Victor

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Forgotten Places

Hello dear Listeners,

This is the 'Radio Edit' of an improvised piece almost twice the length.

It's truly a beauty, and one of the peak experiences guitarist Tim Elliot and I have had together as Shekinah Fire.

I'm playing my ES7 Stage Keyboard and he's on his Attila Custom electric Guitar... 

May you enJoy !  

© Gary Courtland-Miles & Tim Elliot 2024
℗ Gary Courtland-Miles & Tim Elliot 2024

Beyond Belief * (Temple Edit)

404. imagine (lennon).mp3

Knowing when to stop applies to so many things in life but in this case it’s an exercise in trying to play double stops on the SWAM string instruments.

Sounds here are from SWAM Viola and Violin, BeatHawk Bombards and Bagpipes,  World Piano Drones, Bodhrán from the website of Santiago Molina and waves from the BBC.

What works for me to get consistent double stopping (two notes playing at once) using GeoShred is 

1) Change (in SWAM) Bow Polyphony from Mono String Crossing (the default) to Auto.
2) On the Advanced Settings page, make the SWAM window as big as possible and navigate right to the bottom. Change Auto Poly Detection time from 12 (the default) to the maximum of 30.969 🤨
3) Try playing two notes at once in GeoShred.
4) Repeat step 3 a gazillion times until it works consistently😊

#270 Knowing When To Stop

"No One's Knocking" is a raw, emotionally charged exploration of isolation and confinement, both physical and mental. This alternative rock track combines stripped-down verses with powerful choruses, creating a compelling narrative of solitude and disconnection.
The song builds from sparse, intimate moments to crushing waves of distorted guitars and driving rhythms. The minimalist approach to the verses highlights the vulnerability in the vocals, while the choruses explode with layered instrumentation that emphasizes the weight of isolation described in the lyrics.
A haunting bridge section breaks down into atmospheric territory before launching into a searing guitar solo that speaks volumes without words. The outro's simple, stark delivery of "Nothing left, just the air" serves as a powerful punctuation to the track's theme of emptiness and isolation.

No Ones Knocking

Coconut Martini (for Piano)

Step into the eerie world of Creepy Halloween, the new album by Sébastien Bacci.
A chilling journey through dark cinematic soundscapes, where haunting melodies and intense atmospheres merge to create the perfect soundtrack for your nightmares.
From deep tension to ghostly ambiences, each track captures the spirit of Halloween in its most terrifying form.

This music is royalty-free (Creative Commons) and available for free download at:
👉 https://www.musiqueslibrededroit.fr/

#CreepyHalloween #SebastienBacci #HorrorMusic #DarkAmbient #CinematicSound #FreeDownload #RoyaltyFreeMusic #HalloweenSoundtrack #ScaryBeats #CreepyVibes #DarkCinematic #HorrorAtmosphere #MusiquesLibreDeDroit #SoundtrackComposer #DarkElectronica #HauntedMelodies #HalloweenMood #CreepySoundtrack #FearMusic #CinematicHorror

Creepy Halloween

Creepy Halloween (Best of Halloween 2025) Free Download

Buy link: https://tinyurl.com/5t5pv7uh

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Release info.

Premiere: Tadej Jaki - Faniriana - Solarsystem Records

🌕 Drift into peaceful sleep under the glow of the moon.
Lunar Rest is a Lo-Fi ambient piece tuned to 528Hz, blending soft piano, gentle synth pads, and warm vinyl crackle.
It flows like moonlight over still water — soothing, emotional, and deeply calming.
Perfect for sleep, meditation, and quiet reflection at night.

🎧 Frequency: 528Hz – The Miracle Tone of Love & Healing
🌌 Created by Ling Guang Realm 靈光之境
💎 Support the music: https://chpuliserve.gumroad.com/l/btqfn

中文版本：
🌕 在月光下安然入眠。
《Lunar Rest（月光安眠）》是一首以 528Hz 愛的頻率 為核心的 Lo-Fi 氛圍音樂，融合柔和鋼琴、細膩合成器與黑膠質感聲響，
如月光流淌於靜水之上，療癒、寧靜而深層。
適合睡眠、冥想、深呼吸與夜晚放鬆時聆聽。

🎧 頻率：528Hz 愛與療癒的奇蹟音
🌌 製作：靈光之境 Ling Guang Realm
💫 支持音樂購買連結：https://chpuliserve.gumroad.com/l/btqfn

Lunar Rest (Instrumental)

¡¡ Warning: very old track with very LO-FI sound !!

A tribute to the heavy origins I wrote on July 1994: two alternating riffs and a 3rd theme for a rest; little by little encouraging voice and of course, distortion on rhythmic and solo guitars.

Tributo al jevi original que escribí en julio de 1994: dos riffs alternados y un 3er motivo para ir descansando, voz que poco a poco se va encendiendo, y claro, distorsión en rítmica y solista.

Lyrics/Letra:

Casi he olvidado el tiempo
 en que podía decirte que no.

He tirado mi cigarro a la noche
y no quiere apagarse,
para seguirla viendo desnuda
a la luz de la calle.

Si hay sí,
pero ni la piscina,
ni los tragos de Passport,
pudieron apagar...
...mi cuerpo, su cuerpo, ¡qué locura! (bis)

Casi he olvidado el tiempo
en que podía decirte que no.

Y ahora vuelvo a estar atrapado
de lo que pude escapar,
ahora vuelvo a ser esclavo
de lo que pude olvidar...
...de ti, de tu cuerpo, nena, ¡qué locura! (bis)

Cuando podía decirte que no (Si hay sí)

Everything here is created, recorded and mixed on an IPad Pro using AUM.

I use GeoShred to play everything that is not generated or sequenced.

I also have some tracks on my YouTube channel

#270 Knowing When To Stop

GeoTony