Name: I'm Getting Sentimental Over You by Georg Boehme
Duration: 1 min 55 s
Description: I have the honor and the delight to be accompained by the wonderful Debra Buesking on this classic tune, written by George Bassman in 1932.

The honour and delight is all ours Georg... ...although you must be so pleased with how well this turned out. Playful and light as a feather. Thanks for sharing Georg and Debra

A little old school , it' s good to listen to time to time. Thank you to 2 of you

wunderschön arrangiert und aufgeführt ... Saxophon so gut

This recording is a remix of the “Reservoir Dogs” track posted in July 2021 by N.o.b.S.  at https://soundcloud.com/nobsmeyer/2021-collaborations-the-reservoir-dogs-01-dark-river?in=kcm069/sets/the-reservoir-dogs.   Shorter and bluesier, though, I think, not as imaginative or as freewheeling as the original.

Full credit to:
   	Tot. ….................................... percussion
	Norbert (N.o.b.S.) Meyer ….. bass and electric guitar
	Andrea (Foresto) Martini ….. electric guitar
	Ken Minty …......................... vocals, acoustic guitar and electric lap steel

Dark River

Dark River Remix

Campeones

C a m p e o n e s

i did this as a backing track with the thought of someone else singing on it...

journey of the mayfly 6 : the bug-bear blur

FOLLOW @bo-burnham ...

All I have to add aside from a disclaimer for you to watch INSIDE by Bo Burnham at your next opportunity, is the details of his masterpiece "All Eyes On Me" below:

Artist: Bo Burnham
Released: 2021
Movie: Bo Burnham: Inside

All Eyes On Me (Instrumental | 64bpm)

Sometimes, you only have to listen to be inspired.

MEDITATION 1 : BIRDSONG

JTSunrise Deluxe Version of Dollar Bill by Screaming Trees / Mark Lanegan. Remembering Him 

Some time in late spring 1994, Mark Lanegan got a call from Lori Barbero of Babes in Toyland. She wanted to connect him with Kristen Pfaff, the bassist in Hole. Pfaff confirmed what Lanegan guessed: she'd been making eyes at him during Kurt Cobain's memorial. She wanted to go out with him. They'd talk as soon as she got back to Seattle from Minneapolis. In his memoir, Lanegan tells the story of what happened next

A couple of weeks later, a tearful, completely downtrodden, and embattled-sounding Courtney [Love] called and left a bullet-to-the heart message: Kristen had OD'd and died in a bathtub the first night she was back in Seattle

“I dizzily sat down on the floor, put my head in my hands, and stared numbly through my fingers at the wall in disbelief. Not only was my pipe dream of some sort of relationship with this exotic girl crushed, but horrifically, she was stone gone forever. Life was an utterly cruel, savage beast. Everything and everyone around me was f---ing cursed”

There's a reason Lanegan's book is called Sing Backwards and Weep. It begins with his '70s youth in the working-class enclave of Ellensburg, Washington. Addiction was a fact of life, you couldn't waste any time before you punched a bully out. When Lanegan finally made a musical connection, it was with a giant, surly guitarist. "I tried my damnedest to be friendly with him," writes Lanegan about Lee Conner, "but it was like talking to a stone. His only two speeds were mute or enraged. I would often hear him scream- ing 'F--k you, Gary!' at his dad on the phone”

Lee Conner wrote rock songs with a hook. Conner's brother and bandmate, Van, was trying to recruit Lanegan to form a new covers band that didn't include Lee, but Lanegan convinced them to keep Lee in the band. Mark and Lee would collaborate on songwriting, Mark — who couldn't play any instrument — would sing, and their band named after an effect pedal might just be the thing to get him out of Ellensburg. Van Conner (March 17, 1967 – January 17, 2023) was an American rock musician, best known as the bassist for Screaming Trees

A few years later Screaming Trees would perform on the The Tonight Show, where the strung-out singer ended up on the couch next to actor James Garner, whose appraisal of Screaming Trees' performance was, "That wasn't bad, young fella. It coulda been a lot worse!”

