The sound develops slowly but continuously; very inspiring.

My first experiment using the Xaoc Devices Odessa (solo), additive synthesis oscillator. Through the Katowice stereo band isolator to tame the high frequencies a bit. Straight into the Meris Polymoon for epic reverb. 
Odessa is modulated by 4 different sources, three envelopes (looping) and 1 LFO.  It sounds as if it is alive, very interesting, gorgeous.
Thunderstorm and rain recordings from recent storms here in the Netherlands. 
Recorded in Bitwig studio and mastered with Izotope Ozone.

Odessa experiment 20210705

Odessa Experiment 20210705 Master

In this track I am using the Sequential Pro 3, the ASM Hydrasynth and the Osmose (Eaganmatrix) together. Recorded "live" in one take in my home studio. Sequencing of Hydra and Pro 3 by Cirklon.

Hydrasynth opens with bass, where filter cutoff is modulated semi-randomly from the Cirklon. Next in line is the Pro 3 with a patch inspired by my partner learning to play her didgeridoo. .

All sounds programmed by myself. The Eaganmatrix patch is a noise source sent through the BigBank quad-filter. Lots of experimentation resulted in a breathy, flute like, patch that sounds definitely spooky in the lower registers. Additional reverb effect on Osmose audio provided by Lexicon MX400.

The Osmose / Eaganmatrix patch is available to download here:  https://patchstorage.com/simplebigbank01-osmose/

Learning To Play The Osmose 4

Learning to play the Osmose now controlling the Odessa Eurorack module. The Osmose over USB connected to the Expert Sleepers FH-2 (plus a CV expansion), 10 CV outs from the FH-2 to the Odessa, the HEL extender (CV for notes) and the high CV input of the Katowice. 
CC74 (Osmose MPE aftertouch) is used to modulate several parameters. With round robin note priority it is not possible to predict which finger playing on the Osmose is modulating what parameter, this produces amazing results, not reproducible.

Learning to play the Osmose and Odessa Part 1 ambient

Part 2 of learning to play the Osmose controlling the Odessa Eurorack module. The Osmose over USB connected to the Expert Sleepers FH-2 (plus a CV expansion), 10 CV outs from the FH-2 to the Odessa, the HEL extender (CV for notes) and the high CV input of the Katowice.
CC74 (Osmose MPE aftertouch) is used to modulate several parameters. With round robin note priority it is not possible to predict which finger playing on the Osmose is modulating what parameter, this produces amazing results, not reproducible.

Learning to play the Osmose and Odessa Part2 rhythmic version

Elektronische Experimente mit OSMOSE und IRIDIUM

2024 - 04 - 02 OSMOSE & IRIDIUM

2024 - 04 - 01 Electric Keys & Epic Sunrise

30012013 Ohnevoxmattweiss

die zehn gebote der dna

In Rage

TANPURA (OSMOSE)

This is an electronic ambient & generative piece. Featuring my very first Eurorack module, the Erica Synth GraphicVCO, in action. One of the module's wavetables is modulated by LFO 1 and combined with oscillator 3 of the Sequential Pro 3. Also featuring Tim Shoebridge's Octave oscillator for the NTS-1 (running through the Submarine effect). All combined with one of my Sequential Prophet X patches. Semi generative driven by the Manikin Schrittmacher.

Transcendent Voices

Transcendent Voices Part 1

Passionate electronic music enthusiast, collector of fun hardware synthesizer technologies.
This is a place for me to share experiments, sound design demos and for having creative fun.

Learning to play the Osmose and Odessa Part 1 ambient

Gerry 'Gezz' Havinga

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Kraftkabel

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