Hoje, temos o prazer de apresentar em nosso aftercast 068 uma artista que vai muito além da música eletrônica. @paularebellato possui diversos trabalhos incríveis na cena punk, na arte visual, escrita e, claro, na esfera eletrônica também.

Neste episódio, ela flui entre as diversas linhas da sua extensa bagagem, que é de encher os olhos, para quem aprecia arte e a boa música. Post punk, eletrônico, sinestesia pura!

Paula é co-fundadora do Rakta, grupo que nasceu da cena punk DIY, que já se apresentou diversas vezes na Europa, América do Norte e do Sul, México, Japão e que, inclusive, tivemos o prazer de presenciar no centro de São Paulo, semana passada.

Entre outros projetos, ela apresenta o solo ACAVERNUS, que incorpora linguagem sonora, visual e escrita, buscando trabalhar e explorar diferentes ferramentas e materiais para suas composições, Mauna Kea, Hierofante, Cortina, mantendo-se ativa na cena experimental/noise de São Paulo, seja tocando, colaborando em projetos e lançamentos ou organizando shows. Também toca bateria na banda DUPLO.

Foi residente na Pulso - Red Bull Station (SP), Sonâncias Lab (BH). Mensalmente ela apresenta um programa chamado O.M. na Veneno Live Radio e em 2021 foi lançado seu primeiro LP - álbum colaborativo com Yantra - pelo selo peruano Buh Records e, também, seu primeiro disco - "Tape Loops Vol. 1" - assinado com seu nome de batismo.

aftercast:paularebellato 068

Linea Aspera「Synapse」
Music & Words by Alison Lewis / Ryan Ambridge

Cover Arranged by TAOISM
Recorded and Mixed by TAOISM

XI4NN[Another] - Synapse(Cover)

A raging face plant into the depths of punk rock

@part_time_rob @jrussohwell

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PART TIME PUNK @ The Lot Radio 09 - 15 - 2021

Recorded live, this album presents Lonberg-Holm in an intimate relationship with his cello, beautifully recorded by Joaquim Montes at Studio Namouche in Lisbon. Using a variety of extended techniques, he conjures a barrage of multiphonics, interwoven timbral excursions, and minuscule textural knots lined along the peripheral architecture of these pieces. Lonberg-Holm alludes to his music having a non-denominational devotional presence in his life, and this relationship is evident in these deeply personal improvisations. This is visceral playing: heavy, dry, honest, and unpretentious. Lonberg-Holm has performed in an exceptional number of free jazz and free improvised ensembles, not to mention with a variety of indie rock bands; one can hear this experience permeating the seasoned playing in these recordings.

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Artist's statement:

"Over the years, I have made a number of solo recordings, some in studios such as the now demolished Airwaves in Chicago and the first ESS location (now gone as well), some in concert halls (e.g., Mills College), some outdoors (my father’s farm in central NY as well as the Florida Everglades), and a few at various homes I have lived in. Location has an obvious impact and my long and affectionate relationship with Lisbon inspired me to want to make a solo document there. I have recorded with a variety of projects at Studio Namouche in the Benfica neighborhood of Lisbon and love it. That was where I wanted to make this solo recording.

Anyone who has been to Namouche knows it is a magical place. A faded version of its once probably grand self, Namouche is a sort of small RCA studio A that somehow survived the tumults of the recording industry; it still has the right proportions and materials on the walls, floor and ceiling. Add in good mics, a mixing desk, and the very capable ears of head engineer Joaquim Montes and it’s about perfect.

I’ve described the cello as a “four string busy box” for many years but only recently did I realize it also acts as a “safe space” for me. Although the outcome of pressing the various levers is more unpredictible on a cello than a busy box, I still feel that if I follow the material where it wants to go, nothing can go wrong. It is an act of faith.

For many years, “religious” music has been a source of entertainment and inspiration for me. In spite (or because?) of my lack of religious identity I find beauty in many types of music for worship. Over the years, at different times, I have been obsessed with Hindu, Muslim, Christian, Jewish and Buddhist musics, sermons and chants. While I sometimes fantasize about making a record of religious music, the only faith I can claim to have any real relationship with is Christianity and a recording of Christian music might be misunderstood so . . . I refrain. Instead, I like to think that my solo cello improvisations are a kind of non-denominational devotional music.

