Taken from El Idioma De Las Luciérnagas (Pathway007)

Federico Durand - El Idioma De Las Luciérnagas

Beautiful meditation music from UK's Astralla recorded in 2025
Get a free download: newagemusicplanet.com/free-download
© 2025 Aeon Records
℗ 2025 Ditto Music LTD

Downloads

Calm

Audacity and samples.

Made for the Haiku challenge during Naviar's weekly music session https://www.naviarrecords.com/naviarhaiku621-deutzia-in-full-white/

light from above, light from below (naviarhaiku621)

Daybreak

Opening track + track two from the ambient album 'This is soon too late'. 
FDL#05.

Support independent music?
https://federleicht.bandcamp.com/album/this-is-soon-too-late

Herbstlaub - Tijd als beloven / Du nahmst ganz einfach meine Hand (FDL#05, 2016)

Second track from the 2016 album Eyes to the Height.

https://ultimae.com/product/james-murray-eyes-to-the-height-ultimae-cd/

https://ultimae.bandcamp.com/album/eyes-to-the-height-24bit

https://ultimae.bandcamp.com/album/eyes-to-the-height

Holloways

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : modernarecords.bandcamp.com/album/ichiru
iTunes : itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

Artwork by Kevin Townsend : 
Website - www.kevin-townsend.com
Facebook - www.facebook.com/kevintownsendartist

daigo hanada - and this is how it ends (near the parenthesis remix)

"Touch Dissolves" (vinyl/CD/fine art book) is the result of a dialog between the artist Yusuf Sevinçli and the composer Aaron Martin initiated by IIKKI, between January 2018 and May 2018:

iikki.bandcamp.com/album/touch-dissolves

All music by Aaron Martin. Recorded from March 6, 2018 to April 13, 2018 in Topeka, Kansas.

Mastered by James Plotkin
Artwork by Yusuf Sevinçli
Design by Sprflxgrfzm

A Child's Arms Are Moonlight

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

from the album Borders and Ruins released on LP by Karlrecords

Mastered by Alexandr Vatagin
Vinyl cut by Rashad Becker at D&M, Berlin
Artwork by Joe Gilmore

Borders And Ruins

The Skype Cloud And Your Smile On The Left

thesisproject.bandcamp.com/album/thesi…artyn-heyne

Ben Lukas Boysen - editing, zen garden.
Martyn Heyne - guitar, organ.

Composed, mixed, and mastered by Martyn Heyne + Ben Lukas Boysen at Lichte Studio Berlin.
Additional engineering by Matthias H. Franz Hahn. Vinyl cut by Mike Grinser.

Thank You!
Gregory Euclide, Matthias H. Franz Hahn, everyone at Manners McDade, Erased Tapes Records & Publishing, Claudia Gödke, and Karolina Zenobia Heyne.

Dedicated to Frieda and Frau Bellmann.

Thesis 16

& Martyn Heyne - June

Albums
(2022) Real LP/MC (Karlrecords)
(2020) Shards of Distant Times LP/CD (Karlrecords)
(2019) No Eye Has an Equal LP/MC (99chants)
(2018) Disappearing in a Mirror LP/CD (Karlrecords)
(2017) Borders and Ruins LP (Karlrecords)
(2016) Goccia CD (Home Normal)
(2015) Spazio Sacro CD (Time Released Sound)
(2014) Aer CD (Dronarivm)
(2012) Tarsia CD (Nomadic Kids Republic)

Collaborations
(2020) with Enrico Coniglio - Stalking the Elusive CD (Dronarivm)
(2018) with The Star Pillow - Hidden CD (Midira)
(2018) with Ian Hawgood - Consequence Shadows CD (Home Normal)
(2017) with Francesco Giannico - Reframing CD (Eilean)
(2017) with Francis M. Gri  - Segmenti CD (KrysaliSound)
(2016) with Francesco Giannico - Agoraphonia CD (Dronarivm)
(2015) with Pleq - The Prelude To CD (The Long Story Recording Company)

EPs
(2018) Crystalline Tragedies / The Procession (Distant Motionless Shores) split with Martijn Comes LP (Moving Furniture Records)
(2016) Confini / Fiaccole digital (Sonospace)
(2016) Mutus Liber split with Moon Ra  cassette/digital (No Problema Tapes)
(2015) Yellow Horse CD (Manyfeetunder / Concrete)
(2013) Archipelago cassette/digital (Other Electricities)
(2011) Boule à Neige digital (Laverna Net Label)

Various Projects
(2013) AIPS collective - Postcards From Italy CD (Oak editions)

The Skype Cloud And Your Smile On The Left

Giulio Aldinucci