Been doing electronic/ambient almost 50 years, I love pure tone work, really nice work....

Thank You for 1500 plays! ❤️

When exercise in mixing bass changes into track ;) It's a kind of medieval/celtic triphop track. I've again returned to Irish Harp. Now there are 3 of them ;)

Imagine.... A medieval castle town stretching around the defensive walls. The girl around 18, with long hair getting out from home. She grabs basket and a shawl and runs outside. It's an early morning, the light is cold and it is a bit misty... she goes down the street close to the wall, she has the tight dress with more open bottom. She begin to dance... This is modern dance. Something between classical and jazz with modern additions of head and hands movement. When she dance more and more girls join her dance with simultaneous movements...

It's an anachronism like in "The Knight's Tale" dance scene:
https://www.youtube.com/watch?v=Sv_E86eJELE 

I've used
DAW Ableton Live Standard
Kontakt Player Irish Harp
Soundpaint – 1928 Steinway Piano
Ableton Live - Drift Synth - 808 Pure Bass
Spitfire Originals Epic Strings
Spitfire Originals Cinematic Percussion
Spitfire BBC Symphony Orchestra Discovery FREE - Trumpets and Oboes
Spitfire LABS Cello Moods

Two MIDI percussive loops were used:
from "Mood Reel" - Bins and Barrels Kit - 105 bpm
from Core Library - Shaker Chance 128 bpm

Thanks for reviewing and lot of good advice go to:
Nynke @wichita-nynke, wejfi @wejfi and kavvka @grzegorzkawka.
Also special thanks go to °Roach @dj-roach-1 for a lot of technical advice.

Thank You for listening and I hope You like it at least a little bit 😊

Picture from Freepik by stockgiu

Dance of Lonely Maidens

Gary, of Mountain Songs (https://soundcloud.com/mountain-songs)
contacted me about 2 years ago and offered me a baseline stem from an Alpha Roots collaboration he was working on with Joerxworx. About 2 years ago, that is crazy! I, of course, said I would take the stem. I needed to finish some other songs that were in the works before getting to play with Alpha Roots’s baseline. By the time I was ready to connect with the vibe, Russia had invaded Ukraine, unfathomable tragedy had begun, and the world was changing again. My song writing reflected the horror of what was going on. By the time all the stems were gathered, vocals were recorded, and the song was mixed and mastered, another war had broken out and the horror continued. 

Massive thanks to Mountain Songs for  trusting me with these blessed Alpha Roots stems. So glad Jamie, Jonathan, Joerxworx, and Russ got a chance to work with Alpha Roots again. Alpha Roots lives on. 

And the song is ready just in time for Halloween! 

Track Credits:

Alpha Roots: Bass
https://soundcloud.com/alpha-roots
Jamie Rhind: Organ
https://soundcloud.com/jamie-rhind
Jonathan Beckenstein: Guitar
https://soundcloud.com/jonathan_beckenstein
https://fictivesisters.bandcamp.com
Joerxworx: Sax
https://soundcloud.com/joerxworx
the Couch King: Lyrics, vocals, and production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield
https://soundcloud.com/the-exe-stencilists
The Chaos Cookhouse: Studio
https://chaoscookhouse.bandcamp.com

Lyrics: 

Sleep walker doing bidding in the night
Night stalker, half asleep, right now, while you fright, wow
Sleep walker hypnotized prowler by the moon
Moon shocker, mindless rocker, from the tomb eww

Dr. Caligari caught cha sleepin’
Day dreamin’ though you woke
Never thought what you were thinkin’
Now you only speakin’ what he spoke

It’s a somnambulist break in
Break in
Gonna stab them in the bed now
It’s a somnambulist break in 
Break in
Fillin’ ‘em with dread ya

Sleep walker doing bidding in the night
Night stalker, half asleep right now, while you fright, wow
Sleep walker hypnotized prowler by the moon
Moon shocker, mindless rocker, from the tomb eww

Dr. Caligari gonna open
The coffin where you’ll rest
On his order you awaken
Now you answerin’ without questionin’ his behest 

It’s a somnambulist break in
Break in
Gonna stab them in the bed now
It’s a somnambulist break in

Sleep walker doing bidding in the night
Night stalker, half asleep right now, while you fright, wow
Sleep walker hypnotized prowler by the moon
Moon shocker, mindless rocker, from the tomb eww

Dr. Caligari caught cha sleepin’
Day dreamin’ though you woke
In the shadows see you creeping
His knife hidden inside his cloak 

It’s a somnambulist break in
Break in
Gonna stab them in the bed now
It’s a somnambulist break in 
Break in
It all turning red now

Somnambulist Break In

Alpha Roots, Jamie R, Jonathan B, Joerxworx, Russ & the Couch King - Somnambulist Break In

Mad Then Mad Now

Eugen's eighth stunt - naviarhaiku550

EP on Bandcamp : https://fhauna.bandcamp.com/album/13-gnoses-vol-7

???

180324 : Deux heures on affronte les choses du ciel, lequel termine de se tordre, près de rompre. On persévère avec un rythme irrégulier. Il conserve de la résistance, qu’on déclenche par salves et qu’il réserve on ne sait trop comment. On chiale à demi. On apprend comment pousser vers l’avant mais on s’inquiète plus tard du manque à obéir qu’engage cette course sans bornes..

???

190524 : L’âpreté du dehors inscrit notre peine et cette peine, découverte, nous grise.
*

catalogue : muzakorderEP0011

recording(s) : fhauna

mastering : Nil Hartman

13 Gnoses (Vol.7)

Nag Isengrin

EAST

beautyful ghost

Beautyful Ghost

Taking a trip in the park when night descends .......

[2nd part of a quartet series featuring 2 soprano saxes, bass-pedal flute and clarinet. Other sounds, bass and beats c/o Garageband.]

Echoes of the Dark Park (QXii)

telegraph pole
toppled down by
the tempest

by: Masaoka Shiki


beep myth test - naviarhaiku566

This is a more cinematic track inspired by Adrian Tchaikovsky's book, Children of Memory. 

Extraction

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth
TexMex Shaman -- @texmex-shaman –Stephen– sitar and mastering
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
Mistermark – @user-432503709 – Mark – talking drum, jaw harp
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)

This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved.

Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections.

Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections.

But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

beep myth test - naviarhaiku566

Gianantonio Patella

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