Name: A to B by Georgia Rodgers in new
Duration: 19 min 57 s
Description: For solo percussion and electronics. Composed May - Aug 2010.

12" vinyl + digital.
http://www.discogs.com/label/On%20The%20Edge%20%282%29
Remixed by Andy Stott (Andrea).
http://www.discogs.com/artist/Andy+Stott


Hatti Vatti ft Echo Ranks - Great (Andy Stott remix)

Exaudi/James Weeks stephenchase.wordpress.com

trost in wolken

13 - cd sl-dz1200 technics set in Torun (Poland) 01.10.2011 - "break your tek 2" party

Ensemble Adapter 
BBC Radio 3 Recording at the Huddersfield Contemporary Music Festival

The full piece is 20 mins long.

Hoch und strahlend steht der Mond. Ich habe meine Lampe ausgeblasen, und tausend Gedanken erheben sich von meines Herzensgrund. Meine Augen strömen über von Tränen.
Paul Klee (1916)

High and radiant is the moon. I blew out my lamp, and thousands of thoughts rise up from the bottom of my heart. My eyes overflow with tears.

Paul Klee created a text-painting using these words a hundred years ago, the year he was conscripted into, though never fought for, the German army. I saw this painting just days after the UK voted to leave the European Union. I was touched by it’s simple, fragile vulnerability made at a deeply fractured time.

www.bbc.co.uk/programmes/b083qmw0
www.ensemble-adapter.de

Music for Europe [2016] // excerpt: first 8 minutes

Legendary

Chicago Civic Orchestra Composers Project. 

Trio 1: Gordon Daole-Wellman (clarinet), Matt Baker (trumpet), Matt Kibort (percussion/EBow+Guitar)

Trio 2: Maria Arrua (violin), Kip Riecken (viola), Kenji Sasaki ('cello)

Composer's Project 2017

from the signal (2017)

“What we really want to do is serve happiness” is the first sentence of a lecture written by the artist Agnes Martin in Santa Fe, New Mexico, 1979. The title of the lecture was The Current of the River of Life Moves Us.

Composed by Anton Lukoszevieze for Mark Knoop. First performance Kettle’s Yard Gallery, Cambridge, 16 February 2014. This recording from February 2019.

What we really want to do is serve happiness

"Embassy Of Embarassment" from the new PRAED album out on AKUPHONE records akuphone.com

AKUPHONE AKU1011. LP/CD/Digital Buy here: 
https://akuphone.com/catalog/1pRd1timEEwy#content

Release date digital : 11.28.18
Release date vinyl/cd : 01.14.19

Akuphone presents « Doomsday Survival Kit », PRAED’s fourth studio album. This is the ultimate kit to prepare calmly for the sixth extinction! The Lebanese duo delivers a raging interpretation of the chaabi – popular Arabic music – using synthesizers, drum Machines, samples and other devices. The result is hypnotic and psychedelic, on the verge of trance. The clarinet of Paed Conca and the soaring lyricism of Raed Yassin sound like distant calls for help emerging from a world that is falling apart and slipping away. The record itself is enhanced by its sleeve – designed by the Lebanese artist Raphaëlle Macaron – printed in 5 Pantone colors making it as explosive as the music.

Doomsday Survival Kit

Embassy Of Embarassment

Quatuor Bozzini (https://quatuorbozzini.ca/fr/)
recorded live at
Time:Spans Festival (https://timespans.org/)
NYC, August 2019

string quartet no 4 (2019)

For solo percussion and electronics. Composed May - Aug 2010.

A to B

Recording: Elisabeth Smalt on Ergodos Records (www.ergodos.ie)

Purchase from iTunes: http://itunes.apple.com/ie/album/cyan/id382772099?i=382772186

www.schlepperconnolly.com

Cyan – Elisabeth Smalt (viola)

taken from "Human Sapiens Ep" released by @pointless-geometry:
https://pointless-geometry.bandcamp.com/album/julek-ploski-human-sapiens-ep

when homophobic attacks are a daily thing in your hometown you have to grow a thicker skin, but it’s not enough. derealisation gets stronger while you’re working on your second LP “śpie”, you have to constantly tell yourself “I’m a human” as a form of self-therapy and this sentence just sticks with you every day.
then the feeling of not-existing is induced by the polish political speeches you keep hearing so you make music as ecstatic, as colorful, as fast and as physical as you can, but it’s not enough. you’re still a non-human being so you make this music even faster, samples sharper and kicks louder.
and then you have “Human Sapiens Ep” - the collection of songs that make you feel a bit better and make you feel like a Human Sapiens.

Music by julek ploski
julekploski.pl

Recorded in 2017-2020 Warszawa, Olsztyn

Mastering by Nagy Roland
www.facebook.com/faustomercier

Artwork and design by julek ploski
https://www.instagram.com/julekploski/

Guitar in „My Music” by Natalie Schchepanskye Erotic Pleasure
https://soundcloud.com/szczepcio

Vocal in „My Music” by Skinny Girls
https://enjoylife.bandcamp.com/album/ana-mi-o-w-czasach-postkultury

julek ploski
Born in 1998, Warsaw-based Julian Płoski has recently been making noise among the Polish experimental scene. Despite only being 22, he can already boast about taking part in various residencies, performing dozens of gigs including one at UNSOUND (which described him as being “on the forefront of a new wave of very young electronic music producers in Poland”), or founding an ever-fluid label 𝑔𝓁𝒶𝓂𝑜𝓊𝓇. Julek’s critically acclaimed debut album "Tesco" saw him shoplifting field recordings while hunting for discount groceries, then genuinely fusing them with bare elements of contemporary club music or IDM into ominous, industrial sound collages. The second LP - “śpie” - released in Czech Gin&Platonic led the listener through extensive hypnagogia occurring during the onset of sleep, with all of its abrupt deflections one may eventually take while attempting to enjoy a quality rest. Now, the time has come to reveal “Human Sapiens Ep” - his clubby coming out.

www.facebook.com/ploskipremium
julekploski.bandcamp.com
soundcloud.com/fllat

Intro Pt. "Życie Świata"

Instrumental and electronic composition https://polarpatterns.wordpress.com/

On youtube: 'Base' for bassoon and double bass https://www.youtube.com/watch?v=GQpD6uFm6Rc

'Masking set' for alto, viola, cello: https://www.youtube.com/watch?v=OuN08R__FTE

A to B

Georgia Rodgers

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