Andrew Noseworthy (he/him/his) is a multidisciplinary artist whose music reflects upon the acceptance/rejection of “locality,” while addressing ideas of post-regional spaces and questions of accessibility for the musical voices within them. His genre-fluid projects coalesce wide-ranging styles and distinct artistic practices, while building sustainable relationships through communal collaboration. Recent collaborators include The Metropolis Ensemble, The 21C Guitar Conference, Angie Moon Dance Theatre, Saman Shahi, India Gailey, Yang Chen, Tim Brady/Bradyworks, Phong Tran, Adam Cuthbért, SlowPitchSound, Greg Bruce, The St John’s International Sound Symposium, Bekah Simms, Tanea Hynes and Andrea Lodge. He is a member of the experimental hardcore duo this place is actually the worst (with Aeryn Jade Santillan), post-genre duo laydøwn (with Yaz Lancaster), Toronto-based contemporary ensemble ContaQt, and co-runs people | places | records.

Alexandre Del Torchio is composer and visual artist.
After graduating from le Fresnoy – Studio National des Arts Contemporains, he studied acousmatic composition with Régis Renouard-Larivière.

Alexandre plays concerts and performances, and composes acousmatic pieces and movie music.
His installations explore mainly wave phenomena in contemplative or experimental projects.

He works regularly with Chilean filmmakers René Ballesteros (Los sueños del castillo, 2018) and Carmen Castillo (Chili 1973 : une ambassade face au coup d’Etat, 2019), and Korean artist Heewon Lee (The rain, 2017).

Among others, Alexandre awarded second prize acousmatic music in 2015 (Montreal), was selected same year at “Banc d’Essai” organised by INA-GRM Paris, and received SACEM original music award in 2019 at festival Cinéma du Réel in Paris.

Composer of contemporary classical music, he/him, 30, Canada

b. - Winnipeg, Manitoba
BM - University of Toronto
MM- University of Western Ontario
PhD - University of North Texas 

The colors representing each piece here are derived systematically from their titles.

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Andrzej Karałow, b. 1991 is a Polish pianist, composer and improviser based in Warsaw (Poland). He is currently an assistant professor at the Fryderyk Chopin University of Music in Warsaw. Doctor of Musical Arts.
He is a laureate of many national and international piano competitions, e.g. Milosz Magin Competition in Paris, Konzerteum in Athens, or Frederic Chopin National Competition in Warsaw. He performed in prestigious concert halls in the country and abroad, also with accompaniment of renowned orchestras [Warsaw National Philharmonic, Sinfonia Varsovia], under the baton of Ewa Strusińska or Jakub Chrenowicz. Equally successful as a composer, he is a prize winner of, among others, the 2nd Karol Szymanowski International Composition Competition in Katowice, or Opera Compostion Competition in Miskolc, Hungary, where he was praised for his professionalism, imagination and artistic sensibility. Although classical music is the main field of his activity, he is also open to experiments in electronic and alternative genre, combining techniques and inspirations from various fields of art into his own, unique musical language.

• Finno-Norwegian composer
• Ph.D. in composition (EMTA, Estonia), M.Mus (NMH, Norway)
• Found in Oslo, Skien, Bergen, Helsinki or Tallinn

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