OUT NOW: http://lnk.to/RedAxesPH108

Red Axes make a triumphant return to Phantasy with a further trio of expertly-crafted leftfield club tracks. Having produced several of the label’s best-loved club moments such as ‘Sipoor’ and ‘Sound Test’, the Israeli duo easily surpass their charismatic reputation across ‘Some Lights’.

‘Some Lights’ stomps forward to reveal the footprints of a rave giant, yet, even Red Axes at their most anthemic unfold the unexpected. Bleary-eyed chords stretch wistfully into the far-distance, as a male voice compounds the mood; “Sunrise”. Suddenly, the Axes pull the rug and reveal the howling club wolf hidden behind the sheep’s dress code, plunging dancers into a heavy trip of vintage rave chords and EBM-drum play.

The more psychedelically inclined will meanwhile find plenty to embrace in the wide, kaleidoscopic canyons of ‘Skulls’, a deeper-still groove machine that conjures up images of untamed sonic plains, Morricone-esque chords unexpectedly synthesised with psychobilin. Finally, ‘Professor Grasstov’ finds the duo loosening up into more playful form still, dragging the good name of this notable academic on a loose, breaks'y trip full of baggy energy (and complete with audible liquid experiments).

Some Lights EP

Download + Buy 12"

Professor Grasstov

Release date: Feb.25/22

It's a pleasure to begin our new week with Egypt-born Barcelona-based Raxon as he returns to Maceo Plex's Ellum Audio with another cosmically minded techno EP from which we feature today's edgy broken beat bomb, Input Robot. 

Raxon 
@raxon 
www.instagram.com/raxon
www.facebook.com/Raxon

Ellum 
@ellum
www.instagram.com/ellumaudio
www.facebook.com/ellumaudio/

Getting Deeper
@getting-deeper
linktr.ee/gettingdeeper
www.instagram.com/gettingdeeper
www.facebook.com/gettingdeeper

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Raxon is at the forefront of the melodic techno scene thanks to always well-designed sounds on Diynamic, Kompakt, Cocoon and more. As a DJ, too, he explores an interplanetary sound that has seen him on the billing at influential festivals and clubs worldwide, from DGTL to Resistance Ibiza at Privilege.

He opens this one with the superb 'Input Robot,' a jostling broken techno groove laced up with sleek cosmic chords. Alien life forms live between the beats, and the elastic bass keeps you moving as the track rolls on through a turbulent night sky.

Then comes 'Mantis,' a terrifically twitchy and astral track. Robot vocals are stitched into the mix with turbo-charged synths and a looping bassline over heavy drums. It's the sound of intergalactic warfare with a real sense of electronic funk and cinematic design.

The ‘Input Robot EP’ is another innovative techno exploration from Raxon.

Input Robot EP

Premiere: Raxon - Input Robot [Ellum Audio]

The famous Nu Groove is about as influential as they come when you're talking about early house music. It had its own distinctive New Yorkian twist with much material on it produced by the legendary Burrell Brothers. Here we are reminded why it is such a vital label with an EP from Acid Jerks that embodies everything that made it so: warm kick drums, musical melodies and a sense of soul that is impossible to ignore. After a smooth opener, 'Distant Power Plant' has a more raw and menacing bassline tearing up the raw drums and 'A Thousand Kisses' then leans into a serene techno vibe but still with house music as the foundation. The warm late-night chords of closer 'Organ Grinder' make it the standout.

Acid Jerks - Distant Power Plant

TRAMPA012 by Trampoliner Chieftain Elfenberg

Belters Inc

Sundays

The idea for this song came together in the late 90's. The words were inspired by what I was experiencing at the time. It seemed like just a repetitive phrase at first, but after listening to it several times, I realized how something little meant so much. 
When I first sent this to the Snuff Crew, they immediately replied that they were interested in it. I took the song back in the studio and gave it a slight update.  I kept the original vocal and 707/808 drums. 
I updated the Bass line and used a Juno 60 as opposed to the original Prophet 600 sound. I'm both surprised and happy as far as the amount of attention this has received. I can't thank The Snuff Crew enough for inspiring me to finish this. Also want to thank Strictly Rhythm for taking it to the next level with their Digital release.  Currently the vinyl version is the only place you can get the Acid & Instrumental mix. Also there's is an  A capella version found only on the digital release. The Ep is now available at most record stores and digital online sites. Here are a few links. 

Vinyl - http://www.deejay.de/STX013_-_Mystic_Bill_-_U_Wont_C_Me_-_12inch__202787

Digital - http://www.traxsource.com/

Mystic Bill -  U Won't C Me  Original Mix _Pre Mastering

SOLAR (2014)

Gremlins

The Soulful Techno king Gabriel Ananda makes his Truesoul debut with a re-master of his 2006 classic ‘Doppelwhipper’. The package also comes with two brand new remixes from Drumcode favourite Marco Faraone and the hotly tipped Layton Giordani. 

The EP opens with Marco Faraone’s remix, which samples Kings of Tomorrow’s ‘KOT Anthem (Soul Vision Remix)’. This takes ‘Doppelwhipper’ to dizzy new heights, keeping the obscure roots of the track and adding a rolling bass line that will bring any dancefloor to sheer hysteria. Next up is a re-master of Ananda’s seminal ‘Doppelwhipper’, a track which has well and truly stood the test of time. A connoisseur of the uncommon, his curious sounds float through almost 10 minutes of pure hedonism. Closing out the package is Layton Giordani’s interpretation of the track that is set to be a firm club favourite. Pounding through the gears, this one will do some real damage.

Gabriel Ananda - Doppelwhipper (Original Mix) - Truesoul - TRUE1290

Soul Sounds

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Wuzzelbud FF

Get it here

H&T04 Robag Wruhme - Wuzzelbud FF

Chiapet - Westworld

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Founded originally as a boutique electronic music blog in 2012 in India, now crossing borders in Berlin, Getting Deeper has organically grown and consistently delivered authentic music with genres such as deep house, deep tech, minimal, IDM, downtempo, trip-hop and techno.

Lush vibes, melodic intricacies and sublime mindstates are places we constantly strive to reach through the music we publish. We also like to encourage escapism, philosophical meanderings and sometimes indulging in the dark side of things. In simple words, we like to get deep.

For all inquiries, including premieres, reposts & podcasts, please contact us here: https://forms.gle/iaH9wxB52YNhrA3x9