Lunchmeat Festival 2025

Aspiring Prague’s dark horse of a producer Ursula Sereghy & Warsaw’s very own romantic badboy Julek Ploski finally have a big pleasure to release their collaborative track 'Řeřicha'. Named after cress the plant, 'Řeřicha' has slowly grown next to the road heading towards Ursula’s debut album 'OK Box', released via Gin&Platonic - also home to Julek’s eponymous longplay opus 'spie'.

Written & produced by Ursula Sereghy & julek ploski
@ursulasereghy
@julekploski

Mastered by Wim Dehaen
@wimdehaen

Artwork by Matyas Malac
matyasmalac.com

Bandcamp

Ursula Sereghy x julek ploski - Řeřicha

‘Inflatable Gravestone’ is the debut album by Mun Sing released on https://soundcloud.com/planetmurecords on 2nd June 2023

‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Giant Swan’s Harry Wright).

The motivating force of the album is the sudden loss of Harry’s father in 2020. His father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss.

Serving as a narrative for his own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu. 

Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by him and his father. His father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and  apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.

The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism.
releases June 2, 2023

All tracks written and produced by Harry Wright. Lyrics by Harry Wright, except track 10 lyrics by Harry Wright and William Wright. Lead vocals by MX World. Additional vocals by Nashne, Akiko Haruna and Mouse.

Mastered by Beau Thomas at Ten Eight Seven Mastering.

Published by Domino Publishing.

Squabble

kodiki - Juchu

Mun Sing - Frolic EP
ID009

https://munsing.bandcamp.com/album/frolic-ep

Mun Sing’s forthcoming ‘Frolic’ EP adopts the drama and intricacy of his productions to create a surreal, demented fairytale. In this world, fun and indulgence come at a price; a shadow of consequence is embodied in the form of a sinister blue faced scarecrow. He is a boogeyman of sorts, akin to the beasts scaring children into good-behaviour in bed time stories, but now finding his form in adulthood. The Scarecrow reminds us that everything comes at a price, and punishes those that have too much fun. He is the embodied voice of guilt after you choose one more drink, one more episode. He lays dormant, silently watching until it’s time to strike. Can we ever really escape this lurking figure? In the times we have succeeded, how long does it last?



‘Frolic’ follows a narrative that begins with indulgence and moves through to consequence; starting with euphoric melodies and big room drops ('Frolic', 'Didn’t Need U Anyway') and ending in moments of unravelling reflection ('Scrolling', 'The Hypocrite'). The Scarecrow reveals himself for the first time during the breakdown of the EP’s centrepiece ‘Somersault’; a theatrical club epic in which the scarecrow cackles the lines “You plead a pregnant passage yet frolic and frot without consequence!?” summarising the spirit of the EP succinctly. 



The concept of indulgence has fuelled the composition of ‘Frolic’ as a whole, where Mun Sing would lean into singalong melodies and satisfying drops using a more inclusive musical language in favour of the grief-inspired awkwardness of last years debut album ‘Inflatable Gravestone’ (Planet Mu). ‘Frolic’ is inspired by big stadium pop concerts for its large-scale storytelling and pantomime-esque audience participation. After years of navigating loss and spirituality, Mun Sing found the natural next step to be writing music which explores the dialogue of joy and escapism.

DOWNLOAD

Mun Sing - Somersault

@munsing
Mun Sing - Frolic EP
ID009
Cassette tape / DL

https://illegaldata.bandcamp.com/album/mun-sing-frolic-ep

Mun Sing’s forthcoming ‘Frolic’ EP adopts the drama and intricacy of his productions to create a surreal, demented fairytale. In this world, fun and indulgence come at a price; a shadow of consequence is embodied in the form of a sinister blue faced scarecrow. He is a boogeyman of sorts, akin to the beasts scaring children into good-behaviour in bed time stories, but now finding his form in adulthood. The Scarecrow reminds us that everything comes at a price, and punishes those that have too much fun. He is the embodied voice of guilt after you choose one more drink, one more episode. He lays dormant, silently watching until it’s time to strike. Can we ever really escape this lurking figure? In the times we have succeeded, how long does it last?



‘Frolic’ follows a narrative that begins with indulgence and moves through to consequence; starting with euphoric melodies and big room drops ('Frolic', 'Didn’t Need U Anyway') and ending in moments of unravelling reflection ('Scrolling', 'The Hypocrite'). The Scarecrow reveals himself for the first time during the breakdown of the EP’s centrepiece ‘Somersault’; a theatrical club epic in which the scarecrow cackles the lines “You plead a pregnant passage yet frolic and frot without consequence!?” summarising the spirit of the EP succinctly. 



The concept of indulgence has fuelled the composition of ‘Frolic’ as a whole, where Mun Sing would lean into singalong melodies and satisfying drops using a more inclusive musical language in favour of the grief-inspired awkwardness of last years debut album ‘Inflatable Gravestone’ (Planet Mu). ‘Frolic’ is inspired by big stadium pop concerts for its large-scale storytelling and pantomime-esque audience participation. After years of navigating loss and spirituality, Mun Sing found the natural next step to be writing music which explores the dialogue of joy and escapism.

