Composer for Beyond Skyrim: Morrowind, Cyrodiil, and Roscrea. Featured on BBC Radio alongside Bear McCreary and Inon Zur. Crafting cinematic worlds through music — from The Elder Scrolls to Warhammer Fantasy

I’m a composer of music in mix genres, preferring to use classical instruments with a modern electronic arrangements and textures. My main direction of work is writing music for documentary films and social advertisement. Currently I’m working on my debut album, which is going to sound like something you may find in expressionism manner of painting. Jonas is the first single from upcoming release.

I've received a number of messages in recent weeks regarding fellow SoundCloud users having their remixes of Somebody That I Used To Know removed from SoundCloud due to copyright infringement. My personal position is that I don't try to block unofficial remixes posted for online streaming providing they're posted for purely creative reasons and are not exploited commercially (eg: monetized on YouTube).

Under current laws the formal consent of the label and publisher/s is required for any use along these lines however, and as much as I would like to help everyone out to attain this consent, there are simply too many requests relating to remixes of this particular song and too many rights holders involved for me or my reps to assist with Soundcloud keeping them up.

Thanks for your understanding

Wally

LOST IN THE FIRE FEAT. THE WEEKND: http://smarturl.it/LostInTheFire

I can't hear occasionally (when I wake up).

Enquiries/Bookings: ltomusicuk at gmail dot com

Based in Bristol, LTO first made waves as part of mysterious electronic collective Old Apparatus. As a solo producer, LTO has since attracted attention with three albums.

LTO's ambition to create ever more ambiguous and far-reaching sonic environments, whilst retaining something of the familiar and physical, have led him to take inspiration from imagined landscapes of the folklore of his Welsh ancestry and of the planet Mars. Both images of enchanted forests battling enraged giants from the underworld and unimaginably hostile planetary events guide this work of great magnitude.

In 'Daear', LTO explores an expansive sound pallet of swelling synths and noise, ambiguous string instruments, thunderous percussion, unearthly voices and his signature sound the piano, mostly processed beyond recognition. The result is a mysterious and deeply textured journey that could be set in both the distant past and uncertain future, on this planet or beyond.

“haunting and comforting in equal measure. 4/5" – MOJO

“like memory preserved in nostalgic aspic” – The Independent

“a beautiful collection that stands tall alongside the work of his contemporaries” – XLR8R

“Blurring the lines between the organic and machine-made... Takes nebulous sounds and crashes them with the clatter of machine rhythms… Brilliant.” - Hyponik

“An adventurous blend of hues grey and dark...Staggeringly rich.” - FACT

"Another great album by a real talent hugely deserving of even more attention. Remarkable. 9/10" - God is in the TV

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