Release date: Feb.25/22

It's a pleasure to begin our new week with Egypt-born Barcelona-based Raxon as he returns to Maceo Plex's Ellum Audio with another cosmically minded techno EP from which we feature today's edgy broken beat bomb, Input Robot. 

Raxon 
@raxon 
www.instagram.com/raxon
www.facebook.com/Raxon

Ellum 
@ellum
www.instagram.com/ellumaudio
www.facebook.com/ellumaudio/

Getting Deeper
@getting-deeper
linktr.ee/gettingdeeper
www.instagram.com/gettingdeeper
www.facebook.com/gettingdeeper

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Raxon is at the forefront of the melodic techno scene thanks to always well-designed sounds on Diynamic, Kompakt, Cocoon and more. As a DJ, too, he explores an interplanetary sound that has seen him on the billing at influential festivals and clubs worldwide, from DGTL to Resistance Ibiza at Privilege.

He opens this one with the superb 'Input Robot,' a jostling broken techno groove laced up with sleek cosmic chords. Alien life forms live between the beats, and the elastic bass keeps you moving as the track rolls on through a turbulent night sky.

Then comes 'Mantis,' a terrifically twitchy and astral track. Robot vocals are stitched into the mix with turbo-charged synths and a looping bassline over heavy drums. It's the sound of intergalactic warfare with a real sense of electronic funk and cinematic design.

The ‘Input Robot EP’ is another innovative techno exploration from Raxon.

Input Robot EP

Premiere: Raxon - Input Robot [Ellum Audio]

Poema De La Noche

Lost.Act - Poema De La Noche (Calabasa Remix)

MANTEK.BERLIN - Right Here, Right Now

Out now: https://orcd.co/rekids2024rs

Seasoned remixer Matt Edwards, AKA Radio Slave, closes out his Rekids label’s 2024 with three reimaginations of some of the imprint’s biggest tracks of the year, extending the runtime of all versions beyond the ten-minute mark for wonderfully expansive journeys reminiscent of Edwards’ early dub days.

“Sometimes, you just need to scratch that itch, and I’ve wanted to add my twist to these tracks for quite some time. I am revisiting a period of my productions where I just let things flow. No frills, deep, bumping, hypnotic grooves; I really enjoyed doing these remixes. It’s a great way to finish an incredible year for the label and a shape of things to come in 2025.” - Radio Slave

Moodena & Charles Levine’s ‘Badman’ is up first, with Radio Slave stripping it of its larger-than-life classic House sounds and turning it into a low-slung hypnotic ‘T ell Me Something’ dub. He reworks Man Power & Louisahhh’s ‘We Trawl The Hurts’ next, an introspective trip with daydream piano keys and an irresistible organic groove. Finally, Rekids favourite Hilit Kolet and her ‘Snap T alk’ face Edwards’ deep, chord-infused drums, welded seamless and smooth with Kameelah Waheed’s iconic vocal from the original.

Radio Slave ‘Rekids’ Remixes is classy business from a remix veteran still at the top of his game after more than
twenty years.

Hilit Kolet - Snap Talk feat. Kameelah Waheed (Radio Slave’s DubHouseDub)

Dr beats -  Destroid humand (Original mix)

SINAIS - FUNCTIONS

DJ Dozia - Pop Culture (KiNK Mix)

Mark Henning - Exit Acid (feat. Dejan) (Original Mix)

The Soulful Techno king Gabriel Ananda makes his Truesoul debut with a re-master of his 2006 classic ‘Doppelwhipper’. The package also comes with two brand new remixes from Drumcode favourite Marco Faraone and the hotly tipped Layton Giordani. 

The EP opens with Marco Faraone’s remix, which samples Kings of Tomorrow’s ‘KOT Anthem (Soul Vision Remix)’. This takes ‘Doppelwhipper’ to dizzy new heights, keeping the obscure roots of the track and adding a rolling bass line that will bring any dancefloor to sheer hysteria. Next up is a re-master of Ananda’s seminal ‘Doppelwhipper’, a track which has well and truly stood the test of time. A connoisseur of the uncommon, his curious sounds float through almost 10 minutes of pure hedonism. Closing out the package is Layton Giordani’s interpretation of the track that is set to be a firm club favourite. Pounding through the gears, this one will do some real damage.

Gabriel Ananda - Doppelwhipper (Original Mix) - Truesoul - TRUE1290

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

Get it here

H&T04 Robag Wruhme - Wuzzelbud FF

Gottwood festival fundraiser compilation on Gottwax. Written and Produced by Manfredi Romano and Joseph Ashworth
> 2020

Dj Tennis & Joseph Ashworth - Cariad (Original Mix)

*We have currently paused operations due to limited capacity*

Founded originally as a boutique electronic music blog in 2012 in India, now crossing borders in Berlin, Getting Deeper has organically grown and consistently delivered authentic music with genres such as deep house, deep tech, minimal, IDM, downtempo, trip-hop and techno.

Lush vibes, melodic intricacies and sublime mindstates are places we constantly strive to reach through the music we publish. We also like to encourage escapism, philosophical meanderings and sometimes indulging in the dark side of things. In simple words, we like to get deep.

For all inquiries, including premieres, reposts & podcasts, please contact us here: https://forms.gle/iaH9wxB52YNhrA3x9