Buy Cassette/Download

Mun Sing - Didn't Need U Anyway [ft. Katy Ketani]

@ursulasereghy
@mondoj-org

First time on our premiere program for the great Polish label Mondoj, set to release  Ursula Sereghy’s ‘Cordial’ LP on April 18. The Prague-based musician delivers a unique, playful approach of music production, between microcompositions accumulation and overwhelming sound design. Sounds unravel and reform: fragments of voices, reshaped textures, the shimmer of manipulated recordings all bending into semi-familiar contours. Here’s the heterogeneous yet harmonious music of the post-internet era, bringing you the comfort you didn’t think finding in such a ludicrous place.

Out on april 18 in casette and digital:
https://ursulasereghy.bandcamp.com/album/cordial

Support

℘ཞɛɱıɛཞɛ ≈ Ursula Sereghy - Wet and Innocent [Mondoj]

systematic overcoming of longing since 2016
record label, collective & common spirit 

http://ginandplatonic.online

~ press ~

Gin&Platonic: Sounds plucked off the floor after dripping through a black hole (Easterndaze)
https://easterndaze.net/ginplatonic-sounds-seemingly-plucked-off-the-floor-after-dripping-through-a-black-hole/

Unlimited Editions: Gin&Platonic (The Wire)
https://www.thewire.co.uk/audio/tracks/unlimited-editions-gin-platonic

nesso premiere on IA:
https://inverted-audio.com/premiere-nesso-bouncer-toss/

sorbitol drops' Remízek Music on Foxy Digitalis:
https://foxydigitalis.zone/2024/08/23/the-capsule-garden-vol-3-17-august-23-2024/

Remízek Music on SilenceAndSound:
https://silenceandsound.me/2024/09/10/sorbitol-drops/

sorbitol drops video premiere on Swine Daily:
https://swinedaily.com/swine-premiere-sorbitol-drops/

Racine interviewed for Full Moon Magazine:
https://www.fullmoonzine.cz/julien-racine-hudba-vznika-skoro-vzdycky-v-izolaci-music-is-created-almost-always-in-isolation

Racine's Boue on SilenceAndSound:
https://silenceandsound.me/2024/05/15/racine/

Racine premiere on IA:
https://inverted-audio.com/premiere-racine-boue-iv/

aircode's Surface Tension among the best albums of 2023 on ATTN:
https://www.attnmagazine.co.uk/feature-review-of-2023/

Surface Tension on The Quietus:
https://thequietus.com/articles/33450-tenniscoats-ryosuke-kiyasu-spykidelic-aircode-cassette-high-bias

Surface Tension on SilenceAndSound:
https://silenceandsound.me/2023/10/26/aircode/

aircode on Crucial Listening podcast:
https://www.attnmagazine.co.uk/crucial-listening-141-aircode/

SINERAW's MIMETIC FAUNA on SilenceAndSound:
https://silenceandsound.me/2023/08/28/sineraw/

paszka's lapton on The Quietus:
https://thequietus.com/articles/33125-the-quietus-best-albums-of-2023-so-far

Somaticae's Kleis among the best albums of 2022 on The Quietus:
https://thequietus.com/articles/32400-the-quietus-top-100-albums-of-2022-norman-records

Oroboro's SPIKYMEMORY video on If-Only:
https://ifonlyuk.com/video-premiere-oroboro-spikymemory/

Ursula Sereghy on SHAPE:
https://shapeplatform.eu/2023/ursula-sereghy-i-cant-hear-myself-in-a-city

Ursula Sereghy interviewed for The Wire Magazine: www.thewire.co.uk/in-writing/interviews/thinking-outside-the-box-milos-hroch-interviews-ursula-sereghy

Ursula Sereghy's OK Box among the best albums of 2021 on The Quietus:
https://thequietus.com/articles/30903-the-quietus-top-100-albums-of-2021

hmurd's Flower Knight reviewed on RA:
https://ra.co/reviews/34044

toiret status' liquid house on The Quietus:
https://thequietus.com/articles/30921-best-tapes-of-2021

liquid house on Juno:
https://www.juno.co.uk/junodaily/2021/02/19/this-weeks-best-new-albums-7/

liquid house on Paynomindtous:
https://paynomindtous.it/toiretstatus-sabiwa-gnp/

Kindohm's Deserted / Reclaimed on Boomkat:
https://boomkat.com/products/deserted-reclaimed

Forces' Epoch on SBVRSV.press:
http://sbvrsv.press/premiere-forces-world-is-going-to-burn-gp012/

julek ploski's śpie on toneshift.net:
https://toneshift.net/2019/11/25/spie-by-julek-ploski/

śpie on nowamuzyka.pl:
https://www.nowamuzyka.pl/2019/11/13/julek-ploski-spie/

Queimada's Eremocene on Paynomindtous:
https://www.paynomindtous.it/ginplatonic-queimada-eremocene/

trngs' RLLY INTENSE .WAV FILES on Threshold:
https://www.thresholdmagazine.pt/2019/07/a-tecnologia-experimental-de-trngs-e.html

HIMERA featured on Ersa Magazine: http://ersamagazine.com/popnotes-penpals-three/

Strachkvas‘ mix of the month on A2larm: a2larm.cz/2018/11/mix-mesice-strachkvas/  

Kagami Smile’s Four Selves reviewed on RA: https://www.residentadvisor.net/reviews/23134