Madlib: Crate Diggin' - part 3

The Whatnauts - We Will Always Be Together

Today's track is an unfinished one. However, rest assured that I'll probably finish this one in the new few weeks. Hope you enjoy!

When It Rains

new-to-vinyl modern take of one of their most soulful recording moments!

limited vinyl 7" available from www.recordshack.org & all other tasteful record stores!

RS.45-015B Falcons - Standing On Guard (Alternate Version)

A Piece of Beethoven

E Morricone - Playing Love

Me on my YamahaDGX-670 keyboard with the reverb turned up

Stars

Preacher Man

A Moment With The Moments

I've Got to Keep on Loving You

OJ Simpson

Something Bad (Intermission One)

Joyful Sounds of Christmas 2018

December Fun

Summer

Living Without You

Si la police tient une place particulière dans les débats publics depuis quelques mois, la contestation envers cette institution est loin d’être nouvelle. Détestée, critiquée, scrutée… Mais rarement vécue, et racontée, « de l'intérieur ».

C'est ce que s'est proposé de faire le journaliste Valentin Gendrot, d'enquêter au plus près des flics, s’infiltrant parmi eux pendant deux ans. De son expérience, inédite, il tire un livre, qu’il raconte à Thomas Rozec.

Thomas Rozec interroge Valentin Gendrot, auteur de « Flic » (éd. La Goutte d’Or, 2020).

CRÉDITS
Programme B est un podcast de Binge Audio présenté par Thomas Rozec. Cet épisode a été produit en septembre 2020. Réalisation: Mathieu Thévenon. Production et édition: Lorraine Besse. Générique: François Clos et Thibault Lefranc. Identité sonore Binge Audio: Jean-Benoît Dunckel (musique) et Bonnie El Bokeili (voix). Identité graphique: Sébastien Brothier et Thomas Steffen (Upian). Direction des programmes: Joël Ronez. Direction de la rédaction: David Carzon. Direction générale: Gabrielle Boeri-Charles.

Deux ans chez les flics

George Winston grew up mainly in Montana, and also spent his later formative years in Mississippi and Florida. During this time, his favorite music was instrumental rock and instrumental R&B, including Floyd Cramer, the Ventures, Booker T & The MG’s, Jimmy Smith, and many more. Inspired by R&B, jazz, Blues and rock (especially the Doors), George began playing organ in 1967. In 1971 he switched to the acoustic piano after hearing recordings from the 1920s and the 1930s by the legendary stride pianists Thomas “Fats” Waller and the late Teddy Wilson. In addition to working on stride piano, he also at this time came up with his own style of melodic instrumental music on solo piano, called folk piano. 

Since 1972 George has released thirteen solo piano albums: AUTUMN (1980), WINTER INTO SPRING (1982), DECEMBER (1982), SUMMER (1991), FOREST (1994), LINUS & LUCY-THE MUSIC OF VINCE GUARALDI (1996), PLAINS (1999), which was inspired by his Eastern Montana upbringing, NIGHT DIVIDES THE DAY - THE MUSIC OF THE DOORS (2002), MONTANA-A LOVE STORY (2004) and GULF COAST BLUES & IMPRESSIONS-A HURRICANE RELIEF BENEFIT (2006). His most recent recording are LOVE WILL COME - THE MUSIC OF VINCE GUARALDI VOL 2 (2010), and GULF COAST BLUES & IMPRESSIONS 2-A LOUISIANA WETLANDS BENEFIT (2012).
In 2001 George released REMEMBRANCE - A MEMORIAL BENEFIT, a seven song EP of piano, guitar and harmonica solos, to benefit those affected by 9/11.  He has also worked with the late George Levenson of Informed Democracy (www.informeddemocracy.com) on three projects: a solo guitar soundtrack for SADAKO AND THE THOUSAND PAPER CRANES, and soundtracks of piano, guitar and, harmonica solos for PUMPKIN CIRCLE, and BREAD COMES TO LIFE. In addition, he has recorded the solo piano soundtrack for the children’s story THE VELVETEEN RABBIT for Rabbit Ears Productions. 	

George is presently concentrating mainly on live performances, and most of the time he is touring playing solo piano concerts (the Summer Show or the Winter Show), solo guitar concerts, solo harmonica concerts, and solo piano dances (with R&B and slow dance songs). 

He is currently most inspired by the great New Orleans R&B pianists Henry Butler, James Booker, Professor Longhair, Dr. John, and Jon Cleary, and he is also working on interpreting pieces on solo piano by his favorite composers, including Vince Guaraldi, Professor Longhair, and the Doors, as well as Sam Cooke, Dr. John, Allen Toussaint, Randy Newman, Curtis Mayfield, Laura Nyro, Al Kooper, Jimmy Wisner, Arthur Lee, Frank Zappa, Ralph Towner, Rahsaan Roland Kirk, John Coltrane, Milt Jackson, John Hartford, Oliver Schroer, Taj Mahal, Henry Butler, James Booker, Jon Cleary, Philip Aaberg and others, to play at concerts, and at his solo piano dances.

George is also working on solo guitar and is recording the masters of the Hawaiian Slack Key guitar for an extensive series of albums for Dancing Cat Records (www.dancingcat.com). Slack Key is the name for the beautiful solo fingerstyle guitar tradition, unique to Hawaii, which began in the early 1800s and predated the steel guitar by over half a century. 

He is also recording his main inspirations for his harmonica playing: Sam Hinton, Rick Epping, and Curt Bouterse.

Piano: George Winston plays Steinway Pianos
Guitar: Martin D -35 (1966), with low 7th string added
Harmonica: Hohner Big Rivers & Cross Harps, key of low D


Living Without You

George Winston

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