Screaming Trees came out of the Seattle scene so early that their record label didn't know what to do with them. Epic seemed to think they were the latest hair-metal band, a new Twisted Sister or Quiet Riot. Fortunately, some of the company's younger executives got it

Nirvana, of course, would change everything, turning Seattle and grunge into veritable brand names — almost against their own will. Screaming Trees got caught up in that wave, canonized when "Nearly Lost You" landed on the iconic Singles soundtrack. Lanegan's bitter about that, though: not only did Screaming Trees (unlike some other artists on the soundtrack) not get paid, they had to waive their fee for the song being featured in the movie. Plus, the movie was bad. "In other words," writes Lanegan, "we'd given them a hit single for absolutely nothing”

Knowledgeable musicheads don't need a soundtrack to tell them who's part of a scene, and Lanegan was integral to Seattle rock in the '90s. He first saw Nirvana perform at the Ellensburg Public Library. He thought Krist Novoselic would be a great fit for Screaming Trees, whose bassist Van was temporarily out of the group after marrying his pregnant teenage girlfriend, but when Novoselic expressed interest, Lanegan said he'd be crazy not to stick with Nirvana

Lanegan and Cobain became friends; poignantly, Lanegan remembers how closely Cobain would walk to him on the sidewalk, hugging near to him like a little brother

Info from Lanegan book, interweb, and 90s memories, JTS

DOLLAR BILL

Dollar Bill

l am so happy to make Guitar Noises with these Two cool cool Dudes--What a TREAT! please take a listen to the original:):)     Texmex-shaman – Shrooms

Shrooms with TexMex Shaman & One Blind Mouse

I have the honor and the delight to be accompained by the wonderful Debra Buesking on this classic tune, written by George Bassman in 1932.

I'm Getting Sentimental Over You

A Cup Of Tea

you're wrapped up today, it's 9.10 am and -2 degrees, it's been snowing overnight, some a them's been there since before 6! you walk down familiar streets, almost drag yourself there, feeling empty of emotion and desire, ambivalence consumes your integrity,  running commentary conversations with yourself contain more contradictions and paradoxes than thought itself. Horns tooting as you pick up the pace on Coburg street, nearly there now, must show willing and a pulse of positivity. You see your uncle Derek walking the dog, he's not really your uncle, you're not too sure if that's really a dog, it is a dog though, it's jumping up at you, fuck! it's at eye level, big dog that Derek! You make a bit of small talk about the football, and the dog, there's nothing small about the dog. He doesn't agree with the strike, I should be offended, but I don't give a flying fuck, it's nice to see him, have a bit crak and even getting bulldozed by that beast of a dog didn't seem to bother me. See you then Derek, tell the family I was asking after them. Turns out I would see him on my stroll to the picket line a week later too.

Big turn out today, you're genuinely impressed and start to feel a pang of guilt that you're really not feeling it. Try to fit in, you're more like them than they are themselves, it should be a stroll in the park. You start to make conversations and mooch about a bit, you don't  see anyone that you're desperate to avoid. Gallows humour is gallowing in pride, ready to take a bite out of anyone that doesn't subscribe to their own gallant gallowness. Sharing a thought invigorates your being, you start to reminisce and replay memories of this place and anything within a 2 mile radius. Across the road there was the last place you had a proper conversation with your cousin Pirrie, he wasn't really your cousin, but it was really a conversation; not like in the hospital, that was just the odd grunt here and there, a movement or two. There's Sydney Court, your Aunty Jean lived there since the 60s or 50s?  she wasn't really your Aunty, but it was built, and she was your mams aunty, so that's pretty close. You feel a genuine appreciation for this area and the folk who dwell upon it, you dwell with them, Gateshead town, blood sweat synagogues and thieves. Walking round the picket line, soak it all up, retain it, when you get home wring it out. Group therapy plasters over the cracks, you feel so good that you self diagnose yourself with bi polar. Although time grinded it's heels towards the end, it was worth losing a day's pay, you'd pay more for a therapist, and you'd gotten a good idea for a song.

Sydney Court

my mood is changing like the weather
my spirit rising like the sea
and all the things that I once held and cherished
don't really matter that much to me

as I wander round old Gateshead town
blood sweat synagogues and thieves
I lost my cousin in the Metropole bar
his ankles hanging round his knees

there ain't a single thing
left around here no more
not even a photograph
of Sydney Court

my mind is like a patchwork dreambelt
I'm blowing hot air in then cold
for when did I become the man's 
worst nightmare
never believing what I'm told

and as I'm riding down the Sheriff's Highway
and I watch the old Tyne valley flow
getting lost on the Tuxedo Princes
man it all seemed so long ago

there ain't a single thing left around here no more
not even a photograph of Sydney Court

where did you go
where did you go

recorded at home in my 8 track, thanks for listening, very much appreciated 👍






Sydney Court

Composed, arranged, performed, and produced by:
Carlos Vivanco
https://youtu.be/mF7-BadUaiY

Heptagram

I'm a baritone sax player & composer in a contemporary jazz genre from Cologne, Germany (and play clarinet and flute, and the other saxes as well). All woodwind parts on these tracks are played by me (multitrack rec.), all other instruments by virtousi virtuali (with three or four exceptions). All arrangements and by far most compositions are by me.
I very much appreciate every kind of collaboration.

I'm Getting Sentimental Over You

Georg Boehme

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