/Hop with a slight 80s Retro vibe and eastern influence.

Namaste

music . Tot. @user-288513022 & @tot-beat
instrumental is here: https://soundcloud.com/user-288513022/sweet-volt
lyrics, vocals & their mix, cover design . Mariam Zohra D : Myrh

WORKIN OVERTIME
sittin’ on a barrel that was hard to find
and i’d been working overtime

sitting on a barrel - i see people holding hands…

hard to find… it was hard to find
- holding holding holding
it was hard to…

oh, hard to find - i miss you

all i want - working - i miss you so
i miss you so

sittin on a barrel that was hard to find
and i’d been working overtime
working working working

tapping tip tap your wheels and barrels
i miss you
working
i miss you
tip tapping your wheels
tip tap tip tapping on your wheels and barrels
on your wheels and barrels


tip tapping tip tapping
hey! hey!
tap in! tap in! i miss you i miss you i miss you

Workin Overtime | Tot. & Myrh

▼ Follow Nicksher Music:
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Nobody Else

Single

🎧 Stream/📥 Download

Shabboo Harper - Nobody Else (Original Mix)

Sounds from Friday afternoon

A recent astronomical event was, quite obviously, at the root of this odd musical piece. I accidentally came across a few posts on the social networks conveying a certain degree of confidence in this astrological occurrence, but I honestly couldn't afford to share their flaunted optimism. I couldn't recall any idyllic connection between Jupiter and Saturn, so I thought that a recording of an acapella singing performed by my wife about 10 years ago might have best fit my initial sonic atmosphere. It was an improvised sung rendition of an Arabic poem composed by Said Bin Ahmad al-Busaidi (d. 1803, feel free to check https://en.wikipedia.org/wiki/Said_bin_Ahmad for a short bio) that seems to have been used as lyrics by several modern Middle Eastern artists. I thought of it as a suitable fictional outlet for a broken hearted Saturn.
On the other hand, my everyday life subsequently offered me a chance to observe this "great" conjunction from a socio-political perspective in the country where I'm living in. I had the opportunity to take a field audio recording of a riot that took place not so far from my home in mid-January (feel free to check https://www.youtube.com/watch?v=4dI90RFsEF4 for a short account of the current situation), and I thought that it would perfectly give expression both to the disappointment of local people against those who have been managing political power since the so-called Arab Spring in 2011 and to the sympathetic, balanced reaction shown by law enforcement and the government itself. In order to sound politically correct, I thought it was appropriate to give voice to the establishment as well, to "Jupiter" if you like, so I googled around and found an awesome video (https://www.youtube.com/watch?v=BpJVq78A4Y0) starring the guy who's been behind the scenes of this brilliant democratic experience in Northern Africa during the last 10 years. I extrapolated a few audio samples from his declarations and used them in the first sequence of this piece.
I finally added a few instrumental and vocal parts, then I processed all of the audio recordings through a heavy, meticulous sound design work. Hope you'll appreciate the result.
EDIT: One year after its original release, I created a video for this track… You might like to check it out at https://youtu.be/0c9fyvCDqiU

Aroussia Riahi : vocals
Teth Sin : bağlama, bass guitar, samplers, background vocals, field recordings, sound design, vocal arrangement/mix

Original composition, arrangement, mix, mastering & cover artwork design by Teth Sin

LYRICS (a partial rework of Said Bin Ahmad al-Busaidi's "Ya Man Hawah" ; sadly this text field doesn't seem to properly support RTL scripts, but I guess most of the listeners will only read the English translation I provided below):

JUPITER:

We try to avoid any sort of exclusion.
We opt for the dialogue... Consensus.
We faced many problems.
All our policies are based on the notion of consensus.
I don't deal with "if", I deal with reality.
We try to go to the consensus.
There isn't any paradox.
To avoid any sort of extremism, democracy is the solution.
We need international cooperation, regime cooperation, development, democracy, dialogue, consensus... Consensus.

SATURN:

يا من هواه
أعزه وأذلنـــي
كيف السبيل إلى وصالـــــك دلني
أنت الذي حلفتني
حلفتني وحلفت لي
وحلفت أنك لا تخون وخنتني
فلأدعين عليك في غسق الدجى
يـبـلـيـك ربي كـمــا أبلـيـتـنــي

Oh you who love
Oh you who passionately love
May you be cherished and may I be humbled
Show me how shall I ever find the way to get back to you
It was you who made me swear, and you swore to me
You swore you weren't going to betray me, but you cheated on me
So I'll pray against you in the dark of the night
May the Lord afflict you just like you afflicted me

The Great Conjunction

I'm a baritone sax player & composer in a contemporary jazz genre from Cologne, Germany (and play clarinet and flute, and the other saxes as well). All woodwind parts on these tracks are played by me (multitrack rec.), all other instruments by virtousi virtuali (with three or four exceptions). All arrangements and by far most compositions are by me.
I very much appreciate every kind of collaboration.

First album, "That's Sin", is out on Bandcamp @ https://tethsin.bandcamp.com/album/thats-sin

Freundlich sein

Georg Boehme

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