During the period when this was recorded, I was listening a lot to Alfred Reed. He seems to favor a very low A (almost A flat) and I experimented with tuning my cello down as a result. Some of the tracks are at that lower pitch and others are closer to A440.

Namouche has a very fine grand piano and a number of other excellent keyboards. They also have some derelict pianos. Most noticeable are the two in the front vestibule and the one in the live room. The short piano pieces were recorded using only the piano in the live room. Because such wrecks aren't found in most good studios, I couldn’t resist playing it. The juxtaposition of a derelict instrument and an incompetent pianist in a great room with excellent equipment was simply too good to pass up."

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Fred Lonberg-Holm / cello, unprepared piano

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Recorded March 21, 2019 by Joaquim Montes at Namouche Studios, Lisbon

Mastered by Branic Howard, Portland OR

NTR059 - Fred Lonberg - Holm - "Lisbon Solo"

Cassette ltd 200. Also digi filez if needed.

Vanligt Folk - Swedish Dad (iDEAL227 CS)

like a wind blowing between concrete monuments of your bleak estate, coldwave-inspired NGC 68 stubs out uour cigarette with industrial synths and reverb-shrouded vocals. EP consists of five tracks, four of which being original compositions.

TRAVESTY

Exploring the Buchla 216 touch controller going to the 259 Waveform Generator. You can find a full patch walkthrough here: https://youtu.be/aPnt6Jzgt_w
Oh, and my Patreon is: https://www.patreon.com/synthtodd

Rolling Sands

There's a new tomorrow
If you hold on today
And forget all the sorrow
That causes the pain

It tears you apart
Like ashes in the wind
You need a new start
When next day begins

There´s a new tomorrow
It was a yesterday
When there was no sorrow
There was no pain

There´s A New Tomorrow

Glittery and senseful selection is awaiting you in the 5th edition of the swarming mixtape series, building up a manifold audio journey from Oliver Torr, a multigenre multiverse persona of czech experimental electronic music scene. Breathtaking uphill ride won’t leave you cold, same as Oliver’s artistic work.

Oliver Torr is a Europe based composer, sound designer and sound artist. Since early age, he has been pursuing various activities revolving around sound, improvisation, art and music. He also has had a rich history of instrument building, working at Berlin’s Patch Point, and Prague’s Noise.Kitchen.

@user-221041418

Tracklist:
Thaiboy Digital - Im Fresh (OT drone edit, unreleased)
Tempelhof bottles and then solos and food and windKlahrk & Kavari - Rib
TTristana - Reboot (interlude)
Kronom - Mirrored Speed
OT & Elvin Brandhi - trl_eLLf_m33t1ng01
Krabs - Badgyals Gon Like Dis
Zavoloka & AGF - LISHCHYNAc (AGF Remake) 2022
binaural protesters walk
Logos - Marsh Lantern
Let Troika Better Your life (NETSPECTRE OST) (unreleased)
Paper mangles (unreleased)
X-opia_112007____102021 (unreleased) + shawty shawty
NLGNE_DEMO01 (unreleased)
St. Grimes - ST
MAX DAHLHAUS - STYMIED CYCLE (NAJIB REMIX)
OT & HEXEN - RANDELSAMPEL
AWOO - live now (unreleased)
Citytronix feat. Klahrk - ID (unreleased)
sbahn_interview_apfelsaft

phonon~ swarming ⋮ Oliver Torr

Armed with Strings from Heaven, Organs from Hell and Oscillators from the deep and Beyond; VvvV are a 2 piece from Bordeaux, France. 
Clean is the first single from their (typically) enigmatically untitled debut LP released November 19th by Detonic Recordings.
An Epic, Elegant and Brooding ColdWave/Synthpunk/Kraut tour de force: providing a sensory-enhanced immersion into their black chromed version of reality. 


VvvV

VvvV - Clean

Melbourne based label and Blog , proudly pushing slightly-skewed home-brewed death-disko euphoria to the world.
http://DetonicRecordings.com

VvvV - Clean

Detonic Recordings

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Mathias/TheVault

Spuking

sometimes GOOD

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